Gone with the Wind has generated interest in every aspect of its production. Yet one crucial aspect has never been fully understood or appreciated-the vital shaping role played by executive producer David O. Selznick.
In this book, Alan David Vertrees challenges the popular image of Selznick as a megalomaniacal meddler whose hiring and firing of directors and screenwriters created a patchwork film that succeeded despite his interference. Drawing on ten years of research in the Selznick archives, and examining the screenplay's successive drafts, dramatic continuity designs and "storyboard" sketches (many of which are reproduced here), and production correspondence and memoranda, Vertrees interprets the producer's actions as manipulation, not indecision, establishing Selznick's "vision" as the guiding intelligence behind the film's success.
In his drive to create a cinematic monument, Selznick also reformed many key facets of studio filmmaking, inventing jobs such as "production designer" (inaugurated by William Cameron Menzies), which persist today. This book thus adds an important chapter to the story of classical Hollywood cinema and the making of the film that has been lauded variously as the "Sistine Chapel of movies" and the "single most beloved entertainment ever produced."
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Alan David Vertrees, of Lake Forest, Illinois, holds a Ph.D. in theater and film from Columbia University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Paperback. Etat : Good. Gone with the Wind has generated interest in every aspect of its production. Yet one crucial aspect has never been fully understood or appreciated--the vital shaping role played by executive producer David O. Selznick. In this book, Alan David Vertrees challenges the popular image of Selznick as a megalomaniacal meddler whose hiring and firing of directors and screenwriters created a patchwork film that succeeded despite his interference. Drawing on ten years of research in the Selznick archives, and examining the screenplay's successive drafts, dramatic continuity designs and storyboard sketches (many of which are reproduced here), and production correspondence and memoranda, Vertrees interprets the producer's actions as manipulation, not indecision, establishing Selznick's vision as the guiding intelligence behind the film's success. In his drive to create a cinematic monument, Selznick also reformed many key facets of studio filmmaking, inventing jobs such as production designer (inaugurated by William Cameron Menzies), which persist today. This book thus adds an important chapter to the story of classical Hollywood cinema and the making of the film that has been lauded variously as the Sistine Chapel of movies and the single most beloved entertainment ever produced. N° de réf. du vendeur 00080766755
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Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0292787294I4N00
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Paperback. Etat : Good. Gone with the Wind has generated interest in every aspect of its production. Yet one crucial aspect has never been fully understood or appreciated--the vital shaping role played by executive producer David O. Selznick. In this book, Alan David Vertrees challenges the popular image of Selznick as a megalomaniacal meddler whose hiring and firing of directors and screenwriters created a patchwork film that succeeded despite his interference. Drawing on ten years of research in the Selznick archives, and examining the screenplay's successive drafts, dramatic continuity designs and storyboard sketches (many of which are reproduced here), and production correspondence and memoranda, Vertrees interprets the producer's actions as manipulation, not indecision, establishing Selznick's vision as the guiding intelligence behind the film's success. In his drive to create a cinematic monument, Selznick also reformed many key facets of studio filmmaking, inventing jobs such as production designer (inaugurated by William Cameron Menzies), which persist today. This book thus adds an important chapter to the story of classical Hollywood cinema and the making of the film that has been lauded variously as the Sistine Chapel of movies and the single most beloved entertainment ever produced. N° de réf. du vendeur CIN0292787294G
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Vendeur : Mahler Books, PFLUGERVILLE, TX, Etats-Unis
Paperback. Etat : Good. This book is in good condition; ex-library with usual stamps and markings. The book has some shelfwear and corner wear. Inside pages are clean. ; Texas Film Studies Series; 9.90 X 7.10 X 0.70 inches; 256 pages. N° de réf. du vendeur 02UT16-896-061e
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Vendeur : Sutton Books, Norwich, VT, Etats-Unis
Etat : As New. Pbk, 242pp, small 4to, illustr movie stills, photos and facsimile documents, an unread copy, excellent, clean tight and unmarked as new. N° de réf. du vendeur Cin261
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 654614-n
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. Gone with the Wind has generated interest in every aspect of its production. Yet one crucial aspect has never been fully understood or appreciated-the vital shaping role played by executive producer David O. Selznick.In this book, Alan David Vertrees challenges the popular image of Selznick as a megalomaniacal meddler whose hiring and firing of directors and screenwriters created a patchwork film that succeeded despite his interference. Drawing on ten years of research in the Selznick archives, and examining the screenplay's successive drafts, dramatic continuity designs and "storyboard" sketches (many of which are reproduced here), and production correspondence and memoranda, Vertrees interprets the producer's actions as manipulation, not indecision, establishing Selznick's "vision" as the guiding intelligence behind the film's success.In his drive to create a cinematic monument, Selznick also reformed many key facets of studio filmmaking, inventing jobs such as "production designer" (inaugurated by William Cameron Menzies), which persist today. This book thus adds an important chapter to the story of classical Hollywood cinema and the making of the film that has been lauded variously as the "Sistine Chapel of movies" and the "single most beloved entertainment ever produced.". N° de réf. du vendeur LU-9780292787292
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 654614
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur FW-9780292787292
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Vendeur : Brook Bookstore On Demand, Napoli, NA, Italie
Etat : new. N° de réf. du vendeur 65a90acdf5e661544f993a63597cab74
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