Remaps the scope and methods of the transpacific approachAntinuclear coalitions centering Native survivance from Okinawa to the Dakotas to Micronesia, refugee figures and automated empathy in virtual reality, cross-strait erotic intimacy in Taiwanese teahouses, art illuminating everyday convergences between migrant workers in Hawai‘i’s hospitality industry. By foregrounding such complex entanglements within, across, and beyond the Pacific, Transpacific, Undisciplined activates generative, if obscured, connections against fixed national and methodological boundaries and reveals how an undisciplined approach can reconfigure itself in relation to unequal exchanges among Asia, the Pacific, and the Americas. With lucid contributions and a rich theoretical framework, this groundbreaking book resists geopolitical binaries to emphasize relations between peoples and populations who have long navigated imperial binds. In mobilizing the dynamic energy of the transpacific as an analytic, it brings together seemingly unrelated intellectual fields to trace across empires, local struggles, and inter-imperial intimacies. The book not only unsettles prominent discourses, it also invites discussion about unseen possibilities and new wayward histories, methods, and relations.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Jami Powell (Osage) is curator of Indigenous art at the Hood Museum of Art and a faculty lecturer in the department of Native American and Indigenous studies at Dartmouth. She is the editor of Form and Relation: Contemporary Native Ceramics (Hood Museum of Art, 2020).
Michael Hartman is Jonathan Little Cohen Associate Curator of American Art at the Hood Museum of Art at Dartmouth College.
Laura Kina is professor of art, critical ethnic studies, and global Asian studies at DePaul University. She is the coeditor of Queering Contemporary Asian American Art (University of Washington Press, 2017) and War Baby / Love Child: Mixed Race Asian American Art (University of Washington Press, 2013).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. How museums are changing to embrace a more inclusive vision of American artUS museums have faced increasing pressure to reckon with their histories in light of movements against racism, violence, and the erosion of human rights here and abroad. Self-reflection and transformation have emerged in tandem with a focus on incorporating antiracism and decolonization in museum practice. Fundamental to these shifts is the idea that one cannot tell the story of American art without Native American, African American, Asian American, and Latinx art. Featuring innovative scholarship and approaches from art history, anthropology, gender and sexuality studies, history, and ethnic studies, the curators and scholars in this volume write about transforming theory and methodology into museum practice as they reflect on the challenges and possibilities for expanding the canon of American art. Beyond the shortcomings of traditional curatorial approaches, they demonstrate how sustained dialogue, community engagement, and curatorial collaboration have fueled important changes to art curation. A progress report and a how-to guide, this collection considers the flawed past and inclusive future for how American art is displayed and taught. How museums are changing to embrace a more inclusive vision of American artUS museums have faced increasing pressure to reckon with their histories in light of movements against racism, violence, and the erosion of human rights here and abroad. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780295753386
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Paperback. Etat : New. How museums are changing to embrace a more inclusive vision of American artUS museums have faced increasing pressure to reckon with their histories in light of movements against racism, violence, and the erosion of human rights here and abroad. Self-reflection and transformation have emerged in tandem with a focus on incorporating antiracism and decolonization in museum practice. Fundamental to these shifts is the idea that one cannot tell the story of American art without Native American, African American, Asian American, and Latinx art. Featuring innovative scholarship and approaches from art history, anthropology, gender and sexuality studies, history, and ethnic studies, the curators and scholars in this volume write about transforming theory and methodology into museum practice as they reflect on the challenges and possibilities for expanding the canon of American art. Beyond the shortcomings of traditional curatorial approaches, they demonstrate how sustained dialogue, community engagement, and curatorial collaboration have fueled important changes to art curation. A progress report and a how-to guide, this collection considers the flawed past and inclusive future for how American art is displayed and taught. N° de réf. du vendeur LU-9780295753386
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