Winner of the 2023 Horowitz Prize by the Bard Graduate Center Shortlisted for the 2024 Charles C. Eldredge Prize by the Smithsonian American Art Museum A meditation on suffering, resilience, creativity, and grace In 1942 Missouri Pettway, newly suffering the loss of her husband, pieced together a quilt out of his old, worn work clothes. Nearly six decades later her daughter Arlonzia Pettway, approaching eighty at the time and a seasoned quiltmaker herself, readily recalled the cover made by her grieving mother within the small African American farming community of Gee's Bend, Alabama. At once a story of grief, a quilt, and a community, Stitching Love and Loss connects Missouri Pettway's cotton covering to the history of a place, its residents, and the work of mourning. Interpreting varied sources of history and memory, Lisa Gail Collins engages crucial and enduring questions, simultaneously singular and shared: What are the languages, practices, and processes of mourning? How is loss expressed and remembered? What are the roles for creativity in grief? And how might a closely crafted material object, in its conception, construction, use, and memory, serve the work of grieving a loved one? Placing this singular quilt within its historical and cultural context, Collins illuminates the perseverance and creativity of the African American women quilters in this rural Black Belt community.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Lisa Gail Collins is professor of art and the Sarah Gibson Blanding Chair at Vassar College. She is author of The Art of History: African American Women Artists Engage the Past (Rutgers University Press, 2002), Art by African-American Artists: Selections from the 20th Century (Metropolitan Museum of Art, 2003), and Arts, Artifacts, and African Americans: Context and Criticism (Michigan State University, 2007). She is coeditor, with Margo Natalie Crawford, of New Thoughts on the Black Arts Movement (Rutgers University Press, 2006) and coauthor of African-American Artists, 1929-1945: Prints, Drawings, and Paintings in the Metropolitan Museum of Art (Metropolitan Museum of Art, 2003).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Lakeside Books, Benton Harbor, MI, Etats-Unis
Etat : New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books! N° de réf. du vendeur OTF-S-9780295753751
Quantité disponible : 7 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 49390086-n
Quantité disponible : 6 disponible(s)
Vendeur : Rarewaves USA, HEBRON, KY, Etats-Unis
Paperback. Etat : New. Winner of the 2023 Horowitz Prize by the Bard Graduate CenterWinner of the 2025 James A. Porter and David C. Driskell Award in African American Art History from the Driskell Center at the University of MarylandShortlisted for the 2024 Charles C. Eldredge Prize by the Smithsonian American Art MuseumFinalist for the 2024 Sterling Stuckey Book Prize by the Association for the Study of the Worldwide African DiasporaA meditation on suffering, resilience, creativity, and graceIn 1942 Missouri Pettway, newly suffering the loss of her husband, pieced together a quilt out of his old, worn work clothes. Nearly six decades later her daughter Arlonzia Pettway, approaching eighty at the time and a seasoned quiltmaker herself, readily recalled the cover made by her grieving mother within the small African American farming community of Gee's Bend, Alabama.At once a story of grief, a quilt, and a community, Stitching Love and Loss connects Missouri Pettway's cotton covering to the history of a place, its residents, and the work of mourning. Interpreting varied sources of history and memory, Lisa Gail Collins engages crucial and enduring questions, simultaneously singular and shared: What are the languages, practices, and processes of mourning? How is loss expressed and remembered? What are the roles for creativity in grief? And how might a closely crafted material object, in its conception, construction, use, and memory, serve the work of grieving a loved one? Placing this singular quilt within its historical and cultural context, Collins illuminates the perseverance and creativity of the African American women quilters in this rural Black Belt community. N° de réf. du vendeur LU-9780295753751
Quantité disponible : 4 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 49390086
Quantité disponible : 6 disponible(s)
Vendeur : California Books, Miami, FL, Etats-Unis
Etat : New. N° de réf. du vendeur I-9780295753751
Quantité disponible : 7 disponible(s)
Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Paperback. Etat : new. Paperback. Winner of the 2023 Horowitz Prize by the Bard Graduate CenterWinner of the 2025 James A. Porter and David C. Driskell Award in African American Art History from the Driskell Center at the University of MarylandShortlisted for the 2024 Charles C. Eldredge Prize by the Smithsonian American Art MuseumFinalist for the 2024 Sterling Stuckey Book Prize by the Association for the Study of the Worldwide African DiasporaA meditation on suffering, resilience, creativity, and graceIn 1942 Missouri Pettway, newly suffering the loss of her husband, pieced together a quilt out of his old, worn work clothes. Nearly six decades later her daughter Arlonzia Pettway, approaching eighty at the time and a seasoned quiltmaker herself, readily recalled the cover made by her grieving mother within the small African American farming community of Gee's Bend, Alabama.At once a story of grief, a quilt, and a community, Stitching Love and Loss connects Missouri Pettway's cotton covering to the history of a place, its residents, and the work of mourning. Interpreting varied sources of history and memory, Lisa Gail Collins engages crucial and enduring questions, simultaneously singular and shared: What are the languages, practices, and processes of mourning? How is loss expressed and remembered? What are the roles for creativity in grief? And how might a closely crafted material object, in its conception, construction, use, and memory, serve the work of grieving a loved one? Placing this singular quilt within its historical and cultural context, Collins illuminates the perseverance and creativity of the African American women quilters in this rural Black Belt community. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780295753751
Quantité disponible : 1 disponible(s)
Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Paperback. Etat : New. Winner of the 2023 Horowitz Prize by the Bard Graduate CenterWinner of the 2025 James A. Porter and David C. Driskell Award in African American Art History from the Driskell Center at the University of MarylandShortlisted for the 2024 Charles C. Eldredge Prize by the Smithsonian American Art MuseumFinalist for the 2024 Sterling Stuckey Book Prize by the Association for the Study of the Worldwide African DiasporaA meditation on suffering, resilience, creativity, and graceIn 1942 Missouri Pettway, newly suffering the loss of her husband, pieced together a quilt out of his old, worn work clothes. Nearly six decades later her daughter Arlonzia Pettway, approaching eighty at the time and a seasoned quiltmaker herself, readily recalled the cover made by her grieving mother within the small African American farming community of Gee's Bend, Alabama.At once a story of grief, a quilt, and a community, Stitching Love and Loss connects Missouri Pettway's cotton covering to the history of a place, its residents, and the work of mourning. Interpreting varied sources of history and memory, Lisa Gail Collins engages crucial and enduring questions, simultaneously singular and shared: What are the languages, practices, and processes of mourning? How is loss expressed and remembered? What are the roles for creativity in grief? And how might a closely crafted material object, in its conception, construction, use, and memory, serve the work of grieving a loved one? Placing this singular quilt within its historical and cultural context, Collins illuminates the perseverance and creativity of the African American women quilters in this rural Black Belt community. N° de réf. du vendeur LU-9780295753751
Quantité disponible : 2 disponible(s)
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 200 pages. 8.50x5.50x0.59 inches. In Stock. N° de réf. du vendeur xr0295753757
Quantité disponible : 2 disponible(s)
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. N° de réf. du vendeur V9780295753751
Quantité disponible : Plus de 20 disponibles
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur FW-9780295753751
Quantité disponible : 6 disponible(s)