This book focuses attention on the theme of the artist and especially the changing status of the artist in the early modern period. In a series of case studies―some devoted to a single artist and others dealing more broadly with artistic practice―the authors explore and question the widely held notion that the later fifteenth and sixteenth centuries witnessed the emergence of the modern idea of the artist.
After an introductory discussion of some of the fundamental assumptions in modern Western culture about the artist as genius, the book investigates artists in Renaissance Italy, the various claims for status that they made, and the claims made on their behalf. The book then expands traditional art history’s focus on Italy and examines artists and art production in Germany and the Netherlands during the later fifteenth and sixteenth centuries. In two concluding case studies of Northern European artists of slightly later periods―Vermeer and Watteau―the authors consider factors that influence the status and reputation of artists during their lifetimes and after their death.
This is the second of six volumes in the series Art and Its Histories, created to accompany the Open University undergraduate course of the same title.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Emma Barker is a lecturer in art history, Nick Webb is staff tutor in art history, and Kim Woods is associate lecturer in arts at the Open University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : David's Books, Ypsilanti, MI, Etats-Unis
Paperback. Etat : Very Good-. Light cover wear else near fine; Art And Its Histories Series. N° de réf. du vendeur 1000138251
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Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Paperback. Etat : Very Good. This book focuses attention on the theme of the artist and especially the changing status of the artist in the early modern period. In a series of case studiessome devoted to a single artist and others dealing more broadly with artistic practicethe authors explore and question the widely held notion that the later fifteenth and sixteenth centuries witnessed the emergence of the modern idea of the artist. After an introductory discussion of some of the fundamental assumptions in modern Western culture about the artist as genius, the book investigates artists in Renaissance Italy, the various claims for status that they made, and the claims made on their behalf. The book then expands traditional art historys focus on Italy and examines artists and art production in Germany and the Netherlands during the later fifteenth and sixteenth centuries. In two concluding case studies of Northern European artists of slightly later periodsVermeer and Watteauthe authors consider factors that influence the status and reputation of artists during their lifetimes and after their death. This is the second of six volumes in the series Art and Its Histories, created to accompany the Open University undergraduate course of the same title. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR001462234
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Vendeur : WeBuyBooks, Rossendale, LANCS, Royaume-Uni
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Vendeur : Bahamut Media, Reading, Royaume-Uni
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Vendeur : AwesomeBooks, Wallingford, Royaume-Uni
Etat : Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. . N° de réf. du vendeur 7719-9780300077421
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