In the eighteenth and early nineteenth centuries, England seemed to be transformed by various kinds of "improvements" in gardening and the ornamentation of the landscape. Many people saw these changes as reflections of highly controversial moral, social, and economic issues. To clear a wood or plant one, to build a folly or a cottage, to design in the formal style or the picturesque, to choose to employ one improver or another--these were all interpreted as decisions that expressed a political orientation. Poets, essayists, political theorists, theologians, and economists debated the merits of a traditional, natural, Christian, organic--or tory--view of the landscape against the aggressive, privatizing, impersonal--whig--tendencies of contemporary improvement.
This illuminating and stimulating book argues that the history of English landscape from about 1760 to 1820 was a struggle between these two points of view. Examining literature, painted and engraved images, and the physical environment of the period, Nigel Everett depicts a lively, intelligent debate about the development of English society and the relation of people to the land, a debate as active among cultivated clergymen and landowners as among the theoreticians. Furthermore, analyzing the language of tory political thought, he brings these issues to bear on current politics in Britain. He identifies in the detached, artificial, and utilitarian attitudes of the whig "improvers" the philosophical and historical origins of a dominant set of values of the late twentieth century--most recently expressed in the Conservative Party--in which the interests of private enterprise and commercial utility preponderate over any other conception of the public good.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Nigel Everett is an independent scholar.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : BoundlessBookstore, Wallingford, Royaume-Uni
Hardcover. Etat : Good. Ex library. Light wear to boards. Content is bright. DJ with some edge wear and fading. N° de réf. du vendeur 9999-999105160856
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Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Hardback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR010057039
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Vendeur : Books From California, Simi Valley, CA, Etats-Unis
Hardcover. Etat : Fine. N° de réf. du vendeur mon0003905413
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Vendeur : Book Dispensary, Concord, ON, Canada
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. VERY GOOD hardcover in VERY GOOD dust jacket, no marks in text; a very clean, gently used copy. Book. N° de réf. du vendeur 147021
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Vendeur : Benjamin Books, Ottawa, ON, Canada
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. N° de réf. du vendeur 14047
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Vendeur : Paraphernalia Books 'N' Stuff, Belleville, ON, Canada
Hardcover. Etat : Fine. Etat de la jaquette : Fine. First. Green boards with illust.unclipped jacket; A fine clean sound unmarked copy, boards show slight edgewear on spine ends; Jacket is fine no chips/tears; 248 pages with index; Fully illust,by b/w & colour photos throughout; A study of the landscape & painters who portrayed the changing political and social history of the 18th Century. Published for the Paul Mellon Centre for Studies in British Art. N° de réf. du vendeur PARA6162
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Vendeur : Lowry's Books, Three Rivers, MI, Etats-Unis
Hardcover. Etat : Good. Etat de la jaquette : Good w/ Protective Cover. Various (illustrateur). Some rubbing, edgewear and corner bumping. Text is clean and tight in binding, with no ownership or other markings. Size: 4to - over 9¾" - 12" tall. N° de réf. du vendeur 040777
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Vendeur : Antiquariat Hans-Jürgen Ketz, Münster, NRW, Allemagne
248 Seiten. Mit zahlreichen Abbildungen (teils farbig). Quart (26x20 cm). Orig.Pappband, illustr. Schutzumchlag. ** Sehr gut erhalten. Keine Namen. N° de réf. du vendeur 19162
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Vendeur : art longwood books, Gloucester, MA, Etats-Unis
Hard Cover. Etat : Near Fine. Etat de la jaquette : Near Fine. First Edition. cloth, hardcover in dust jacket., name, place, date of the art historian who was the prior owner on the half-title page. no flaws, clean, no text or exterior markings, no real wear. strong binding.; published on behalf of the paul mellon centre for studies in british art.; vii- 248pp., 27 illustrations, color and b/w.; examination of the perceptions of the changing british landscape of the late 18th and early 19th century, and its reflection through art. Size: 4to - over 9¾" - 12" tall. N° de réf. du vendeur 18898
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Vendeur : Argosy Book Store, ABAA, ILAB, New York, NY, Etats-Unis
hardcover. Etat : fine. Etat de la jaquette : fine. Illustrations in color and black & white. 248 pages. 4to, green cloth, dust wrapper. New Haven: Yale University Press, (1994). Fine. N° de réf. du vendeur 294198
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