19th century British classical subject or mythological paintings have traditionally been viewed as little more than decorative canvases. In this work, the author claims these paintings are something more - an integral part of a broad-based value system that reinforced patriarchal dominance by inculcating misogynistic and gynophobic attitudes among the broad public. Kestner examines the work of many major artists - Leighton, Burne-Jones, Poynter, Moore, Waterhouse, and Alma-Tadema, as well as that of lesser known figures. He contends that these painters deployed classical legends to reinforce a legal, medical, educational, religious, and marital fabric that supported all the prerogatives of patriarchal power. Early in the book, Kestner uses the evidence of archaeology, sociology, politics, medicine, and law to reveal the function of myth in classical-subject art. Particularly powerful, he finds, are ideas that define men as heroic figures and females as helpless victims - often of despair or madness - concepts that permeated the codes of 19th century society.
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Vendeur : -OnTimeBooks-, Phoenix, AZ, Etats-Unis
Etat : good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail. N° de réf. du vendeur OTV.0299115305.G
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized. N° de réf. du vendeur M0299115305Z3
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Vendeur : Argosy Book Store, ABAA, ILAB, New York, NY, Etats-Unis
hardcover. Etat : fine. Etat de la jaquette : near fine. Illustrated in black and white. 418 pages. Tall 8vo, green cloth, d.w. Wisconsin: The University Of Wisconsin Press, (1989). Fine copy in a near fine dust wrapper. N° de réf. du vendeur 331686
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Vendeur : Karen Wickliff - Books, Columbus, OH, Etats-Unis
Hard Cover. Etat : Very Good. No Jacket. 418pp. Green cloth hardback, no DJ, VG, EX-LIB, minimal markings, index, bibliography, b&w illustrations, MYTHOLOGY AND MISOGYNY : The Social Discourse of Nineteenth Century British Classical Subject Painting, N° de réf. du vendeur w191027377
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Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1200grams, ISBN:0299115305. N° de réf. du vendeur 2926626
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Vendeur : Materia Prima Books, New haven, CT, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Near Fine. 1st Edition. First Edition. Large 8vo. xxi, 418 pp. b/w illustrations throughout. Green cloth lettered in gilt. Illustrated jacket. Faint edge-wear. Fine in Near Fine dust jacket. In archival mylar sleeve. N° de réf. du vendeur 2380
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Vendeur : Ancient World Books, Toronto, ON, Canada
Hardcover. Etat : Near Fine. Etat de la jaquette : Good. 1 corner very lightly bumped. Else book is fine. DJ has a few tears and creasing.; Xxi, 418pp, nicely illustrated.; 8vo - over 7¾" - 9¾" tall; 418 pages. N° de réf. du vendeur 22071
Quantité disponible : 1 disponible(s)
Vendeur : J. HOOD, BOOKSELLERS, ABAA/ILAB, Baldwin City, KS, Etats-Unis
Hardcover. Size:[7.25" X 10.25"] 418pp. As new, clean, tight and bright condition, with bright and crisp dust jacket which is now in a clear protective mylar sleeve. N° de réf. du vendeur 216531
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Vendeur : Borkert, Schwarz und Zerfaß GbR, Berlin, Allemagne
Etat : Sehr gut. 416 Seiten Tadelloses, sauberes Ex. - Nineteenth-century British classical-subject or mythological paintings have traditionally been viewed as solely decorative canvases. In this groundbreaking work, Joseph A. Kestner re- veals these paintings to be far more. As pic- torial ideograms, they were an integral part of a broad-based value system that reinforced pa- triarchal dominance by inculcating misogynis- tic and gynophobic attitudes among the broad public. Kestner's work will be welcomed not only by art historians and students of women's studies, but also by sociologists, historians, po- litical scientists, and all who seek a better un- derstanding of the role of art in society. Kestner examines the work of many major artists (Leighton, Burne-Jones, Poynter, Moore, Waterhouse, and Alma-Tadema) as well as that of heretofore neglected figures (Richmond, Draper, Dicksee, Hacker, Riviere, Rae, Solo- mon, Crane, and Tuke). He contends that these painters deployed classical legends to reinforce a legal, medical, educational, religious, and marital system that supported the prerogatives and policies of patriarchal power. Early in the book, Kestner uses the evi- dence of archaeology, sociology, journalism, politics, medicine, and law to reveal the func- tion of myth in classical-subject art. This evi- dence establishes the contexts for his evaluation of the work of various artists in subsequent chapters. Particularly powerful, he finds, are ideas that define men as heroic rescuers and females as helpless victims-often of despair or madness-concepts that permeated the codes of nineteenth-century society. ISBN 9780299115302 Sprache: Englisch Gewicht in Gramm: 450 hardcover with dustjacket., unbekannter Einband. N° de réf. du vendeur 1237379
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Vendeur : St Philip's Books, P.B.F.A., B.A., Oxford, Royaume-Uni
Hardback. Etat : Very Good. Etat de la jaquette : Very Good. ~Owner's name stamp and signature. ~Robust packaging. Overseas tracking available on request. Used books are exempt from USA tariffs. 1st edn. Hardback. Size: xxi, 418pp; 26.5 x 19cm, many illus. N° de réf. du vendeur LL6781
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