The management of image in the service of power is a familiar tool of twenty-first century politics. Here a leading historian reveals how, from even before the Reformation, the Tudors sought to sustain and enhance their authority by representing themselves to their people through the media of building, print, art, material culture and speech. Deploying what we might now describe as 'spin', Tudor rulers worked actively as patrons and popularisers to present themselves to the best advantage. Familiarity, however, brought risk. The art of royal representation was a delicate balance between mystification and popularisation, and those rulers who most used it - notably Henry VIII and Elizabeth I - enjoyed the longest reigns and, at most times, wide support. Yet even in Elizabeth's case successful image-making tended to surrender her authority to popular construction. By the end of the sixteenth century, the Tudors had survived reformations and rebellions, strengthened the crown and imprinted themselves on the imaginations and lives of their subjects. Yet relentless promotion of the royal image had desacralised it, leaving a difficult legacy to their Stuart successors. This first sustained analysis of the verbal and visual representations of Tudor power embraces art history, literary studies and the history of consumption and material culture. It reflects years of study of the texts, images, modes and forms of representation which circulated images of authority to a public increasingly eager to acquire them.
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Kevin Sharpe is Professor of Renaissance Studies and Director of the Centre for Renaissance and Early Modern Studies, Queen Mary, University of London. His books include 'The Personal Rule of Charles I' and 'Reading Revolutions', both published by Yale.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Destinations, frais et délaisVendeur : Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Allemagne
Etat : Sehr gut. XXIX, 588 p., ill. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Slightly rubbed jacket, otherwise very good and clean. Includes two reviews of the book. / Leicht beriebener Umschlag, sonst sehr gut und sauber. Beiliegend zwei Rezensionen zum Buch. - The management of image in the service of power is a familiar tool of twenty-first century politics. Here a leading historian reveals how, from even before the Reformation, the Tudors sought to sustain and enhance their authority by representing themselves to their people through the media of building, print, art, material culture and speech. Deploying what we might now describe as 'spin', Tudor rulers worked actively as patrons and popularisers to present themselves to the best advantage. Familiarity, however, brought risk. The art of royal representation was a delicate balance between mystification and popularisation, and those rulers who most used it - notably Henry VIII and Elizabeth I - enjoyed the longest reigns and, at most times, wide support. Yet even in Elizabeth's case successful imagemaking tended to surrender her authority to popular construction. By the end of the sixteenth century, the Tudors had survived reformations and rebellions, strengthened the crown and imprinted themselves on the imaginations and lives of their subjects. Yet relentless promotion of the royal image had desacralised it, leaving a difficult legacy for their Stuart successors. This first sustained analysis of the verbal and visual representations of Tudor power embraces art history, literary studies and the history of consumption and material culture. It reflects years of study of the texts, pictures, modes and forms of representation which circulated images of authority to a public increasingly eager to acquire them. - Kevin Sharpe is Professor of Renaissance Studies and Director of the Centre for Renaissance and Early Modern Studies, Queen Mary, University of London. His books include The Personal Rule of Charles I (1992) and Reading Revolutions (2000), both published by Yale. ISBN 9780300140989 Sprache: Englisch Gewicht in Gramm: 1112 Original hardcover with dust jacket. N° de réf. du vendeur 1170046
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Etat : Good. 1st Edition. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. N° de réf. du vendeur 40045265-20
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Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 1st Edition. Tidy jacket. Copy is free of inscriptions. SIGNED BY AUTHOR. Signed by Author(s). N° de réf. du vendeur 035989
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Vendeur : Strawberry Hill Books, Rotherfield, East Sussex, Royaume-Uni
Hardcover. Etat : Fine. Etat de la jaquette : Near Fine. 1st Edition. pp XXIX, 588. 2nd printing. DJ shows slight use. Book unread. N° de réf. du vendeur 036367
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Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1200grams, ISBN:9780300140989. N° de réf. du vendeur 9986994
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Vendeur : Toscana Books, AUSTIN, TX, Etats-Unis
Hardcover. Etat : new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks. N° de réf. du vendeur Scanned0300140983
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