During the 1960s, artists from Alan Kaprow and Yoko Ono to Andy Warhol and Richard Serra stopped making "art" as it has been thought of since the Renaissance. They staged performances that mixed everyday life with theater and in yet other, often ironic, ways challenged the system of marketing, display, and aesthetic discourse that ascribes exceptional monetary as well as cultural value to paintings and sculpture. Work Ethic, published in conjunction with an exhibition of the same name organized by The Baltimore Museum of Art, brings together a cross section of such radical endeavors and opens a fresh perspective on their genesis and meaning. Most of the avant-garde interventions considered in Work Ethic entailed performances and other procedures generally interpreted as linking a "dematerialization" of the object with the free play of concepts.
By contrast, Helen Molesworth and her collaborators in Work Ethic set such activities in the context of the workplace and contend that they engage issues of management, production, and skill that accompanied the emergence of the information age. The result is a major breakthrough in understanding the structures and ambitions of a wide range of art-making. Work Ethic reproduces all the diverse material--Bruce Nauman videotapes to Roxy Paine's painting machine--in the Baltimore exhibition and provides insightful discussion of each piece's history, structure, and significance.
Four essays introduce topics, like utopian fantasies of pleasurable work, that are of general relevance to setting the material into a postindustrial context. Throughout this catalogue, there is as well a lively dialogue on the museum's relationship to art that questions the rules of both the workplace and the art world. The exhibition, "Work Ethic," will be at The Baltimore Museum of Art from October 12, 2003, to January 11, 2004, and at the Des Moines Center for the Arts from May 15 to August 1, 2004.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Helen Molesworth is Chief Curator of Exhibitions at the Wexner Center for the Arts.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardcover. Etat : New. Pale tan boards, yellow cloth spine. 245 pp. Profuse bw plates. During the 1960s, artists from Alan Kaprow and Yoko Ono to Andy Warhol and Richard Serra stopped making "art" as it has been thought of since the Renaissance. They staged performances that mixed everyday life with theater and in yet other, often ironic, ways challenged the system of marketing, display, and aesthetic discourse that ascribes exceptional monetary as well as cultural value to paintings and sculpture. Work Ethic, published in conjunction with an exhibition of the same name organized by The Baltimore Museum of Art, brings together a cross section of such radical endeavors and opens a fresh perspective on their genesis and meaning. Most of the avant-garde interventions considered in Work Ethic entailed performances and other procedures generally interpreted as linking a "dematerialization" of the object with the free play of concepts. Four essays introduce topics, like utopian fantasies of pleasurable work, that are of general relevance to setting the material into a postindustrial context. Throughout this catalogue, there is as well a lively dialogue on the museum's relationship to art that questions the rules of both the workplace and the art world. The exhibition, "Work Ethic," was held at The Baltimore Museum of Art from October 12, 2003, to January 11, 2004, and at the Des Moines Center for the Arts from May 15 to August 1, 2004. Includes works by Vito Acconci, Eleanor Antin, Valie Export, Tom Friedman, Donald Judd, Alison Knowles, Lee Lozano, Tom Marioni, Yoko Ono, Babriel Orozco, Roxy Paine, Martha Rosler, Richard Serra, Frank Stella, Mierle Ukeles, Andy Warhol, Erwin Wurm, and many others. N° de réf. du vendeur 32348
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Cloth. Etat : Near Fine. 1st Edition. 245 pages. Hardcover. Text in English. Some light soiling and wear to the covers and edges. Else, the binding is tight, the interior clean and free of markings. Half bound in pale yellow cloth with embossed cardboard covers, published without a dustjacket on the occasion of the exhibition held at the Baltimore Museum of Art from October 12, 2003-January 4, 2004, and subsequently in Des Moines and Columbus. Book. N° de réf. du vendeur 028109
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Hardcover. Etat : Fine. No Jacket. 1st Edition. This is a fine hardcover first edition copy, no DJ, pale yellow cloth spine. Work viewed by 49 modern artists, before computers, robots, zoom, gig economy, etc. N° de réf. du vendeur 101106
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