During the long thirteenth century, the cities of northern Italy engendered a vital and distinctive civic culture despite constant political upheaval. In The Italian Piazza Transformed, Areli Marina examines the radical transformation of Parma's urban center in this tumultuous period by reconstructing the city's two most significant public spaces: its cathedral and communal squares. Treating the space of these piazzas as attentively as the buildings that shape their perimeters, she documents and discusses the evolution of each site from 1196, tracing their construction by opposing political factions within the city's ruling elite. By the early fourteenth century, Parma's patrons and builders had imposed strict geometric order on formerly inchoate sites, achieving a formal coherence attained by few other cities.
Moreover, Marina establishes that the piazzas' orderly contours, dramatic open spaces, and monumental buildings were more than grand backdrops to civic ritual. Parma's squares were also agents in the production of the city-state's mechanisms of control. They deployed brick, marble, and mortar according to both ancient Roman and contemporary courtly modes to create a physical embodiment of the modern, syncretic authority of the city's leaders. By weaving together traditional formal and iconographic approaches with newer concepts of the symbolic, social, and political meanings of urban space, Marina reframes the complex relationship between late medieval Italy's civic culture and the carefully crafted piazzas from which it emerged.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Areli Marina is Assistant Professor of Architectural History, Art History, and Medieval Studies at the University of Illinois, Urbana-Champaign.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : -OnTimeBooks-, Phoenix, AZ, Etats-Unis
Etat : very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail. N° de réf. du vendeur OTV.0271050705.VG
Quantité disponible : 3 disponible(s)
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Fine. 1st Edition. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 55480017-6
Quantité disponible : 2 disponible(s)
Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. Num Pages: black & white halftones, colour illustrations. BIC Classification: AMG. Category: (G) General (US: Trade). Dimension: 259 x 211 x 20. Weight in Grams: 1039. . 2012. hardcover. . . . . Books ship from the US and Ireland. N° de réf. du vendeur 9780271050706
Quantité disponible : 2 disponible(s)
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Num Pages: black & white halftones, colour illustrations. BIC Classification: AMG. Category: (G) General (US: Trade). Dimension: 259 x 211 x 20. Weight in Grams: 1039. . 2012. hardcover. . . . . N° de réf. du vendeur 9780271050706
Quantité disponible : 2 disponible(s)
Vendeur : Warwick Books, member IOBA, South Pasadena, CA, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Fine. First Edition. Hardcover in dust jacket. Fine, As New condition. No dings, tears, marks, spotting, etc. Beautifully illustrated with pictures from Parma. 4to. 198 pp. including index. N° de réf. du vendeur 97177
Quantité disponible : 1 disponible(s)
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 198 pages. 10.50x8.50x0.75 inches. In Stock. N° de réf. du vendeur zk0271050705
Quantité disponible : 1 disponible(s)
Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Hardback. Etat : New. During the long thirteenth century, the cities of northern Italy engendered a vital and distinctive civic culture despite constant political upheaval. In The Italian Piazza Transformed, Areli Marina examines the radical transformation of Parma's urban center in this tumultuous period by reconstructing the city's two most significant public spaces: its cathedral and communal squares. Treating the space of these piazzas as attentively as the buildings that shape their perimeters, she documents and discusses the evolution of each site from 1196, tracing their construction by opposing political factions within the city's ruling elite. By the early fourteenth century, Parma's patrons and builders had imposed strict geometric order on formerly inchoate sites, achieving a formal coherence attained by few other cities.Moreover, Marina establishes that the piazzas' orderly contours, dramatic open spaces, and monumental buildings were more than grand backdrops to civic ritual. Parma's squares were also agents in the production of the city-state's mechanisms of control. They deployed brick, marble, and mortar according to both ancient Roman and contemporary courtly modes to create a physical embodiment of the modern, syncretic authority of the city's leaders. By weaving together traditional formal and iconographic approaches with newer concepts of the symbolic, social, and political meanings of urban space, Marina reframes the complex relationship between late medieval Italy's civic culture and the carefully crafted piazzas from which it emerged. N° de réf. du vendeur LU-9780271050706
Quantité disponible : Plus de 20 disponibles
Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Hardcover. Etat : new. Hardcover. During the long thirteenth century, the cities of northern Italy engendered a vital and distinctive civic culture despite constant political upheaval. In The Italian Piazza Transformed, Areli Marina examines the radical transformation of Parmas urban center in this tumultuous period by reconstructing the citys two most significant public spaces: its cathedral and communal squares. Treating the space of these piazzas as attentively as the buildings that shape their perimeters, she documents and discusses the evolution of each site from 1196, tracing their construction by opposing political factions within the citys ruling elite. By the early fourteenth century, Parmas patrons and builders had imposed strict geometric order on formerly inchoate sites, achieving a formal coherence attained by few other cities.Moreover, Marina establishes that the piazzas orderly contours, dramatic open spaces, and monumental buildings were more than grand backdrops to civic ritual. Parmas squares were also agents in the production of the city-states mechanisms of control. They deployed brick, marble, and mortar according to both ancient Roman and contemporary courtly modes to create a physical embodiment of the modern, syncretic authority of the citys leaders. By weaving together traditional formal and iconographic approaches with newer concepts of the symbolic, social, and political meanings of urban space, Marina reframes the complex relationship between late medieval Italys civic culture and the carefully crafted piazzas from which it emerged. Explores the history and architecture of two city squares, constructed by rival political parties, in the Italian city of Parma from 1196 to 1300. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780271050706
Quantité disponible : 1 disponible(s)
Vendeur : Rarewaves.com UK, London, Royaume-Uni
Hardback. Etat : New. During the long thirteenth century, the cities of northern Italy engendered a vital and distinctive civic culture despite constant political upheaval. In The Italian Piazza Transformed, Areli Marina examines the radical transformation of Parma's urban center in this tumultuous period by reconstructing the city's two most significant public spaces: its cathedral and communal squares. Treating the space of these piazzas as attentively as the buildings that shape their perimeters, she documents and discusses the evolution of each site from 1196, tracing their construction by opposing political factions within the city's ruling elite. By the early fourteenth century, Parma's patrons and builders had imposed strict geometric order on formerly inchoate sites, achieving a formal coherence attained by few other cities.Moreover, Marina establishes that the piazzas' orderly contours, dramatic open spaces, and monumental buildings were more than grand backdrops to civic ritual. Parma's squares were also agents in the production of the city-state's mechanisms of control. They deployed brick, marble, and mortar according to both ancient Roman and contemporary courtly modes to create a physical embodiment of the modern, syncretic authority of the city's leaders. By weaving together traditional formal and iconographic approaches with newer concepts of the symbolic, social, and political meanings of urban space, Marina reframes the complex relationship between late medieval Italy's civic culture and the carefully crafted piazzas from which it emerged. N° de réf. du vendeur LU-9780271050706
Quantité disponible : Plus de 20 disponibles
Vendeur : AussieBookSeller, Truganina, VIC, Australie
Hardcover. Etat : new. Hardcover. During the long thirteenth century, the cities of northern Italy engendered a vital and distinctive civic culture despite constant political upheaval. In The Italian Piazza Transformed, Areli Marina examines the radical transformation of Parmas urban center in this tumultuous period by reconstructing the citys two most significant public spaces: its cathedral and communal squares. Treating the space of these piazzas as attentively as the buildings that shape their perimeters, she documents and discusses the evolution of each site from 1196, tracing their construction by opposing political factions within the citys ruling elite. By the early fourteenth century, Parmas patrons and builders had imposed strict geometric order on formerly inchoate sites, achieving a formal coherence attained by few other cities.Moreover, Marina establishes that the piazzas orderly contours, dramatic open spaces, and monumental buildings were more than grand backdrops to civic ritual. Parmas squares were also agents in the production of the city-states mechanisms of control. They deployed brick, marble, and mortar according to both ancient Roman and contemporary courtly modes to create a physical embodiment of the modern, syncretic authority of the citys leaders. By weaving together traditional formal and iconographic approaches with newer concepts of the symbolic, social, and political meanings of urban space, Marina reframes the complex relationship between late medieval Italys civic culture and the carefully crafted piazzas from which it emerged. Explores the history and architecture of two city squares, constructed by rival political parties, in the Italian city of Parma from 1196 to 1300. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9780271050706
Quantité disponible : 1 disponible(s)