Contributions by Christopher Baker, Cristina Borgioli, Louisa M. Connor Bulman, Antonella Capitanio, Marco Collareta, Peter Davidson, Francisco Freddolini, Cristiano Giometti, John Harris, Elisabeth Kieven, and Cinzia Maria Sicca
This handsome book is the only full-length study of John Talman (1677-1726), first director of the Society of Antiquaries and one of the most influential collectors of drawings in early 18th-century Britain. Prominent scholars discuss the history of Talman's acquisitions, shedding light on the competitive nature, social practices, and aesthetic ideas of connoisseurship both in England and abroad.
Talman's collection, amassed in England, Florence, and Rome between the 1690s and 1719, focused on Italian medieval art, architecture, and textiles as well as Renaissance and Baroque architecture and sculpture. It reflected the tastes and preoccupations of artistic and intellectual élites in pre-enlightenment Europe. A vehicle for disseminating aesthetic and historical ideas, the collection became not only an extraordinary document of the state of ancient and modern Italian monuments but also a history of architecture and culture at large that provided visual evidence of buildings and rituals lost through time.
Distributed for the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Cinzia Maria Sicca is Associate Professor at the University of Pisa.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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hardcover. Etat : Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized. N° de réf. du vendeur mon0000353797
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Etat : New. Offers a study of John Talman, the first director of the Society of Antiquaries and one of the most influential collectors of drawings in early 18th-century Britain. This book discusses the history of Talman's acquisitions, shedding light on the competitive nature, social practices, and aesthetic ideas of connoisseurship in England and abroad. Editor(s): Sicca, Cinzia. Series: Yale Center for British Art. Num Pages: 304 pages, 108 colour illustrations. BIC Classification: 1DBKE; ABQ; AGC. Category: (G) General (US: Trade). Dimension: 254 x 178 x 25. Weight in Grams: 1111. . 2009. Hardcover. . . . . N° de réf. du vendeur V9780300123357
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Hardback. Etat : New. Contributions by Christopher Baker, Cristina Borgioli, Louisa M. Connor Bulman, Antonella Capitanio, Marco Collareta, Peter Davidson, Francisco Freddolini, Cristiano Giometti, John Harris, Elisabeth Kieven, and Cinzia Maria Sicca This handsome book is the only full-length study of John Talman (1677-1726), first director of the Society of Antiquaries and one of the most influential collectors of drawings in early 18th-century Britain. Prominent scholars discuss the history of Talman's acquisitions, shedding light on the competitive nature, social practices, and aesthetic ideas of connoisseurship both in England and abroad. Talman's collection, amassed in England, Florence, and Rome between the 1690s and 1719, focused on Italian medieval art, architecture, and textiles as well as Renaissance and Baroque architecture and sculpture. It reflected the tastes and preoccupations of artistic and intellectual élites in pre-enlightenment Europe. A vehicle for disseminating aesthetic and historical ideas, the collection became not only an extraordinary document of the state of ancient and modern Italian monuments but also a history of architecture and culture at large that provided visual evidence of buildings and rituals lost through time. Distributed for the Yale Center for British Art and the Paul Mellon Centre for Studies in British Art. N° de réf. du vendeur LU-9780300123357
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