The fifteen years in Germany between the end of World War I and the National Socialists' rise to power in 1933 stand out as one of the twentieth century's most tumultuous periods. These years of political and economic upheaval famously spawned significant and lasting changes in the arts. However, one noteworthy product of Weimar Germany's booming cultural life has escaped significant critical attention: the photo essay. The Photography of Crisis examines narrative photography and creates a snapshot of where Germany was after World War I and what it would become with the rise of National Socialism. By reading Weimar photo essays within their historical and literary context, Daniel Magilow shows how German photographers intervened in modernity's key political and philosophical debates regarding the changing notions of nature, culture, personal identity, and national identity.
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Daniel H. Magilow is Associate Professor of German at the University of Tennessee at Knoxville.
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Paperback. Etat : new. Paperback. The fifteen years in Germany between the end of World War I and the National Socialists rise to power in 1933 stand out as one of the twentieth centurys most tumultuous periods. These years of political and economic upheaval famously spawned significant and lasting changes in the arts. However, one noteworthy product of Weimar Germanys booming cultural life has escaped significant critical attention: the photo essay. The Photography of Crisis examines narrative photography and creates a snapshot of where Germany was after World War I and what it would become with the rise of National Socialism. By reading Weimar photo essays within their historical and literary context, Daniel Magilow shows how German photographers intervened in modernitys key political and philosophical debates regarding the changing notions of nature, culture, personal identity, and national identity. Examines photo essays from Weimar Germanys many social crises. Traces photographys emergence as a new language that German photographers used to intervene in modernitys key political and philosophical debates: changing notions of nature and culture, national and personal identity, and the viability of parliamentary democracy. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780271067070
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Paperback. Etat : new. Paperback. The fifteen years in Germany between the end of World War I and the National Socialists rise to power in 1933 stand out as one of the twentieth centurys most tumultuous periods. These years of political and economic upheaval famously spawned significant and lasting changes in the arts. However, one noteworthy product of Weimar Germanys booming cultural life has escaped significant critical attention: the photo essay. The Photography of Crisis examines narrative photography and creates a snapshot of where Germany was after World War I and what it would become with the rise of National Socialism. By reading Weimar photo essays within their historical and literary context, Daniel Magilow shows how German photographers intervened in modernitys key political and philosophical debates regarding the changing notions of nature, culture, personal identity, and national identity. Examines photo essays from Weimar Germanys many social crises. Traces photographys emergence as a new language that German photographers used to intervene in modernitys key political and philosophical debates: changing notions of nature and culture, national and personal identity, and the viability of parliamentary democracy. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9780271067070
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