Liberated from the constraints of tradition, the Pre-Raphaelites of mid-Victorian England produced distinctive representations of nature and society in paintings remarkable for their compositional vitality and hallucinatory effects of color. This lavishly illustrated book provides a fresh appraisal of the Pre-Raphaelite artists and their radical departure from artistic conventions. Tim Barringer explores the meanings so richly encoded in Pre-Raphaelite paintings and analyzes key pictures and their significance within the complex social and cultural matrix of nineteenth-century Britain. In chapters devoted to core themes, the author discusses such artists as John Everett Millais, William Holman Hunt, Dante Gabriel Rossetti, and Ford Madox Brown and their engagement with medieval revivalism, nature worship, issues of class and gender, and the reconciliation of the religious image and realism.
Barringer draws on an imaginative selection of paintings, drawings, and contemporary photographs to suggest that the dynamic energy of Pre-Raphael-ism arose from paradoxes at its heart. Past and present, historicism and modernity, symbolism and realism, as well as tensions between city and country, man and woman, worker and capitalist, colonizer and colonized―all appear within Pre-Raphaelite art. Focusing on these issues, the author casts new light on the Pre-Raphaelites and their innovative work.
Published for the Paul Mellon Center for Studies in British Art
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Tim Barringer is assistant professor in the Department of the History of Art at Yale University. Elizabeth Prettejohn is a lecturer at the University of Plymouth in England.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Hardcover. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0300079370I4N10
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Hardcover. Etat : Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Standard-sized. N° de réf. du vendeur M0300079370Z4
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Vendeur : Cheltenham Rare Books, Cheltenham, Royaume-Uni
Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. USA / UK First edition, first impression. THE WRAPPER : The wrapper on this copy is bright, clean, unfaded and complete. It is unclipped. Looks sharp in protective wrapper. THE BOOK : The book is tight and square. The boards are fresh, the corners sharp. The pages and closed page edges are clean and unmarked. No previous ownership inscriptions. The binding is tight. A sharp copy. PayPal accepted. N° de réf. du vendeur CBi00191
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Vendeur : Paul Brown, Ramsgate, Royaume-Uni
First edition. xxxii+332 pages. Illustrated in colour and black and white. Paul Mellon Centre for Studies in British Art. Cloth. Fine in dustjacket. A collection of writings reinterpreting the art of Frederic Leighton, challenging the view that limits him to the category of "Victorian artist". It extends the discussion beyond Leighton's life and addresses issues such as gender and sexuality, and the artist's identity and self-positioning. N° de réf. du vendeur 21597
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hardcover. Etat : New. In shrink wrap. Looks like an interesting title! N° de réf. du vendeur Q-0300079370
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Vendeur : GoldBooks, Denver, CO, Etats-Unis
Hardcover. Etat : new. New Copy. Customer Service Guaranteed. N° de réf. du vendeur 69P93_86_0300079370
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