The history of the banjo is as haunting as its music. Made popular in minstrel shows of the nineteenth century, the "banjar" derives from the stringed gourd instrument African slaves brought with them to plantations in the Caribbean and American South. From minstrelsy to the folk music revival of the twentieth century, the banjo has continued to attract audiences and acquire meaning. Picturing the Banjo gives this long history an entirely new dimension by tracing the instrument's representation in American visual culture from the eighteenth century to the present. Published in conjunction with an exhibition of the same name, Picturing the Banjo offers the first examination of the instrument's portrayal in images that range from anonymous photographs of performers to paintings by Thomas Eakins and prints by Dox Thrash. Leo G. Mazow, contributing editor of the volume, and his collaborators demonstrate that the banjo became an American icon that links popular music to fundamental issues of race, class, and gender. Simple and appealing as the instrument may seem in Henry Ossawa Tanner's The Banjo Lesson or Eastman Johnson's Old Kentucky Home, it carries powerful associations with social conflict and change. Through its many color and black-and-white illustrations, this book allows readers to experience the works of visual art and period instruments brought together in the pioneering exhibition organized by the Palmer Museum of Art of The Pennsylvania State University. Picturing the Banjo will be of interest to banjo lovers, scholars in American studies, and all those concerned with the musical and artistic heritage of slavery.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Leo G. Mazow is Associate Professor of American Art History at the University of Arkansas, Fayetteville.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Sunny Day Books, Mayer, AZ, Etats-Unis
paperback. Etat : Very Good. A very nice copy. Text in clean/unmarked condition. Cover has minor shelf rubbings. Binding is tight. Your Satisfaction Guaranteed. We ship daily. N° de réf. du vendeur B4F260824020
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Vendeur : Alkahest Books, Deerfield, IL, Etats-Unis
softcover. Etat : very good. Catalogue of an exhibition. Softcover (approx. 9" by 11 3/8"), xvi [xvii-xx] 179 pages. Includes both black and white and color illustrations. Also includes note, selected bibliography, and index. light small crease on rear cover, still very good. Art, Musical Instruments. N° de réf. du vendeur 000019446
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Vendeur : Bookplate, Chestertown, MD, Etats-Unis
Soft cover. Etat : As New. 1st Edition. Clean, unmarked with solid and crease-free spine. Corners remain sharp. BP/Ex-Cat/Musical Instruments. N° de réf. du vendeur ABE-1704139115424
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Vendeur : INDOO, Avenel, NJ, Etats-Unis
Etat : New. Brand New. N° de réf. du vendeur 9780271027104
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Vendeur : Bucks County Bookshop IOBA, Doylestown, PA, Etats-Unis
Published in conjunction with an Exhibition at Palmer Museum of Art. A thorough history, illustrated in color and black-and-white. -- Softcover, 179 pages, 9x11.5 inches. Condition: near fine. ISBN 027102710X. N° de réf. du vendeur 37067
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 4123777
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 4123777-n
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. The history of the banjo is as haunting as its music. Made popular in minstrel shows of the nineteenth century, the "banjar" derives from the stringed gourd instrument African slaves brought with them to plantations in the Caribbean and American South. From minstrelsy to the folk music revival of the twentieth century, the banjo has continued to attract audiences and acquire meaning. Picturing the Banjo gives this long history an entirely new dimension by tracing the instrument's representation in American visual culture from the eighteenth century to the present. Published in conjunction with an exhibition of the same name, Picturing the Banjo offers the first examination of the instrument's portrayal in images that range from anonymous photographs of performers to paintings by Thomas Eakins and prints by Dox Thrash. Leo G. Mazow, contributing editor of the volume, and his collaborators demonstrate that the banjo became an American icon that links popular music to fundamental issues of race, class, and gender. Simple and appealing as the instrument may seem in Henry Ossawa Tanner's The Banjo Lesson or Eastman Johnson's Old Kentucky Home, it carries powerful associations with social conflict and change. Through its many color and black-and-white illustrations, this book allows readers to experience the works of visual art and period instruments brought together in the pioneering exhibition organized by the Palmer Museum of Art of The Pennsylvania State University. Picturing the Banjo will be of interest to banjo lovers, scholars in American studies, and all those concerned with the musical and artistic heritage of slavery. N° de réf. du vendeur LU-9780271027104
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Editor(s): Mazow, Leo G. Num Pages: 224 pages, 120 colour illustrations. BIC Classification: AGC; AVRL. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 292 x 229 x 19. Weight in Grams: 1093. . 2005. Paperback. . . . . N° de réf. du vendeur V9780271027104
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Vendeur : GoldBooks, Denver, CO, Etats-Unis
Paperback. Etat : new. New Copy. Customer Service Guaranteed. N° de réf. du vendeur 41L68_77_027102710X
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