Best known for his extraordinary abstract collages, German artist Kurt Schwitters (1887-1948) is one of the most influential figures of the international avant-garde. Emphasizing the significance of colour and light in the artist's work and delving into the relationship between collage and painting, this handsome volume accompanies the first U.S. retrospective of the artist's oeuvre in twenty-five years. Affiliated with Dada and the Constructivist movement in the years following WWI, he coined the term merz to describe his ambition to 'make connections, preferably between everything in the world'. Schwitters' merz gave seemingly worthless objects of urban waste - train tickets, newspaper fragments, bits of wire - new life as compositional elements in his installations, assemblages, sculptures and collages. Hoping to unify life and art by incorporating everyday objects into his work, this pioneer of installation art came closest to his ideal with Merzbau, a room-size walk-in sculpture constructed entirely of found materials. Alongside images and analysis of a full-scale reconstruction of Merzbau, this book includes an illustrated chronology and 90 colour plates of Schwitters' assemblages, reliefs, sculptures and collages, with emphasis on merz works from the 1920s and 1940s. The selection not only illuminates the artist's response to the dominant art movements of his time but also illustrates his unique composition and design. Essays by prominent scholars provide new perspective on the artist who created poetry from the commonplace.
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Isabel Schulz is the executive director of the Kurt and Ernst Schwitters Collection and the curator of the Kurt Schwitters Archive at the Sprengel Museum in Hannover. Josef Helfenstein is director of The Menil Collection. Leah Dickerman is curator in the Department of Painting and Sculpture at the Museum of Modern Art, New York. Gwendolen Webster is an independent scholar and expert on Schwitters. Clare Elliott is assistant curator at The Menil Collection.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : ThriftBooksVintage, Tukwila, WA, Etats-Unis
Hardcover. Etat : Good. No Jacket. Dust jacket missing. Shelf and handling wear to cover and binding, with general signs of previous use. Boards may have fading and nicks and other signs of wear and imperfection commensurate with age. Binding is tight and structurally sound. Pages unmarked. Sealed in plastic for shipping. Secure packaging for safe delivery. N° de réf. du vendeur 1596463829
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Vendeur : Fahrenheit's Books, Denver, CO, Etats-Unis
Hardcover. Etat : Very Good+. Etat de la jaquette : Very Good. First Edition. Presumed first edition with no additional printings listed, hardcover, has a mild lean to the binding, a touch of bowing to the covers, bumps to the spine ends and cover corners, and subtle smudging to the head of the text block. Overall, this is a solid, tight, Very Good+ copy in a Very Good dust jacket, which has bumps with light creasing to the spine ends and corners, rubbing with subtle scuffs to the covers, sun fading to the spine and edges, thin cross creases extending from the rear fold, and mild wear to the edges. The jacket is wrapped in Mylar, and additional images are available by request. N° de réf. du vendeur 213956
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Vendeur : ANARTIST, New York, NY, Etats-Unis
Hardcover with dustjacket, 176 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur KuScTh225
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Vendeur : Salish Sea Books, Bellingham, WA, Etats-Unis
Etat : Very Good. Very Good in a Very Good dust jacket; Hardcover; Dust jacket is clean and glossy with no tears, and has not been price-clipped (Now fitted with a new, Brodart jacket protector); Very light overall wear to the boards, but the bottom right corner of the front board is moderately "bumped"; The textblock edges are unblemished; One light blemish to the second endpaper, otherwise the endpapers and all text pages are clean and unmarked; Excellent binding; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (Quatro, 10.75" - 11.75" tall); Tan dust jacket with title in black lettering; 2010, The Menil Collection; 176 pages; "Kurt Schwitters: Color and Collage," by Isabel Schulz. N° de réf. du vendeur SKU-1249AB00810172
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Etat : Very Good. N° de réf. du vendeur C8CDE9C850F5BDE
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Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Hardcover. Etat : New. Best known for his extraordinary abstract collages, German artist Kurt Schwitters (1887?1948) is one of the most influential figures of the international avant-garde. Emphasizing the significance of color and light in the artistâs work and delving into the relationship between collage and painting, this handsome volume accompanies the first U.S. retrospective of the artistâs oeuvre in twenty-five years.Affiliated with Dada and the Constructivist movement in the years following WWI, he coined the term ?merzâ to describe his ambition to ?make connections, preferably between everything in the world.â Schwittersâs merz gave seemingly worthless objects of urban waste?train tickets, newspaper fragments, bits of wire?new life as compositional elements in his installations, assemblages, sculptures, and collages. Hoping to unify life and art by incorporating everyday objects into his work, this pioneer of installation art came closest to his ideal with Merzbau, a room-size walk-in sculpture constructed entirely of found materials.Alongside images and analysis of a full-scale reconstruction of Merzbau, this book includes an illustrated chronology and 90 color plates of Schwittersâs assemblages, reliefs, sculptures, and collages, with emphasis on merz works from the 1920s and 1940s. The selection not only illuminates the artistâs response to the dominant art movements of his time but also illustrates his unique composition and design. Essays by prominent scholars provide new perspective on the artist who created poetry from the commonplace. N° de réf. du vendeur 87505
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