From 1912 to 1961, Seattle’s Jackson Street pulsated around the clock with the lively rhythms, energetic harmonies, and inimitable melodies of jazz. This creative atmosphere launched the careers of Ray Charles, Quincy Jones, and Ernestine Anderson, as well as Bumps Blackwell, who produced Little Richard’s first hit records. Some of the era’s great touring musicians played the city as well, including Jelly Roll Morton, Duke Ellington, and Charlie Parker, and many of them sat in on the music-making sessions that took place in the after-hours spots and bottle clubs. In 1948 two dozen nightclubs lined Jackson Street, overflowing with jazz music, dancing patrons, and bootleg liquor. Drawing on oral histories and interviews with more than eighty musicians as well as Black newspapers and archival sources, Paul de Barros reconstructs a world of nightclubs, speakeasies, and jam sessions. The story unfolds against the social realities that shaped Seattle’s jazz culture: racially segregated musicians’ unions, the effects of Prohibition, and a city government whose corruption allowed an underground nightlife to flourish. In this distinctive environment, Black musicians forged a thriving musical culture largely ignored by the mainstream press. Fully updated throughout, this second edition features information that has come to light since the first edition was published in 1993, as well newly discovered archival photographs, maps of key sites, and an expanded discography.
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Paul de Barros is an award-winning jazz critic and the author of Jackson Street After Hours: The Roots of Jazz in Seattle (Sasquatch, 1993). He has written for DownBeat and The Seattle Times since 1982. In 2025, he received the Lifetime Achievement in Jazz Journalism award from the Jazz Journalism Association.
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Hardback or Cased Book. Etat : New. Jackson Street After Hours: The Roots of Jazz in Seattle. Book. N° de réf. du vendeur BBS-9780295755243
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Hardcover. Etat : new. Hardcover. The highly anticipated new edition of the definitive story of Seattles early jazz sceneFrom 1912 to 1961, Seattles Jackson Street pulsated around the clock with the lively rhythms, energetic harmonies, and inimitable melodies of jazz. This creative atmosphere launched the careers of Ray Charles, Quincy Jones, and Ernestine Anderson, as well as Bumps Blackwell, who produced Little Richards first hit records. Some of the eras great touring musicians played the city as well, including Jelly Roll Morton, Duke Ellington, and Charlie Parker, and many of them sat in on the music-making sessions that took place in the after-hours spots and bottle clubs. In 1948 two dozen nightclubs lined Jackson Street, overflowing with jazz music, dancing patrons, and bootleg liquor. Drawing on oral histories and interviews with more than eighty musicians as well as Black newspapers and archival sources, Paul de Barros reconstructs a world of nightclubs, speakeasies, and jam sessions. The story unfolds against the social realities that shaped Seattles jazz culture: racially segregated musicians unions, the effects of Prohibition, and a city government whose corruption allowed an underground nightlife to flourish. In this distinctive environment, Black musicians forged a thriving musical culture largely ignored by the mainstream press.Fully updated throughout, this second edition features information that has come to light since the first edition was published in 1993, as well newly discovered archival photographs, maps of key sites, and an expanded discography. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780295755243
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Hardcover. Etat : New. New! The highly anticipated new edition of the definitive story of Seattle's early jazz scene From 1912 to 1961, Seattle's Jackson Street pulsated around the clock with the lively rhythms, energetic harmonies, and inimitable melodies of jazz. This creative atmosphere launched the careers of Ray Charles, Quincy Jones, and Ernestine Anderson, as well as Bumps Blackwell, who produced Little Richard's first hit records. Some of the era's great touring musicians played the city as well, including Jelly Roll Morton, Duke Ellington, and Charlie Parker, and many of them sat in on the music-making sessions that took place in the after-hours spots and bottle clubs. In 1948 two dozen nightclubs lined Jackson Street, overflowing with jazz music, dancing patrons, and bootleg liquor. Drawing on oral histories and interviews with more than eighty musicians as well as Black newspapers and archival sources, Paul de Barros reconstructs a world of nightclubs, speakeasies, and jam sessions. The story unfolds against the social realities that shaped Seattle's jazz culture: racially segregated musicians' unions, the effects of Prohibition, and a city government whose corruption allowed an underground nightlife to flourish. In this distinctive environment, Black musicians forged a thriving musical culture largely ignored by the mainstream press. Fully updated throughout, this second edition features information that has come to light since the first edition was published in 1993, as well newly discovered archival photographs, maps of key sites, and an expanded discography. . N° de réf. du vendeur 667131
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