The Spectacular Body explores the ways in which the human body―especially the female body―was visualized by artists in late nineteenth-century Paris. Focusing on the work of Degas, it deals with issues of sexuality, gender, and visual representation to illuminate the underlying meanings of the famed Impressionist's depictions of women in his series of bathers, dancers, and prostitutes.
Engaging in feminist polemic, Anthea Callen investigates why at this particular time the female figure became such a highly charged icon for masculine projections of fascination with and revulsion over the body. She explains how the gender politics of Degas' culture made it inevitable that he represent masculine desire―and anxieties about masculine identity evoked by such desire―through an apparently detached masculine scrutiny of the female body. Callen shows how Degas' pictorial stance was structurally unresolved, caught between a controlling, distanced, quasi-scientific observation on the one hand, and a disruptive and more unmediated, more psychically loaded engagement with the body on the other. Locating Degas' art within his own historical era, she discusses how socio-scientific ideas of health and disease, hygiene and dirt, prostitution, criminality, sexuality, class, race, and other issues were played out in his work. Using visual analysis as a deconstructive tool, she discusses Degas' choice of medium, composition, spatial organization, pose, color, and light and shade, showing that his technical unorthodoxy combined with scientific discourse in his art to make his work a paradigm of artistic and urban modernity.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Anthea Callen is lecturer in art history at the University of Warwick in Coventry, England.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
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hardcover. Etat : Good. Etat de la jaquette : Includes dust jacket. Ex-library copy with the usual markings/stickers/stamping present, including stamping on the page edges and a slip insert attached to the preliminary pages. Book and dust jacket show shelf & handling wear, including edge wear and scuffing. Dust jacket is in a plastic protector. Pages are slightly worn on their edges, but remain intact with unmarked text & pictures. A good reading copy. N° de réf. du vendeur mon0003929767
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Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardcover. Red cloth boards with gilt lettering on spine. Glossy black dust jacket with color-illustration and white lettering. xii, 244 pp. BW and some color illustrations. Explores the ways in which the human body, especially the female body, was visualized by artists in the late-19th century. The book focuses on the work of Degas and deals with issues of gender, sexuality and visual representation to illuminate the Impressionist's depictions of women. -WorldCat. VG/VG- light wear and some scuffing to dust jacket. N° de réf. du vendeur 165284
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Vendeur : Sutton Books, Norwich, VT, Etats-Unis
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Vendeur : Grendel Books, ABAA/ILAB, Springfield, MA, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Fine. Color and black and white illustrations. First edition. Fine in a fine dust jacket. N° de réf. du vendeur 105328
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Hardcover Mar 01, 1995. Etat : gebraucht; wie neu. N° de réf. du vendeur 502-3-1-7
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Hardcover. Dust Jacket Included. 4to. pp. xii, 244. 133 illus. (some colour). biblio. index. cloth. dw. First Edition. N° de réf. du vendeur ALLeCALL85
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