Allan Ramsay, court painter to King George III, was one of the major portrait painters of the eighteenth-century British school. Born in Edinburgh, he was also an important figure in the Scottish Enlightenment; his Dialogue on Taste merits an honored place among eighteenth-century belles lettres. This book by the world's foremost authority on Ramsay gives an entirely fresh account of Ramsay's life and sheds new light on his artistic and intellectual development.
A classical scholar and master of several modern languages, Ramsay was unquestionably the most learned and erudite artist of the age. His friends included such celebrated men of letters as David Hume, Adam Smith, Horace Walpole, Samuel Johnson, and James Boswell, and he came to know the French philosophes Voltaire, Diderot, d'Holbach, and Rousseau (whose portrait he painted.) Alastair Smart describes Ramsay's early years, his artistic training in Scotland, England, and Italy, his rise to prominence as the leading portrait painter in England, his two marriages, his travels abroad, and his appointment as painter to the King. He discusses Ramsay's ideas, especially as revealed in the Dialogue on Taste. He analyzes the various phases in Ramsay's development as a painter and explores his relationship to the contemporary painters Hogarth and Highmore and to the younger painters Reynolds and Gainsborough. Smart's extensive discussions of Ramsay's major works are accompanied by numerous reproductions of his paintings, many appearing for the first time.
Smart's biography of a remarkable Enlightenment figure―the fruits of sustained research over forty years―fills a considerable gap in our knowledge of British eighteenth-century art.
Published for the Paul Mellon Center for Studies in British Art
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Alastair Smart (1922-92) worked for forty years gathering material for this volume, but it was incomplete at his death. John Ingamells has edited Smart's extensive notes and added subsequent material.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : Very Good. No DJ. Dusty dark blue boards very good. Cracked at front but holding well. Clean and tight interior. ; Studies In British Art; 11.4 X 9.0 X 1.3 inches; 320 pages. N° de réf. du vendeur 11375
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Vendeur : Anybook.com, Lincoln, Royaume-Uni
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Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1700grams, ISBN:0300056907. N° de réf. du vendeur 8248422
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Vendeur : Edinburgh Books, Edinburgh, Royaume-Uni
Blue Hardcover. Etat : Very Good Plus. Etat de la jaquette : Very Good Plus. First Edition. 1992. xii, 316pp. Colour and b&w illustrations. Book and unclipped dut jacket are both in excellent condition. No inscriptions. PLEASE NOTE: Heavy book so extra postage will be required for non-UK customers. "Allan Ramsay, court painter to King George III, was one of the major portrait painters of the eighteenth-century British school. Born in Edinburgh, he was also an important figure in the Scottish Enlightenment; his Dialogue on Taste merits an honored place among eighteenth-century belles lettres. This book by the world's foremost authority on Ramsay gives an entirely fresh account of Ramsay's life and sheds new light on his artistic and intellectual development. A classical scholar and master of several modern languages, Ramsay was unquestionably the most learned and erudite artist of the age. His friends included such celebrated men of letters as David Hume, Adam Smith, Horace Walpole, Samuel Johnson, and James Boswell, and he came to know the French philosophes Voltaire, Diderot, d'Holbach, and Rousseau (whose portrait he painted.) Alastair Smart describes Ramsay's early years, his artistic training in Scotland, England, and Italy, his rise to prominence as the leading portrait painter in England, his two marriages, his travels abroad, and his appointment as painter to the King. He discusses Ramsay's ideas, especially as revealed in the Dialogue on Taste. He analyzes the various phases in Ramsay's development as a painter and explores his relationship to the contemporary painters Hogarth and Highmore and to the younger painters Reynolds and Gainsborough. Smart's extensive discussions of Ramsay's major works are accompanied by numerous reproductions of his paintings, many appearing for the first time. Smart's biography of a remarkable Enlightenment figure?the fruits of sustained research over forty years?fills a considerable gap in our knowledge of British eighteenth-century art.". N° de réf. du vendeur hScotArtRamsay01
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Vendeur : Hennessey + Ingalls, Los Angeles, CA, Etats-Unis
Hardcover. Etat : Used - Very Good. Allan Ramsay, Court painter to King George III, was one of the major portrait painters of the eighteenth-century British school. Born in Edinburgh, he was also an important figure in the Scottish Enlightenment; his Dialogue on Taste merits an honoured place among eighteenth-century belles lettres. This book, by the world's foremost authority on Ramsay, gives an entirely fresh account of Ramsay's life and sheds new light on his artistic and intellectual development. A classical scholar and master of several modern languages, Ramsay was unquestionably the most erudite artist of the age. His friends included such celebrated men of letters as David Hume, Adam Smith, Horace Walpole, Samuel Johnson and James Boswell; he also came to know the French philosophes Voltaire, Diderot, d'Holbach and Rousseau (whose portrait he painted). Alastair Smart describes Ramsay's early years, his artistic training in Scotland, England and Italy, his rise to prominence as the leading portrait painter in England, his two marriages, his travels abroad, and his appointment as painter to the King. He discusses Ramsay's ideas, especially as revealed in the Dialogue on Taste. He analyzes the various phases in Ramsay's development as a painter and explores his relationship to such established painters as Hogarth and Highmore and to the younger painters Reynolds and Gainsborough. Smart's extensive discussions of Ramsay's major works are accompanied by numerous reproductions of his paintings, many appearing for the first time. Smart's biography of a remarkable Enlightenment figure - the fruits of sustained research over many years - fills a considerable gap in our knowledge of British eighteenth-century art. Slight scratching/scuffing on cover. Book has minor shelf wear. N° de réf. du vendeur 74670
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