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David Bordwell is the Jacques Ledoux Professor of Film Studies at the University of Wisconsin--Madison. His books include Narration in the Fiction Film, also published by the University of Wisconsin Press, Making Meaning, The Cinema of Eisenstein, The Classical Hollywood Cinema, and many others. Noël Carroll, the Andrew W. Mellon Professor of Humanities at Temple University, is the author of Mystifying Movies, The Philosophy of Horror, and Philosophical Problems of Classical Film Theory. He has written scores of articles and reviews for such publications as The Village Voice, Art Forum, and The Boston Review and has been a documentary screenwriter for WNET-TV in New York.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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1st edition. Near fine paperback copy; edges very slightly dulled. Remains particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; xvii, 563 p. : ill. Notes; Includes bibliographical references and index. Contents; Intro -- Contents -- Contributors -- Introduction -- Part One. State of the Art -- 1. Contemporary Film Studies and the Vicissitudes of Grand Theory (David Bordwell) -- 2. Prospects for Film Theory: A Personal Assessment (Noël Carroll) -- Part Two. Film Theory and Aesthetics -- 3. Psychoanalytic Film Theory and the Problem of the Missing Spectator (Stephen Prince) -- 4. Convention, Construction, and Cinematic Vision (David Bordwell) -- 5. Is a Cognitive Approach to the Avant-garde Cinema Perverse? (James Peterson) -- 6. The Logic and Legacy of Brechtianism (Murray Smith) -- 7. Characterization and Fictional Truth in the Cinema (Paisley Livingston) -- 8. Empathy and (Film) Fiction (Alex Neill) -- 9. Feminist Frameworks for Horror Films (Cynthia A. Freeland) -- 10. Apt Feelings, or Why "Women's Films" Aren't Trivial (Flo Leibowitz) -- 11. Unheard Melodies? A Critique of Psychoanalytic Theories of Film Music (Jeff Smith) -- 12. Film Music and Narrative Agency (Jerrold Levinson) -- 13. Nonfiction Film and Postmodernist Skepticism (Noël Carroll) -- 14. Moving Pictures and the Rhetoric of Nonfiction Film: Two Approaches (Carl Plantinga) -- 15. Film, Reality, and Illusion (Gregory Currie) -- Part Three. Psychology of Film -- 16. The Case for an Ecological Metatheory (Joseph Anderson and Barbara Anderson) -- 17. Movies in the Mind's Eye (Julian Hochberg and Virginia Brooks) -- 18. Notes on Audience Response (Richard J. Gerrig and Deborah A. Prentice) -- Part Four. History and Analysis -- 19. Toward a New Media Economics (Douglas Gomery) -- 20. Columbia Pictures: The Making of a Motion Picture Major, 1930 1943 (Tino Balio) -- 21. "A Brief Romantic Interlude": Dick and Jane Go to 3 1/2 Seconds of the Classical Hollywood Cinema (Richard Malthy) -- 22. The Jazz Singer's Reception in the Media and at the Box Office (Donald Crafton). 23. Jameson and "Global Aesthetics" (Michael Walsh) -- 24. Reconstructing Japanese Film (Donald Kirihara) -- 25. Danish Cinema and the Politics of Recognition (Mette Hjort) -- 26. Whose Apparatus? Problems of Film Exhibition and History (Vance Kepley, Jr.) -- Selected Bibliography -- Index. Subjects; Motion pictures. Film theory. Motion picture audiences. Motion picture industry. Film history. Cinema films. 1 Kg. N° de réf. du vendeur 425214
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