The essays in 'More than One' examine sequentiality and serialism in the practice of photography from the medium's earliest years to the present. Contributors explore nuances of syntax and sense raised by works like photographic albums, books, thematic portfolios, journalistic photo features and documentations of performance art. Fully illustrated essays discuss, among other topics, the little-known volume 'Beyond This Point' (1929), a collaborative experiment by American photographer Francis Bruguiere and London radio producer Lance Sieveking; the evolving relationship between public space and sexual self-definition in the early work of Minor White; and, an important performance work by artist Ana Mendieta. The title essay surveys the social conditions and expressive motives that have given rise to serial and sequential forms throughout the history of photography.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Joel Smith is curator of photography and Kelly Baum is the Locks Curatorial Fellow for Contemporary Art, both at the Princeton University Art Museum. Peter Barberie is curator of photography at the Philadelphia Museum of Art. Anne McCauley is the David Hunter McAlpin Professor of the History of Photography and Modern Art at Princeton University. Kevin Moore is an independent scholar and curator.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. The essays in More than One examine sequentiality and serialism in the practice of photography from the medium's earliest years to the present. Contributors explore nuances of syntax and sense raised by works like photographic albums, books, thematic portfolios, journalistic photo features, and documentations of performance art. Fully illustrated essays discuss, among other topics, the little-known volume Beyond This Point (1929), a collaborative experiment by American photographer Francis Bruguiere and London radio producer Lance Sieveking; the evolving relationship between public space and sexual self-definition in the early work of Minor White; and an important performance work by artist Ana Mendieta. The title essay surveys the social conditions and expressive motives that have given rise to serial and sequential forms throughout the history of photography.Distributed for the Princeton University Art Museum. N° de réf. du vendeur LU-9780300149302
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Soft cover. Etat : Near Fine. Record, Volume 67/2008. Softcover, pictorial stiff wraps, 123 pp, color and b&w illustrations, slight edgewear to covers, else a clean and near fine copy. N° de réf. du vendeur 500819
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Vendeur : Rarewaves USA, OSWEGO, IL, Etats-Unis
Paperback. Etat : New. The essays in More than One examine sequentiality and serialism in the practice of photography from the medium's earliest years to the present. Contributors explore nuances of syntax and sense raised by works like photographic albums, books, thematic portfolios, journalistic photo features, and documentations of performance art. Fully illustrated essays discuss, among other topics, the little-known volume Beyond This Point (1929), a collaborative experiment by American photographer Francis Bruguiere and London radio producer Lance Sieveking; the evolving relationship between public space and sexual self-definition in the early work of Minor White; and an important performance work by artist Ana Mendieta. The title essay surveys the social conditions and expressive motives that have given rise to serial and sequential forms throughout the history of photography.Distributed for the Princeton University Art Museum. N° de réf. du vendeur LU-9780300149302
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Vendeur : Jeff Hirsch Books, ABAA, Wadsworth, IL, Etats-Unis
First Edition. First edition. Softcover. 96 pages. Features a foreword and essay by the editor Joel Smith along with additional essays by Peter Barberie, Kelly Baum, Anne McCauley, and Kevin Moore. Includes 61 color and 32 black and white illustrations. A clean very near fine copy in French style wrappers. N° de réf. du vendeur 197658
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Etat : New. Includes essays that examine sequentiality and serialism in the practice of photography from the medium's earliest years. This title explores nuances of syntax and sense raised by works like photographic albums, books, thematic portfolios, journalistic photo features, and documentations of performance art. Editor(s): Smith, Joel. Series: Princeton University Art Museum Monographs S. Num Pages: 120 pages, 32 black-&-white illustrations + 61 colour images. BIC Classification: ACB; AJ. Category: (G) General (US: Trade). Dimension: 273 x 216 x 10. Weight in Grams: 516. . 2009. Paperback. . . . . N° de réf. du vendeur V9780300149302
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