This magnificent book is the first survey of the figural arts of the Iranian world from prehistoric times to the early twentieth century ever to consider themes, rather than styles. Analyzing primarily painting - in manuscripts and albums, on walls and on lacquered, painted pen boxes and caskets - but also the related arts of sculpture, ceramics, and metalwork, the author finds that the underlying themes depicted on them through the ages are remarkably consistent. Eleanor Sims demonstrates that all these arts display similar concerns: kingship and legitimacy; the righteous exercise of princely power and the defense of national territory; and the performance of rituals and the religious duties called for by the paramount cult of the day. She describes a variety of superb works of art inside and outside these categories, noting not only how they illustrate archetypal themes but also what it is about them that is unique. She also discusses the ways that Iranian art both influenced and was influenced by invaders and neighboring lands. Boris I. Marshak discusses pre-Islamic and also Central Asian art, in particular the earliest Iranian wall paintings and their pictorial parallels in rock carvings and metalwork, and the richly painted temples and houses of Panjikent. Ernst J. Grube considers religious imagery, and provides an informative bibliography.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Eleanor Sims, formerly curatorial assistant in the Islamic Department of the Metropolitan Museum of Art, and assistant professor of Islamic art history at the Universities of Minnesota and Pennsylvania, is editor of Islamic Art. Boris I. Marshak is head of the Central Asian and Caucasian department at the Hermitage Museum, St. Petersburg. Ernst J. Grube was the first curator of Islamic art at the Metropolitan Museum and is now professor emeritus of the University of Venice.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Hardback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR007083247
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Vendeur : Don Kelly Books, London, Royaume-Uni
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. 349pp. 49colour plates and b&w illustrations. N° de réf. du vendeur 29865
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Vendeur : Widney Manor Books, Solihull, MIDLA, Royaume-Uni
Hardcover. Etat : Very Good. Book is in very good condition. 352pp with colour photographs. N° de réf. du vendeur 009525
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Vendeur : Joseph Burridge Books, Dagenham, Royaume-Uni
Hardcover. Etat : Very Good. Etat de la jaquette : Fair. 1st Edition. VG cloth in a worn dust jacket. xiii, 349 pages : colour illustrations ; 33 cm. Contents: Historical survey: Introduction Pre-Islamic painting of the Iranian peoples and its sources in sculpture and the decorative arts The early Islamic period The medieval period The fourteenth century The fifteenth century The sixteenth and seventeenth centuries The eighteenth and nineteenth centuries The primary themes of Iranian imagery: Fighting and feasting Cult and ceremony Religious painting in the Islamic period Settings Figural types The exception to type: portraits The illustration of texts. N° de réf. du vendeur 11cb228
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Vendeur : FOLIOS LIMITED, Oxford, Royaume-Uni
Hardcover. Etat : As New. Etat de la jaquette : Very Good. xiii, 349 pp., [1], double page map, profusely illustrated in 345 illustrations, mostly in colour, cloth in d/w, index, biblio, light crease to jacket at top spine, otherwise copy in mint condition. This magnificent book is the first survey of the figural arts of the Iranian world from prehistoric times to the early twentieth century ever to consider themes, rather than styles. Analyzing primarily painting?in manuscripts and albums, on walls and on lacquered, painted pen boxes and caskets?but also the related arts of sculpture, ceramics, and metalwork, the author finds that the underlying themes depicted on them through the ages are remarkably consistent. Eleanor Sims demonstrates that all these arts display similar concerns: kingship and legitimacy; the righteous exercise of princely power and the defence of national territory; and the performance of rituals and the religious duties called for by the paramount cult of the day. She describes a variety of superb works of art inside and outside these categories, noting not only how they illustrate archetypal themes but also what it is about them that is unique. She also discusses the ways that Iranian art both influenced and was influenced by invaders and neighbouring lands. #26162. N° de réf. du vendeur 013655
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Vendeur : bemeX, Villingen-Schwenningen, Allemagne
hardcover. Etat : Sehr gut. 352 Seiten; Das Buch ist in einem gutem Zustand.Seiten sind sauber ohne Markierungen.Wir bieten eine 100% Geld-zurück-Garantie. H9-031 Sprache: Deutsch Gewicht in Gramm: 5. N° de réf. du vendeur 27679
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Vendeur : Hay-on-Wye Booksellers, Hay-on-Wye, HEREF, Royaume-Uni
Etat : Very Good. Light scuffs & scratches to the jacket, nicks to the edges. Light wear to the board edges. Faint marks to the edges of the textblock. Content is in very good, clean condition. N° de réf. du vendeur 93517-01-09-2025-LMC
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Vendeur : BennettBooksLtd, San Diego, NV, Etats-Unis
hardcover. Etat : New. In shrink wrap. Looks like an interesting title! N° de réf. du vendeur Q-0300090382
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Vendeur : Mispah books, Redhill, SURRE, Royaume-Uni
Hardcover. Etat : Like New. Like New. Ships from Multiple Locations. book. N° de réf. du vendeur ERICA78703000903826
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Vendeur : Mooney's bookstore, Den Helder, Pays-Bas
Etat : Very good. N° de réf. du vendeur 9780300090383-2-2
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