Richard Brown Baker (1912-2002) began collecting works by emerging artists in the 1940s, becoming one of the first collectors to embrace both Abstract Expressionism and Pop Art. He eventually amassed a collection of more than 1,600 works from the postwar period, including works by such groundbreaking American artists as Jean-Michel Basquiat, Chuck Close, Roy Lichtenstein, Robert Morris, Jackson Pollock, Robert Rauschenberg, and James Rosenquist, as well as European and Asian artists such as Alberto Burri, Jean Dubuffet, Georges Mathieu, and Kurt Schwitters.
Baker bequeathed the majority of his collection to the Yale University Art Gallery, and the balance to the Museum of Art, Rhode Island School of Design. Highlighting 130 works, this is the first complete history of Baker's important collection. Essays by renowned art historians contextualize each of the five decades of Baker's collecting efforts, while entries on individual artists illustrate the remarkable scope of Baker's holdings. Throughout the publication, firsthand accounts from Baker's extensive personal journals describe his collecting activities within the dynamic New York art scene of the day.
Distributed for the Yale University Art GalleryLes informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Jennifer Farrell is a former assistant curator at the Yale University Art Gallery.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. N° de réf. du vendeur M0300153023Z3
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Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardcover. Etat : VG. Color-illus. boards with white/blue lettering. 372 pp. full of color and bw images. Richard Brown Baker (1912-2002) began collecting works by emerging artists in the 1940s, becoming one of the first collectors to actively embrace both Abstract Expressionism and Pop Art and eventually amassing more than 1,600 works from the postwar period. Represented among these are groundbreaking American artists such as Jean-Michel Basquiat, Chuck Close, Roy Lichtenstein, Robert Morris, Jackson Pollock, Robert Rauschenberg, and James Rosenquist, as well as European and Asian artists such as Alberto Burri, Jean Dubuffet, Georges Mathieu, Kurt Schwitters, and Jiro Yoshihara. Baker bequeathed the majority of his collection to the Yale University Art Gallery, and the balance to the Museum of Art, Rhode Island School of Design. Highlighting 130 works, this is the first complete history of Baker's important collection. Essays by renowned art historians Thomas Crow, Serge Guilbaut, Robert Storr, and others contextualize each of the five decades of Baker's collecting efforts, while entries on individual artists illustrate the remarkable scope of Baker's holdings. Throughout the publication, firsthand accounts from Baker's extensive personal journals describe his collecting activities within the dynamic New York art scene of the day. N° de réf. du vendeur 133255
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Vendeur : Montclair Book Center, Montclair, NJ, Etats-Unis
Hardcover. Etat : NEW Discounted. N° de réf. du vendeur 60920
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Vendeur : Evolving Lens Bookseller, Kingston, NY, Etats-Unis
Hardcover. First Edition; First Printing. Book condition is Very Good+ in pictorial boards. Text is clean and unmarked. Illustrated in full color throughout. Includes work by Jackson Pollock, David Hockney, Cy Twombly, Robert Morris, Roy Lichtenstein, Jasper Johns and more. ; Yale University Art Gallery; 11.20 X 9.20 X 1.20 inches; 372 pages. N° de réf. du vendeur 5204
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Vendeur : Sell Books, Elland, YORKS, Royaume-Uni
hardcover. Etat : Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only. N° de réf. du vendeur mon0000022524
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Vendeur : Argosy Book Store, ABAA, ILAB, New York, NY, Etats-Unis
hardcover. Etat : fine. First. Black & white and color illustrations throughout. 372 pages. Large 4to, matte pictorial boards. New Haven: Yale University Press/Art Gallery, (2011). First edition. A fine copy. With essays by Thomas Crow, Serge Guilbaut, Jan Howard, Robert Storr, and Judith Tannenbaum, as well as numerous contributions by others. N° de réf. du vendeur 322350
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Vendeur : ANARTIST, New York, NY, Etats-Unis
Hardcover without dustjacket as issued; 372 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur GeCrYa60
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