The art of Islamic calligraphy developed from the 7th to the 14th century, beginning in western Arabia, spreading south to the Yemen and north to the Near East, and continuing east and west to Iran, Egypt, North Africa, and Spain. This handsome book demonstrates the breadth and beauty of Islamic calligraphy across centuries and continents, as seen in rare early folios of the Qur'an.Noted scholar David J. Roxburgh begins by discussing the Qur'an, which Muslims believe to be the written record of a series of divinely inspired revelations to the Prophet Muhammad. He then analyzes Kufic script, the preeminent vehicle for writing early manuscripts of the Qur'an; reforms of calligraphy in the tenth century; and the great master Islamic calligraphers, in particular Yaqut al-Musta'simi. The beautiful reproductions of folios and bifolios validate Roxburgh's conclusion that 'the miracle of the text of the Qur'an found its equal in the technical mastery of the calligrapher's practice, a miracle in its own right'.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
David J. Roxburgh is the Prince Alwaleed bin Talal Professor of Islamic Art History in the Department of Art and Architecture at Harvard University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Bay State Book Company, North Smithfield, RI, Etats-Unis
Etat : good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing. N° de réf. du vendeur BSM.10H1O
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Vendeur : Islamic Art Books, London, Royaume-Uni
Soft cover. Etat : As New. 1st Edition. 28 by 21.5cm., 64pp., colour. Catalogue of the exhibition held at The Museum of Fine Arts, Houston, November 3, 2007 February 3, 2008. The Qur'an states that the first thing created by God was the pen, with which he wrote creation, and so the practice of calligraphy constituted an expression of piety. But calligraphy was also a trace of its maker, a permanently impressed mark of his or her character. As artists acquired skill in beautiful writing, they would inevitably reveal their ideas and moral fiber as well, recording these aspects of themselves for posterity. Moreover, proficiency in calligraphy was a hallmark of high culture and was thus not simply the preserve of professional scribes who staffed imperial bureaucracies of Muslim dynasties or prepared books for major cultural institutions such as mosques and theological colleges. Writing the Word of God: Calligraphy and the Qur'an showcases a superb selection of folios from copies of the Qur'an, the preeminent context for the practice of calligraphy in the Islamic world. These folios present calligraphy produced in the region between North Africa and Iran from the 9th to 16th centuries. N° de réf. du vendeur ABE-1761520119420
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Vendeur : p015, Rotterdam, Pays-Bas
Paperback. Etat : As new. Condition: Als nieuw. Binding: Paperback. Year: 2007. Language: Engels. Description: Hoekje(s) licht gevouwen. Lichte sporen omslag verder als nieuw. N° de réf. du vendeur 169425
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Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Paperback. Etat : New. N° de réf. du vendeur 100836
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