In Islamic culture, calligraphy has long been considered a quintessential art form. This beautiful writing practice constitutes an expression of piety, and calligraphers are among the most highly esteemed artists. Traces of the Calligrapher portrays the intimate world of the calligrapher during the early modern period of Islamic culture. It brings together the "tools of the trade"--works in their own right that are rarely exhibited or published--and the exquisite art made with these functional objects in India, Iran, and Turkey. This richly illustrated and fascinating book presents exceptional works of the 17th through 19th centuries, drawn primarily from an unrivaled private collection. It features pens, pen boxes, chests, tables, paper scissors, knives, burnishers, and book bindings of superb manufacture and design, accompanied by examples of calligraphy that were executed as practice exercise, occasional works, wall hangings, and manuscripts.
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Mary McWilliams is the Norma Jean Calderwood Curator of Islamic and Later Indian Art at the Arthur M. Sackler Museum, Harvard University. David J. Roxburgh is a professor in the Department of Art and Architecture at Harvard University and author of The Persian Album, 1400--1600 (Yale).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Islamic Art Books, London, Royaume-Uni
Soft cover. Etat : Fine. 1st Edition. 30.5 by 23cm., 96pp., fully illustrated in colour. In Islamic culture, calligraphy has long been considered a quintessential art form. This beautiful writing practice constitutes an expression of piety, and calligraphers are among the most highly esteemed artists. Traces of the Calligrapher portrays the intimate world of the calligrapher during the early modern period of Islamic culture. It brings together the tools of the trade works in their own right that are rarely exhibited or published and the exquisite art made with these functional objects in India, Iran, and Turkey. Published to coincide with the exhibition 'Traces of the Calligrapher: Islamic Calligraphy in Practice, C. 1600-1900', and 'Writing the Word of God: Calligraphy and the Qur'an' organised by the Museum of Fine Arts, Houston, and Harvard University art Museums, at the Museum of Fine Arts, Houston, October 27, 2027- January 27, 2008. N° de réf. du vendeur ABE-1750682496583
Quantité disponible : 1 disponible(s)
Vendeur : Dreadnought Books, Bristol, Royaume-Uni
Softcover. Etat : Good (ex-library). First Edition. Size: 4to 9 3/4 - 12". xii + 96pp. Binding firm. Bump to base of spine. Edges slightly marked. Ex-library, with minimal stamps and markings (Woodbrooke Quaker Study Centre). Covers slightly creased. Profusely illustrated. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Art & Design; Religion & Theology. ISBN/EAN: 9780300126327. Pictures of this item not already displayed here available upon request. Inventory No: 50707. N° de réf. du vendeur 50707
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Vendeur : Mooney's bookstore, Den Helder, Pays-Bas
Etat : Very Good. N° de réf. du vendeur 8B8CB418281A298
Quantité disponible : 1 disponible(s)
Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Paperback. Etat : New. N° de réf. du vendeur 76629
Quantité disponible : 2 disponible(s)