An old master print with color is almost invariably regarded as a suspect object because the color is presumed to be a cosmetic addition made to compensate for deficiencies of design or condition. Painted Prints challenges this deeply entrenched assumption about the material and aesthetic structure of old master prints by showing that in many cases hand coloring is not a dubious supplement to a print but is instead an integral element augmenting its expressive power, beauty, and meaning.
Published in conjunction with an exhibition at The Baltimore Museum of Art and St. Louis Art Museum, Painted Prints reproduces and discusses a rich variety of hand-colored prints from Northern Europe of the Renaissance and Baroque periods. Anonymous woodcuts are juxtaposed with masterworks by such famed artists as Dürer, Holbein, and Goltzius. These prints, secular as well as religious, muted as well as vibrant in tonality, make it clear that hand coloring was a widespread, enduring practice, developed to satisfy the demands of both elite and popular audiences.
Painted Prints presents new research into the men and women who specialized in hand coloring and offers numerous insights into the social and economic organization of Renaissance and Baroque printmaking. It also draws on scientific analyses of the materials and techniques of hand coloring to address important questions of authenticity, chronology, and condition. With a catalogue and color illustrations of all the hand-colored prints in the exhibition, this book makes a groundbreaking contribution to the study of old master prints and their pivotal place in the visual culture of early modern Europe.
The exhibition, "Painted Prints: The Revelation of Color in Northern Renaissance and Baroque Engravings, Etchings, and Woodcuts," will be at The Baltimore Museum of Art from October 6, 2002, to January 5, 2003 and St. Louis Art Museum from February 14 to May 18, 2003.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Susan Dackerman is Curator of the Department of Prints, Drawings, and Photographs at The Baltimore Museum of Art.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Books for Life, LAUREL, MD, Etats-Unis
Etat : acceptable. Book is in acceptable condition. May have shelf wear, edge wear, and spine wear, but a very readable copy. May not come with supplemental materials if applicable. Does not include original dustcover jacket. Possibly Ex Library Copy. N° de réf. du vendeur LFM.87I9
Quantité disponible : 1 disponible(s)
Vendeur : HPB-Emerald, Dallas, TX, Etats-Unis
paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_466850604
Quantité disponible : 1 disponible(s)
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 367752-6
Quantité disponible : 1 disponible(s)
Vendeur : Las Vegas Book Rescue, Las Vegas, NV, Etats-Unis
Soft cover. Etat : As New. Firm cover and clean pages that may have very minor cosmetic defects. A solid, nice copy to enjoy. All Items in stock ready for immediate shipping! Satisfaction Guaranteed. N° de réf. du vendeur ABE-1781661010159
Quantité disponible : 1 disponible(s)
Vendeur : Lowry's Books, Three Rivers, MI, Etats-Unis
Paperback. Etat : Very Good. No Jacket. Various (illustrateur). Cover is in excellent condition, save for minimal rubbing. Text is otherwise tight in binding. Text is clean and free of blemishes throughout. No other markings or indications of note. Due to the size of this book, additional shipping charges may apply. Size: Folio - over 12" - 15" tall. N° de réf. du vendeur 125660
Quantité disponible : 1 disponible(s)
Vendeur : George Ong Books, New York, NY, Etats-Unis
Soft cover. Etat : Fine. xii, [iv], 297 pp., profusely illustrated, small folio, card wrapper. Published in conjunction with the exhibition held at the Baltimore Museum of Art and Saint Louis Museum of Art. Fine copy. N° de réf. du vendeur 6140
Quantité disponible : 1 disponible(s)
Vendeur : Sequitur Books, Boonsboro, MD, Etats-Unis
Paperback. Etat : Like New. Inscribed by Susan Dackerman on half title page. Softcover. Good binding and cover. Light wear. Clean, unmarked pages. *Autographed by author.* This is an oversized or heavy book, which requires additional postage for international delivery outside the US. Signed. N° de réf. du vendeur 2308240031
Quantité disponible : 1 disponible(s)
Vendeur : Nelson & Nelson, Booksellers, Trenton, SC, Etats-Unis
Softcover. Etat : VG+. Etat de la jaquette : No Dust Jacket. Oversize softbound copy w/scant wear; covers bright, glossy; pgs unmarked. ; N° de réf. du vendeur 23726
Quantité disponible : 1 disponible(s)
Vendeur : Warwick Books, member IOBA, South Pasadena, CA, Etats-Unis
Softcover. Etat : Fine. Softcover in illustrated glossy wrap. First edition. Fine, unread condition. Published to accompany an exhibition organized by the Baltimore Museum of Art that showed in Baltimore in 2002 and in St. Louis in 2003. Illustrated in color throughout. Folio. 297 pp. including index. Heavy--will likely require additional shipping charges for priority or sales outside the U.S. N° de réf. du vendeur 96200
Quantité disponible : 1 disponible(s)
Vendeur : Bernhards Books, Queens Park, NSW, Australie
Soft cover. Etat : Fine. Etat de la jaquette : As New. 1st Edition. Book was a reference library copy in as new condition beautiful covered in plastic and re-shrink wrapped for protection! Excellent buy. N° de réf. du vendeur 1370
Quantité disponible : 1 disponible(s)