Francesco Vanni (1563/64-1610) was the most important artist in Siena at the turn of the 17th century. His works combine dazzling technical virtuosity and brilliant coloring with the naturalistic approach employed by his more famous contemporaries Annibale Carracci and Caravaggio. He painted altarpieces for every significant church in Siena, as well as for Saint Peter's and other churches in Rome.
Beautifully illustrated and featuring new research, Francesco Vanni: Art in Late Renaissance Siena is the definitive resource on the artist. John Marciari investigates Vanni's career, including his connections with patrons and his adaptation of traditional subject matter to serve the Counter-Reformation. Suzanne Boorsch explores Vanni's engagement with printmakers and the dissemination of his compositions through prints. The catalogue examines more than 80 paintings, drawings, and prints, including the Madonna della Pappa, one of Vanni's masterpieces, acquired by the Yale University Art Gallery in 2003.
Exhibition Schedule:
Yale University Art Gallery(09/27/13-01/05/14)
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
John Marciari is the curator of European art and head of provenance research at the San Diego Museum of Art. Suzanne Boorsch is the Robert L. Solley Curator of Prints, Drawings, and Photographs at the Yale University Art Gallery.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Dusty rose cloth, coffee and color illus. dust jacket, 246 pp., many color illus. Issued in conjunction with a 2013-2014 exhibition of artwork by Francesco Vanni (1563/4-1610), "the most important artist in Siena at the turn of the seventeenth century." (dj) With essays by John Marciari, Suzanne and Boorsch, and a well-annotated and illustrated catalog of 83 items. Nice! VG/VG- (Light edge wear to dj corners). N° de réf. du vendeur 147959
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Vendeur : Ted Kottler, Bookseller, Redondo Beach, CA, Etats-Unis
Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 1st Edition. 246 pp; 194 color plates; 13 black and white illustrations. Original cloth, 4to. Near Fine, in dust jacket (very slightly worn). N° de réf. du vendeur 25508
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 256 pages. 11.50x9.25x1.25 inches. In Stock. N° de réf. du vendeur 0300135483
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Vendeur : Luigi De Bei, PREGANZIOL, TV, Italie
Couverture rigide. Etat : Neuf. Etat de la jaquette : Neuf. prima edizione. Francesco Vanni: Art in Late Renaissance Siena John Marciari, Suzanne Boorsch, Jamie Gabbarelli, Alexa A Greist, Editore: Yale University Press October 2013, 2013 ISBN 10: 0300135483 / ISBN 13: 9780300135480 Descrizione: Francesco Vanni (1563/64-1610) was the most important artist in Siena at the turn of the 17th century. His works combine dazzling technical virtuosity and brilliant coloring with the naturalistic approach employed by his more famous contemporaries Annibale Carracci and Caravaggio. He painted altarpieces for every significant church in Siena, as well as for Saint Peter's and other churches in Rome.Beautifully illustrated and featuring new research, 'Francesco Vanni: Art in Late Renaissance Siena' is the definitive resource on the artist. John Marciari investigates Vanni's career, including his connections with patrons and his adaptation of traditional subject matter to serve the Counter-Reformation. Suzanne Boorsch explores Vanni's engagement with printmakers and the dissemination of his compositions through prints. The catalogue examines more than 80 paintings, drawings, and prints, including the 'Madonna della Pappa,' one of Vanni's masterpieces, acquired by the Yale University Art Gallery in 2003. Published in conjunction with the exhibition organized by the Yale University Art Gallery, Yale University Art Gallery, September 27, 2013-January 5, 2014. end paper a little loose otherwise a near perfect copy. Codice inventario libreria 008573assunto: Francesco Vanni (1563/64-1610) was the most important artist in Siena at the turn of the 17th century. His works combine dazzling technical virtuosity and brilliant coloring with the naturalistic approach employed by his more famous contemporaries Annibale Carracci and Caravaggio. He painted altarpieces for every significant church in Siena, as well as for Saint Peter's and other churches in Rome. Beautifully illustrated and featuring new research, Francesco Vanni: Art in Late Renaissance Siena is the definitive resource on the artist. John Marciari investigates Vanni's career, including his connections with patrons and his adaptation of traditional subject matter to serve the Counter-Reformation. Suzanne Boorsch explores Vanni's engagement with printmakers and the dissemination of his compositions through prints. The catalogue examines more than 80 paintings, drawings, and prints, including the Madonna della Pappa, one of Vanni's masterpieces, acquired by the Yale University Art Gallery in 2003. Language : english text Size: 225 X285 mm. N° de réf. du vendeur 008573
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Vendeur : The Book Spot, Sioux Falls, MN, Etats-Unis
Hardcover. Etat : New. N° de réf. du vendeur Abebooks4941
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