The works that Henri Matisse (1869-1954) executed between late 1913 and 1917 are among his most demanding, experimental, and enigmatic. Often sharply composed, heavily reworked, and dominated by the colours black and gray, these compositions are rigorously abstracted and purged of nearly all descriptive detail. Although they have typically been treated as unrelated to one another, as aberrations within the artist's oeuvre, or as singular responses to Cubism or World War I, "Matisse: Radical Invention, 1913-1917" reveals the deep connections among them and their critical role in an ambitious, cohesive project that took the act of creation itself as its main focus. This book represents the first sustained examination of Matisse's output from this important period, revealing fascinating information about his working method, experimental techniques, and compositional choices uncovered through extensive new historical, technical, and scientific research. The lavishly illustrated volume is published to accompany a major exhibition consisting of approximately 125 paintings, sculptures, drawings, and prints. It features in-depth studies of individual works such as "Bathers by a River" and "The Moroccans", which Matisse himself counted as among the most pivotal of his career, and facilitates a greater understanding of the artist's innovative process and radical stylistic evolution.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Stephanie D'Alessandro is the Gary C. and Frances Comer Curator of Modern Art at the Art Institute of Chicago. John Elderfield is the Chief Curator Emeritus of Painting and Sculpture at the Museum of Modern Art.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Cloth. Etat : Near Fine. Etat de la jaquette : Near Fine. 368 pages with 653 illustrations 515 in color. Minor rubbing and wear to the cover and edges with a small tear to the reverse side of the jacket now protected with a Mylar cover. Published on the occasion of the exhibition from The Art Institute of Chicago, Chicago, IL March 20-June 20, 2010 and The Museum of Modern Art, New York, NY July 18-October 11, 2010. Selected Bibliography. Book. N° de réf. du vendeur 028523
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Hardcover. Etat : Fine. Etat de la jaquette : Very Good. 4to (33.5 cm), 368 pp. Publisher's cloth and dust jacket (dj frayed at extremities, two tears top near the spine, binding and text fine). " The works that Henri Matisse (1869-1954) executed between late 1913 and 1917 are among his most demanding, experimental, and enigmatic. Often sharply composed, heavily reworked, and dominated by the colors black and gray, these compositions are rigorously abstracted and purged of nearly all descriptive detail. Although they have typically been treated as unrelated to one another, as aberrations within the artist's oeuvre, or as singular responses to Cubism or World War I, Matisse: Radical Invention, 1913-1917 reveals the deep connections among them and their critical role in an ambitious, cohesive project that took the act of creation itself as its main focus. This book represents the first sustained examination of Matisse's output from this important period, revealing fascinating information about his working method, experimental techniques, and compositional choices uncovered through extensive new historical, technical, and scientific research. The lavishly illustrated volume is published to accompany a major exhibition consisting of approximately 125 paintings, sculptures, drawings, and prints. It features in-depth studies of individual works such as Bathers by a River and The Moroccans, which Matisse himself counted as among the most pivotal of his career, and facilitates a greater understanding of the artist's innovative process and radical stylistic evolution." (from the publisher's description). N° de réf. du vendeur 007107
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