Henry Moore (1898-1986) is arguably one of the most famous and beloved sculptors of the twentieth century, yet in recent decades his work has fallen out of favour in the world of contemporary art criticism. This handsome book examines this intriguing contradiction and seeks to reassess Moore's crucial contribution to art of the last century. Looking at Moore's early engagements with primitivism, his 1930s dialogue with abstraction and surrealism, and his postwar interest in large-scale public sculpture, the authors show how the sculptor helped to define some of the most significant aspects of modernism. The authors also contextualise within the polemics of early modernism Moore's emphasis on direct carving instead of modeling and the necessary balance between abstraction and what he called the "psychological human element". Moore's early sculpture - largely unfamiliar to the general public - is given particular attention, enabling the reader to explore the evolution of thematic and formal elements in his work and his ongoing response to different materials. Photographs, some by Moore himself, of over 120 works, including plasters, maquettes, carvings, bronzes, and drawings, are features, many of which are previously unpublished. This catalogue accompanies a major exhibition organised by the Dallas Museum of Art with the generous collaboration of the Henry Moore Foundation. The exhibition opens in Dallas on 25th February 2001 and then travels to the Fine Arts Museums of San Francisco and the National Gallery of Art in Washington, D.C.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Dorothy Kosinski is the Barbara Thomas Lemmon Curator of European Art, Dallas Museum of Art. She and David Mitchinson, Head of Collections and Exhibitions at the Henry Moore Foundation, are co-curators of the exhibition. Contributors to the catalogue are Dorothy Kosinski, Steven Nash, Alan Wilkinson, Anita Feldman Bennet, Julian Andrews, Elizabeth Brown, David Cohen, and Harriet Senie.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Etat : Good. 0th Edition. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. N° de réf. du vendeur GRP18539942
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hardcover. Etat : Gut. 323 Seiten; 9780300089929.3 Gewicht in Gramm: 5. N° de réf. du vendeur 879109
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Vendeur : Stella & Rose's Books, PBFA, Tintern, MON, Royaume-Uni
Hardback. Etat : Fine. Etat de la jaquette : Fine. Moore, Henry (illustrateur). First edition. 1st 2001. Nearly fine condition in a nearly fine dustwrapper. This catalogue accompanies a major exhibition organized by the Dallas Museum of Art, collaborating with the Henry Moore Foundation. The exhibition ran from 2001-2002. Edited by Dorothy M. Kosinski. Large format, heavy. Green cloth boards, gilt titles. 323 pages including index. Spine is slightly cocked else this is a lovely copy. Packaged with care and promptly dispatched! N° de réf. du vendeur 1829647
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Vendeur : Classic Books and Ephemera, IOBA, Lansdowne, PA, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : fine. 323, [1] p.: black-and-white and color illustrations; 31 cm. Green cloth with gilt spine and cover titles. Purple endpapers. Illustrated dust jacket. Catalog for an exhibition organized by the Dallas Museum of Art. A heavy book; for international shipping, the U.S. Postal Service requires that it be shipped by priority international. Book and dust jacket are in Fine Condition: clean and bright. N° de réf. du vendeur 009912
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Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 1st Edition. 323 pages : illustrations. Publisher's binding sturdy and fresh, corners sharp, minor bumping to head of spine; contents as new. Light edgewear to dust jacket, with minor bumping to the head of its spine. 2360 grams. N° de réf. du vendeur 013963
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