Synopsis
Book by Bartram Mr Alan
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Présentation de l'éditeur
The first quarter of the twentieth century was clamorous with the cries of rebellious groups. Numerous manifestoes called for new forms, a new language, a new society. None was wider in its scope, or more poetic, than Marinetti's Futurist Manifesto of 1909. Painting, literature, architecture, theatre, cinema, music; all were caught up in its net. What is refreshing is that typography, up till then the forgotten relation, played a serious part in that programme, too. While very innovative, the work of the Futurist poets retained meaning, whereas the Dadaists deliberately employed illogic in an attempt to awaken the mind to evocative ideas. The very different methods of the Russian Futurists - irregular handwritten lettering and vigorous drawings - produced a different kind of excitement. But all three movements, the creation of poets and artists crossing boundaries, were concerned with intensifying literary expression by visually expressive presentation. This new book, by a leading writer on graphic design and typography, traces the development of Futuristic typography, and describes examples of around eighty Futurist books or other designs for print, including translations, so that a new understanding of this extraordinary language, and of Futurist typography, emerges.
Biographie de l'auteur
Alan Bartram is the author of many books on design including Typefaces for Books (with James Sutton, 1990), Five Hundred Years of Book Design (2001) and Bauhaus, Modernism and the Illustrated Book (2004) all published by The British Library.
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Futurist Typography and the Liberated Text
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First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective shrink-wrap.; 8vo 8" - 9" tall; 160 pages; Description: 160 p. : ill. (some col.) ; 29 cm. Summary: Written by leading design scholar Alan Bartram, this book examines the rise and evolution of the Futurists' approach to typography and graphic design, placing it within the context of contemporary artistic and literary movements. The volume features examples of some eighty Futurist books or other designs for print, many of them relatively unknown or previously unpublished, accompanied by new translations of many of the featured texts. Bartram illuminates the complicated meanings of the futurist designers' graphic works in order to provide a new understanding of their extraordinary and influential visual language. Subjects: Graphic design (Typography) -- Graphic arts -- History -- Typography -- Furturism. 2 Kg. N° de réf. du vendeur 215669
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Futurist typography and the liberated text
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New Haven, CT : Yale University Press, 2005
ISBN 10 : 030011432X
ISBN 13 : 9780300114324
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First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective shrink-wrap.; 8vo 8" - 9" tall; 160 pages; Description: 160 p. : ill. (some col.) ; 29 cm. Summary: Written by leading design scholar Alan Bartram, this book examines the rise and evolution of the Futurists' approach to typography and graphic design, placing it within the context of contemporary artistic and literary movements. The volume features examples of some eighty Futurist books or other designs for print, many of them relatively unknown or previously unpublished, accompanied by new translations of many of the featured texts. Bartram illuminates the complicated meanings of the futurist designers' graphic works in order to provide a new understanding of their extraordinary and influential visual language. Subjects: Graphic design (Typography) -- Graphic arts -- History -- Typography -- Furturism. 2 Kg. N° de réf. du vendeur 215669
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