Signatures are unique and often reveal something of our individual personalities. In this intriguing book, John Wilmerding―an eminent historian of American art―explores the unconventional use of signatures in paintings. The author focuses on American artists who have not simply signed their works on a corner of the canvas but have intentionally placed their signatures within thepictorial space of the painting. A painter’s name or initials might, for instance, appear as an illusion on a wall or floor, on an object within an interior, or on some form in a landscape. Wilmerding examines such signatures in works by twenty-seven artists from the eighteenth through twentieth centuries, including John Singleton Copley, Winslow Homer, Thomas Eakins, Jasper Johns, Andrew Wyeth, and Richard Estes.
After providing an overview of signatures in European art, Wilmerding looks closely at American painting. He argues that by placing a signature within a painting the artist may be making an explicit association with the setting or situation depicted. He demonstrates that such signatures or inscriptions can be viewed as fragments of autobiography or as concentrated glimpses of self-representation. Beautifully designed and handsomely illustrated, this book brings into focus the myriad and complex meanings of artists’ signatures and is of interest to anyone who admires and studies American art and culture.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
John Wilmerding is Christopher Binyon Sarofim ’86 Professor of American Art in the Department of Art and Archaeology at Princeton University and visiting curator in the Department of American Art at The Metropolitan Museum of Art. He is the author of many books and articles on American painting and was recently reappointed by President George W. Bush to the Committee for the Preservation of the White House.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Etat : good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail. N° de réf. du vendeur OTV.0300097794.G
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Vendeur : Works on Paper, DeKalb, IL, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st Edition. A very good copy of the presumed first hard cover edition (no explicit edition), first printing (full number line)) in a like (not price-clipped) dust-jacket. The text is wholly unmarked, pristine, and the binding and jacket are bright and fresh in appearance. A sharp copy. [Please note: Due to the size and weight of the volume extra shipping may be required depending on the destination and speed of delivery requested. Quotations gladly provided.]. N° de réf. du vendeur 018168
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Vendeur : Abacus Bookshop, Pittsford, NY, Etats-Unis
hardcover. Etat : Fine copy in fine dust jacket. Well-illustrated (illustrateur). 1st. Small 4to, 204 pp. N° de réf. du vendeur 023872
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Vendeur : Orca Knowledge Systems, Inc., Novato, CA, Etats-Unis
hardcover. Etat : Very Good. Etat de la jaquette : Very Good. First Edition. Unread. No markings in book. Binding is fine. DJ is fine. 203pp. N° de réf. du vendeur mon0000033575
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Vendeur : Hennessey + Ingalls, Los Angeles, CA, Etats-Unis
Hardcover. Etat : Used - Like New. Etat de la jaquette : Very Good. Signatures are unique and often reveal something of our individual personalities. In this intriguing book, John Wilmerding--an eminent historian of American art--explores the unconventional use of signatures in paintings. The author focuses on American artists who have not simply signed their works on a corner of the canvas but have intentionally placed their signatures within the pictorial space of the painting. A painter's name or initials might, for instance, appear as an illusion on a wall or floor, on an object within an interior, or on some form in a landscape. Wilmerding examines such signatures in works by twenty-seven artists from the eighteenth through twentieth centuries, including John Singleton Copley, Winslow Homer, Thomas Eakins, Jasper Johns, Andrew Wyeth, and Richard Estes. After providing an overview of signatures in European art, Wilmerding looks closely at American painting. He argues that by placing a signature within a painting the artist may be making an explicit association with the setting or situation depicted. He demonstrates that such signatures or inscriptions can be viewed as fragments of autobiography or as concentrated glimpses of self-representation. Beautifully designed and handsomely illustrated, this book brings into focus the myriad and complex meanings of artists' signatures and is of interest to anyone who admires and studies American art and culture. Dust jacket with closed tear at rear flap; otherwise, very nice, clean, like-new copy free of any marks. Wrapped in complimentary Brodart dust jacket protector. N° de réf. du vendeur 288856
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Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardbound. Dark green cloth in color illustrated dustjacket. xii, 204 pp., 42 color, 102 bw illustrations. A wonderful examination of the various and unique ways American artists have affixed their signatures or monograms to their works. VG (one copy may show inner hinge at title-page is slightly cracked from a rough opening of the book, Cover still firm). N° de réf. du vendeur 101475
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Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Light wear only, Internally looks Unread - Quick flick through pages could not see any issues, clean and tidy copy in tight binding. Unclipped dust wrapper will be fitted with removable archive acetate film. **1223g** All orders are sent with a tracking /signature service for your peace of mind, so that you can keep tabs on your parcel. For overseas customers - on some sites we use, parcels weighing over the standard rate may incur an additional charge and we will then contact you with the additional shipping fee required. This is for the postage only we do not charge you for our time or our excellent packaging, which we are noted for. Dispatched in cardboard mailers within 24/48 Hours Mon - Friday 2pm, except bank holidays, otherwise next business day - excellent service guaranteed. AANBE18754. N° de réf. du vendeur 18754
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