The son of one of the wealthiest merchant bankers in Europe, Thomas Hope (1769-1831) was a major catalyst in the arts of Regency England. At the age of 18, he embarked on a Grand Tour to the Continent that lasted nearly ten years. While travelling, he started to assemble a remarkable art collection that accompanied him to London when he and his family fled Holland following the French invasion of 1794, and that he would continue to develop thereafter. Hope installed his collection in the extraordinary interior of his Duchess Street house in the centre of London, which he extended and remodeled. Its interior decoration fostered the design which became known as the Regency style: a fascinating amalgam of decorative details, ornament, and influences from Antiquity and British and Continental European art, architecture, and design. This book is the most comprehensive study to date of Thomas Hope, focusing on his multifaceted role as designer, collector and patron. The contributors examine his wide-ranging and intriguing contribution to the arts as well as his extensive writings. Richly illustrated with new photographs, the volume presents a vast array of paintings, furniture, sculpture, and works of art, many of which have never been published before. Published in association with The Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture. Exhibition schedule: Thomas Hope: Regency Designer, Victoria & Albert Museum, London (March 21 June 2008); The Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, New York City (opens 17 July 2008).
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David Watkin is Professor of the History of Architecture at the University of Cambridge. He is the author of a previous groundbreaking book on Thomas Hope and of others on James 'Athenian' Stuart, Sir John Soane, and King George III, as well as several architectural survey volumes. Philip Hewat-Jaboor is an independent scholar, collector, and curator. Together with David Watkin and Daniella Ben Arie, he is curator of the Thomas Hope exhibition.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : Near Fine. 1st Edition. This book is a comprehensive study of Thomas Hope, focusing on his role as designer and patron. N° de réf. du vendeur 4507
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Vendeur : Henry Pordes Books Ltd, London, Royaume-Uni
Hardcover. Etat : As New. Etat de la jaquette : As New. 1st Edition. Condition very good, some shelf wear.This book is the most comprehensive study to date of Thomas Hope, focusing on his multifaceted role as designer, collector and patron. Due to its size and weight this item may incur extra shipping charges. N° de réf. du vendeur 037869
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Vendeur : Sequitur Books, Boonsboro, MD, Etats-Unis
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Vendeur : Tacoma Book Center, Tacoma, WA, Etats-Unis
Hardcover. Etat : As New. Etat de la jaquette : Dustjacket included. Later Edition. ISBN 0300124163. Oversized, Heavy, Hardback. Near Fine Condition book in a Near Fine Condition Dustjacket. Tight, bright, attractive copy with no markings to the book. As new condition. No statement of later printing on copyright page. No Signature. N° de réf. du vendeur 4202019
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Hardcover w/DJ. Etat : Very Good/Very Good. Color Photos & Illus. (illustrateur). New Haven, Conn. ; London : Yale University Press. Very Good/Very Good. 2008. Hardcover w/DJ. 4to., 526 pp. . N° de réf. du vendeur BOOKS334413
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Vendeur : Newbury Books, Atlanta, GA, Etats-Unis
Hardcover. Etat : New. Etat de la jaquette : New. 1st. in shrinkwrap. Published in conjunction with the exhibition at the Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, New York, July 17 - November 16, 2008. 125 objects in the exhibition are described and illustrated in color. Numerous illustrations accompany the 15 essays. 527pp 7.19lb 12.3x10.1x1.6in EXTRA SHIPPING CHARGES NECESSARY. N° de réf. du vendeur 23577
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