In none of Ben Jonson's plays is Renaissance heroic humanism converted to comic reality more obviously and successfully than in The Alchemist. Here the aspiration of the Renaissance to control and remake the world is imaged as a great swindle, alchemy. Jonson parodies philosophers, scientists, the new Protestantism, the great Renaissance merchant adventurers, and the ages' ideals of military valor and impassioned love. His characters are comic versions of the ways in which the Renaissance sought power, knowledge, and pleasure--they are also a remarkably realistic cross section, ranging from servant through knight, of London's life. One of the most popular of Jonson's plays during his lifetime and a favorite throughout the seventeenth century, The Alchemist, was first produced in 1610.
In his introduction, Alvin B. Kernan skillfully conveys the vitality and ultimate power of this difficult play. The glosses and explanatory notes clarify Jonson's language, with all its references to classical and alchemical literature and the contemporary London underworld. In Appendix I, Mr. Kernan discusses Jonson's use of alchemy and provides a glossary of alchemical terms. Appendix II includes a discussion of the text, sources, and stage history of the play.
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The greatest of English dramatists except Shakespeare, the first literary dictator and poet-laureate, a writer of verse, prose, satire, and criticism who most potently of all the men of his time affected the subsequent course of English letters: such was Ben Jonson, and as such his strong personality assumes an interest to us almost unparalleled, at least in his age. Ben Jonson came of the stock that was centuries after to give to the world Thomas Carlyle; for Jonson's grandfather was of Annandale, over the Solway, whence he migrated to England. Jonson's father lost his estate under Queen Mary, "having been cast into prison and forfeited." He entered the church, but died a month before his illustrious son was born, leaving his widow and child in poverty. Jonson's birthplace was Westminster, and the time of his birth early in 1573. He was thus nearly ten years Shakespeare's junior, and less well off, if a trifle better born. But Jonson did not profit even by this slight advantage. His mother married beneath her, a wright or bricklayer, and Jonson was for a time apprenticed to the trade. As a youth he attracted the attention of the famous antiquary, William Camden, then usher at Westminster School, and there the poet laid the solid foundations of his classical learning. Jonson always held Camden in veneration, acknowledging that to him he owed,
Benjamin Jonson (c. 11 June 1572 – 6 August 1637) was an English playwright, poet, actor, and literary critic of the 17th century, whose artistry exerted a lasting impact upon English poetry and stage comedy. He popularised the comedy of humours. He is best known for the satirical plays Every Man in His Humour (1598), Volpone, or The Fox (c. 1606), The Alchemist (1610) and Bartholomew Fair (1614) and for his lyric poetry; he is generally regarded as the second most important English playwright during the reign of James I after William Shakespeare. Jonson was a classically educated, well-read and cultured man of the English Renaissance with an appetite for controversy (personal and political, artistic and intellectual) whose cultural influence was of unparalleled breadth upon the playwrights and the poets of the Jacobean era (1603–1625) and of the Caroline era (1625–1642).
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