Today Renaissance-era prints are typically preserved behind glass or in solander boxes in museums, but these decorative objects were once a central part of everyday life. Altered and Adorned is a delightful, surprising look at how prints were used: affixed on walls; glued into albums, books, and boxes; annotated; hand-colored; or cut apart.
This handsome volume introduces readers to the experimental world of printmaking in the mid-15th and 16th centuries and the array of objects it inspired, from illustrated books, sewing patterns, and wearable ornaments to printed sundials and anatomical charts. It features many never-before-published treasures from the Art Institute of Chicago's rich permanent collection, along with essays on the ways prints functioned--in some cases as three-dimensional and interactive works--and how their condition communicates their use.
Distributed for the Art Institute of Chicago
Exhibition Schedule:
The Art Institute of Chicago
(04/30/11-07/10/11)
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Suzanne Karr Schmidt is Andrew W. Mellon Curatorial Fellow in Prints and Drawings at the Art Institute of Chicago. Kimberly Nichols is Associate Conservator in Prints and Drawings at the Art Institute of Chicago.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : HPB-Ruby, Dallas, TX, Etats-Unis
Hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_470370141
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Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 52855330-75
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. annotated edition edition. 112 pages. 12.50x9.50x0.75 inches. In Stock. N° de réf. du vendeur 0300169116
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Vendeur : Dan Pope Books, West Hartford, CT, Etats-Unis
Hardcover. Etat : New. Etat de la jaquette : New. 1st Edition. First edition. First printing. Hardbound. NEW. Very Fine in a very fine dust jacket. A tight, clean copy, still in original shrink-wrap. NOT price-clipped. Shipped in well padded box. With a contribution by Kimberly Nichols. 112 pages, 9 x 12 inches. 98 color ills. Out of print. Examines experimental world of printmaking in the mid-fifteenth through early seventeenth centuries and the array of objects it inspired, from illustrated books, sewing patterns, and wearable ornaments to sundials, other astronomical instruments, and anatomical prints. Published in conjunction with an exhibition organized by and presented at the Art Institute of Chicago, Apr. 30-July 10, 2011. Includes bibliographical references (p. 106-110). N° de réf. du vendeur UNIVERSITY-PRESS-YALE-07
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Vendeur : Au bon livre, La Barre en Ouche, France
Jun 07, 2011. Etat : D'occasion - Très bon état. Yale University Press, 2011. Coins un peu tassés. Envoi rapide et soigné. N° de réf. du vendeur 4E1D045
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