The Spectacular Body explores the ways in which the human body―especially the female body―was visualized by artists in late nineteenth-century Paris. Focusing on the work of Degas, it deals with issues of sexuality, gender, and visual representation to illuminate the underlying meanings of the famed Impressionist's depictions of women in his series of bathers, dancers, and prostitutes.
Engaging in feminist polemic, Anthea Callen investigates why at this particular time the female figure became such a highly charged icon for masculine projections of fascination with and revulsion over the body. She explains how the gender politics of Degas' culture made it inevitable that he represent masculine desire―and anxieties about masculine identity evoked by such desire―through an apparently detached masculine scrutiny of the female body. Callen shows how Degas' pictorial stance was structurally unresolved, caught between a controlling, distanced, quasi-scientific observation on the one hand, and a disruptive and more unmediated, more psychically loaded engagement with the body on the other. Locating Degas' art within his own historical era, she discusses how socio-scientific ideas of health and disease, hygiene and dirt, prostitution, criminality, sexuality, class, race, and other issues were played out in his work. Using visual analysis as a deconstructive tool, she discusses Degas' choice of medium, composition, spatial organization, pose, color, and light and shade, showing that his technical unorthodoxy combined with scientific discourse in his art to make his work a paradigm of artistic and urban modernity.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Anthea Callen is lecturer in art history at the University of Warwick in Coventry, England.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Paperback. Etat : Fine. The Spectacular Body explores the ways in which the human bodyespecially the female bodywas visualized by artists in late nineteenth-century Paris. Focusing on the work of Degas, it deals with issues of sexuality, gender, and visual representation to illuminate the underlying meanings of the famed Impressionist's depictions of women in his series of bathers, dancers, and prostitutes. Engaging in feminist polemic, Anthea Callen investigates why at this particular time the female figure became such a highly charged icon for masculine projections of fascination with and revulsion over the body. She explains how the gender politics of Degas' culture made it inevitable that he represent masculine desireand anxieties about masculine identity evoked by such desirethrough an apparently detached masculine scrutiny of the female body. Callen shows how Degas' pictorial stance was structurally unresolved, caught between a controlling, distanced, quasi-scientific observation on the one hand, and a disruptive and more unmediated, more psychically loaded engagement with the body on the other. Locating Degas' art within his own historical era, she discusses how socio-scientific ideas of health and disease, hygiene and dirt, prostitution, criminality, sexuality, class, race, and other issues were played out in his work. Using visual analysis as a deconstructive tool, she discusses Degas' choice of medium, composition, spatial organization, pose, color, and light and shade, showing that his technical unorthodoxy combined with scientific discourse in his art to make his work a paradigm of artistic and urban modernity. N° de réf. du vendeur GOR013085572
Quantité disponible : 3 disponible(s)
Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardcover. Red cloth boards with gilt lettering on spine. Glossy black dust jacket with color-illustration and white lettering. xii, 244 pp. BW and some color illustrations. Explores the ways in which the human body, especially the female body, was visualized by artists in the late-19th century. The book focuses on the work of Degas and deals with issues of gender, sexuality and visual representation to illuminate the Impressionist's depictions of women. -WorldCat. VG/VG- light wear and some scuffing to dust jacket. N° de réf. du vendeur 165284
Quantité disponible : 1 disponible(s)
Vendeur : Powell's Bookstores Chicago, ABAA, Chicago, IL, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. First Edition. Cloth, dj. Minor shelf wear. Else a bright, clean copy. The Spectacular Body explores the ways in which the human body--especially the female body--was visualized by artists in late nineteenth-century Paris. Focusing on the work of Degas, it deals with issues of sexuality, gender, and visual representation to illuminate the underlying meanings of the famed Impressionist's depictions of women in his series of bathers, dancers, and prostitutes. Engaging in feminist polemic, Anthea Callen investigates why at this particular time the female figure became such a highly charged icon for masculine projections of fascination with and revulsion over the body. She explains how the gender politics of Degas' culture made it inevitable that he represent masculine desire--and anxieties about masculine identity evoked by such desire--through an apparently detached masculine scrutiny of the female body. Callen shows how Degas' pictorial stance was structurally unresolved, caught between a controlling, distanced, quasi-scientific observation on the one hand, and a disruptive and more unmediated, more psychically loaded engagement with the body on the other. Locating Degas' art within his own historical era, she discusses how socio-scientific ideas of health and disease, hygiene and dirt, prostitution, criminality, sexuality, class, race, and other issues were played out in his work. Using visual analysis as a deconstructive tool, she discusses Degas' choice of medium, composition, spatial organization, pose, color, and light and shade, showing that his technical unorthodoxy combined with scientific discourse in his art to make his work a paradigm of artistic and urban modernity. N° de réf. du vendeur 2041404
Quantité disponible : 1 disponible(s)
Vendeur : Sutton Books, Norwich, VT, Etats-Unis
Etat : Near Fine. Hbk, 4to, 244pp, profusely illustr throughout in color and b+w, lacks dj, fine red cloth boards with bright gilt titles to the spine, now in custom acetate jacket, appears unread and an excellent, clean, tight and unmarked copy. N° de réf. du vendeur Ar2616
Quantité disponible : 1 disponible(s)
Vendeur : AwardWinningBooks, Spring Branch, TX, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. N° de réf. du vendeur ABE-1696281523553
Quantité disponible : 1 disponible(s)
Vendeur : Grendel Books, ABAA/ILAB, Springfield, MA, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Fine. Color and black and white illustrations. First edition. Fine in a fine dust jacket. N° de réf. du vendeur 105328
Quantité disponible : 1 disponible(s)
Vendeur : BennettBooksLtd, Los Angeles, CA, Etats-Unis
hardcover. Etat : New. In shrink wrap. Looks like an interesting title! N° de réf. du vendeur Q-0300054432
Quantité disponible : 1 disponible(s)
Vendeur : online-buch-de, Dozwil, Suisse
Hardcover Mar 01, 1995. Etat : gebraucht; wie neu. N° de réf. du vendeur 502-3-1-7
Quantité disponible : 1 disponible(s)
Vendeur : D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Canada
Hardcover. Dust Jacket Included. 4to. pp. xii, 244. 133 illus. (some colour). biblio. index. cloth. dw. First Edition. N° de réf. du vendeur ALLeCALL85
Quantité disponible : 1 disponible(s)
Vendeur : The Book Spot, Sioux Falls, MN, Etats-Unis
Hardcover. Etat : New. N° de réf. du vendeur Abebooks25749
Quantité disponible : 1 disponible(s)