Vendeur : MW Books, New York, NY, Etats-Unis
2nd edition. Near fine paperback copy; edges very slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Physical description; xi, 196 pages : illustrations ; 27 cm. Notes; Includes bibliographical references (pages 185-188) and index. Contents; Some general considerations: written sources ; The status of drawing in the Fifteenth Century ; Survival of drawings. The problem. Regional differences. Collecting ; The origins of drawing ; Drawing in workshop training ; Drawing in artistic exploration - Drawing surfaces: Parchment and another small-scale surfaces. Paper. Sinopie and cartoons - Techniques: Silverpoint drawing. Drawing with pen and ink. Chalk Drawing. Brush Drawing - Model-books and sketch-books: The model-book and its functions ; Pisanello, the transition from model-book to sketch-book ; Drawing-books in early Quattrocento Tuscany ; From sketch-book to Portfolio pattern d - Figure drawing: Study of the nude in Florence ; Sculptural drawing ; Figure drawing outside Florence ; Figure groups - Compositional drawings: Compositional drawings in drawing-books ; Contract drawings ; Compositional sketching ; The evolution of a pictorial design. North Italy. Domenico Ghirlandino. Leonardo da Vinci. Epilogue: The Quattrocento legacy. Subjects; Ames-Lewis, F. Geschichte 1400-1500. Drawing, Italian. Drawing, Renaissance Italy. Renaissance Art. History. Art. Italian drawings 1400-1500 Critical studies. Italian drawings 1300-1600. 1 Kg. N° de réf. du vendeur 407550
Quantité disponible : 1 disponible(s)
Vendeur : A Casperson Books, Niles, MI, Etats-Unis
Soft cover. Etat : As New. No Jacket. as new. N° de réf. du vendeur 001912
Quantité disponible : 1 disponible(s)
Vendeur : MW Books Ltd., Galway, Irlande
2nd edition. Near fine paperback copy; edges very slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Physical description; xi, 196 pages : illustrations ; 27 cm. Notes; Includes bibliographical references (pages 185-188) and index. Contents; Some general considerations: written sources ; The status of drawing in the Fifteenth Century ; Survival of drawings. The problem. Regional differences. Collecting ; The origins of drawing ; Drawing in workshop training ; Drawing in artistic exploration - Drawing surfaces: Parchment and another small-scale surfaces. Paper. Sinopie and cartoons - Techniques: Silverpoint drawing. Drawing with pen and ink. Chalk Drawing. Brush Drawing - Model-books and sketch-books: The model-book and its functions ; Pisanello, the transition from model-book to sketch-book ; Drawing-books in early Quattrocento Tuscany ; From sketch-book to Portfolio pattern d - Figure drawing: Study of the nude in Florence ; Sculptural drawing ; Figure drawing outside Florence ; Figure groups - Compositional drawings: Compositional drawings in drawing-books ; Contract drawings ; Compositional sketching ; The evolution of a pictorial design. North Italy. Domenico Ghirlandino. Leonardo da Vinci. Epilogue: The Quattrocento legacy. Subjects; Ames-Lewis, F. Geschichte 1400-1500. Drawing, Italian. Drawing, Renaissance Italy. Renaissance Art. History. Art. Italian drawings 1400-1500 Critical studies. Italian drawings 1300-1600. 1 Kg. N° de réf. du vendeur 407550
Quantité disponible : 1 disponible(s)
Vendeur : David's Books, Ypsilanti, MI, Etats-Unis
Paperback. Etat : Very Good. Name inside else near fine. N° de réf. du vendeur 1000138142
Quantité disponible : 1 disponible(s)