A central feature of traditional Japanese poetry (waka) is the use of utamakura--a category of poetic words, many of which are place-names or the names of features associated with them--to cultivate allusion and intertextuality between individual poems and within the tradition. In this book Edward Kamens analyzes a wide selection of poems to show how utamakura came to wield special powers within Japanese poetry. He reveals how poets in generation after generation returned, either in person or in imagination, to these places and to poems about them to encounter again the forms, styles, and techniques of their forebears, and to discover ways to create new poems of their own.
Kamens focuses especially on one figure, "the buried tree," which refers to fossilized wood associated in particular with an utamakura site, the Natori River, and is mentioned in poems that first appear in anthologies in the early tenth century. The figure surfaces again at many points in the history of traditional Japanese poetry, as do the buried trees themselves in the shallow waters that otherwise conceal them. After explaining and discussing the literary history of the concept of utamakura, Kamens traces the allusive and intertextual development of the figure of the buried tree and the use of the place-name Natorigawa in waka poetry through the late nineteenth century. He investigates the relation between utamakura and the collecting of fetishes and curios associated with utamakura sites by waka connoisseurs. And he analyzes in detail the use of utamakura and their pictorial representations in a political and religious program in an architectural setting--the Saishoshitennoin program of 1207.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Edward Kamens is Sumitomo Professor of Japanese Studies at Yale University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Vendeur : Joseph Burridge Books, Dagenham, Royaume-Uni
Hardcover. Etat : New. Etat de la jaquette : New. 324 pages : illustrations : 24 cm. Summary:In this book Edward Kamens analyzes a wide selection of poems to show how utamakura came to wield special powers within Japanese poetry. He reveals how poets in generation after generation returned, either in person or in imagination, to these places and to poems about them to encounter again the forms, styles, and techniques of their forbears, and to discover ways to create new poems of their own. Kamens focuses especially on one figure, "the buried tree," which refers to fossilized wood associated in particular with an utamakura site, the Natori River, and is mentioned in poems that first appear in anthologies in the early tenth century. The figure surfaces again at many points in the history of traditional Japanese poetry, as do the buried trees themselves in the shallow waters that otherwise conceal them. After explaining and discussing the literary history of the concept of utamakura, Kamens traces the allusive and intertextual development of the figure of the buried tree and the use of the place-name Natorigawa in waka poetry through the late nineteenth-century. He investigates the relationship between utamakura and the collecting of fetishes and curios associated with utamakura sites by waka connoisseurs. And he analyzes in detail the use of utamakura and their pictorial representations in a political and religious program in an architectural setting the Saishoshitennoin program of 1207. Contents: Maps of Japan Prologue: The Buried Tree 1. Utamakura, Allusion, and Intertextuality 2. Stories of the Tree, Stories of the River 3. Fetishes and Curios 4. The Saishoshitennoin Poems and Paintings Epilogue: Recovering the Buried Tree Glossary of Names and Terms in Chinese and Japanese. N° de réf. du vendeur ger624
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. A central feature of traditional Japanese poetry is the use of "utamakura", a category of poetic words, to cultivate allusion and intertextuality between individual poems. This text analyzes a wide selection of poems to show how "utamakura" came to wield special powers within Japanese poetry. Num Pages: 338 pages, black & white illustrations. BIC Classification: 2GJ; DQ; DSB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156 x 22. Weight in Grams: 697. . 1997. Hardback. . . . . N° de réf. du vendeur V9780300068085
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Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 656999
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