In this groundbreaking work, Patrice D. Rankine asserts that the classics need not be a mark of Eurocentrism, as they have long been considered. Instead, the classical tradition can be part of a self-conscious, prideful approach to African American culture, esthetics, and identity. Ulysses in Black demonstrates that, similar to their white counterparts, African American authors have been students of classical languages, literature, and mythologies by such writers as Homer, Euripides, and Seneca.
Ulysses in Black closely analyzes classical themes (the nature of love and its relationship to the social, Dionysus in myth as a parallel to the black protagonist in the American scene, misplaced Ulyssean manhood) as seen in the works of such African American writers as Ralph Ellison, Toni Morrison, and Countee Cullen. Rankine finds that the merging of a black esthetic with the classics--contrary to expectations throughout American culture--has often been a radical addressing of concerns including violence against blacks, racism, and oppression. Ultimately, this unique study of black classicism becomes an exploration of America's broader cultural integrity, one that is inclusive and historic.Outstanding Academic Title, Choice Magazine
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Patrice D. Rankine is associate professor of classics and director of the Interdisciplinary Program in Classics at Purdue University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 9564874-6
Quantité disponible : 1 disponible(s)
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 377364-6
Quantité disponible : 1 disponible(s)
Vendeur : -OnTimeBooks-, Phoenix, AZ, Etats-Unis
Etat : good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail. N° de réf. du vendeur OTV.0299220001.G
Quantité disponible : 1 disponible(s)
Vendeur : MB Books, Derbyshire, Royaume-Uni
Hardcover. Etat : Fair. No Jacket. Condition : Fair/usable study copy. Former university library copy with associated markings. Hard cover, no jacket. 254pp. Penciled underlining. Pages edges water damaged - not affecting text block. corner creasing. Photo on request. N° de réf. du vendeur 942978
Quantité disponible : 1 disponible(s)
Vendeur : Borkert, Schwarz und Zerfaß GbR, Berlin, Allemagne
Originalhardcover. Etat : Gut. 254 p. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Einband leicht berieben, sonst ein tadelloses Exemplar / binding slightly rubbed, otherwise a pristine copy. - In this groundbreaking work, Patrice D. Rankine asserts that the classics need not be a mark of Eurocentrism, as they have long been considered. Instead, the classical tradition can be part of a self-conscious, prideful approach to African American culture, esthetics, and identity. Ulysses in Black demonstrates that, similar to their white counterparts, African American authors have been students of classical languages, literature, and mythologies by such writers as Homer, Euripides, and Seneca. Ulysses in Black closely analyzes classical themes (the nature of love and its relationship to the social, Dionysus in myth as a parallel to the black protagonist in the American scene, misplaced Ulyssean manhood) as seen in the works of such African American writers as Ralph Ellison, Toni Morrison, and Countee Cullen. Rankine finds that the merging of a black esthetic with the classicscontrary to expectations throughout American culturehas often been a radical addressing of concerns including violence against blacks, racism, and oppression. Ultimately, this unique study of black classicism becomes an exploration of America's broader cultural integrity, one that is inclusive and historic. / Contents Prologue: Preparing for the Journey of Ulysses in Black 1. Classica Africaner. The Nascent Study of Black Classicism Journey 1: From Eurocentrism to Black Classicism 2. Birth of a Hero: The Poetics and Politics of Ulysses in Classical Literature 3. Ulysses Lost on Racial Frontiers: The Limits of Classicism in the Modern World 4. The New Negro Ulysses: Classicism in African American Literature as a Return from the Black (W)hole journey 2: Ralph Ellisons Black American Ulysses 5. Ulysses alone in Polly-whats-his-names cave: Ralph Ellison and the Uses of Myth 6. Ulysses in Black: Lynching, Dismemberment, Dionysiac Rites 7. Ulysses (Re)Journeying Home: Bridging the Divide between Black Studies and the Classics Notes References Cited Index. ISBN 9780299220006 Sprache: Englisch Gewicht in Gramm: 293. N° de réf. du vendeur 1188532
Quantité disponible : 1 disponible(s)