'Windows on the War' is a groundbreaking publication - the first in English to focus on posters designed by the Soviet Union's 'TASS' news agency to bolster support for the Soviet war effort. 'TASS' posters were created by a large collective of Soviet writers, printers and artists, including such notables as Mikhail Cheremnykh, Nikolai Denisovskii, the Kukryniksy and Pavel Sokolov-Skalia. Often six feet tall and always striking and bold, these stenciled posters were printed and placed daily in windows for the public to see. They were also sent abroad to serve as international cultural 'ambassadors', rallying Allied and neutral nations to the Soviet cause. Drawn from the Art Institute of Chicago's collection as well as other private and public holdings, these 'TASS' posters have not been seen since World War II. An international team of scholars presents the 'TASS' posters both as unique historical objects and as artworks that reveal how preeminent artists of the day used unconventional technical and visual means to contribute to the war effort, marking a major chapter in the history of design and propaganda. Generously illustrated, the book presents photographs, documentary materials and memorabilia in meaningful juxtapositions with images of the 'TASS' posters. Also included are documents illuminating the expression of Russian cultural life in the United States during the war, opening a fascinating window on to the war along the Eastern Front and the development of this remarkable aesthetic genre.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Peter Kort Zegers is the Rothman Family Research Curator, Department of Prints and Drawings, at the Art Institute of Chicago. Douglas W. Druick is Chair and Searle Curator of Medieval to Modern European Painting and Sculpture, and Chair and Prince Trust Curator of Prints and Drawings, both at the Art Institute of Chicago. Konstantin Akinsha is an art historian, formerly at the Museum of Western and Oriental Art, Kiev. Robert Bird is an associate professor in the Department of Slavic Languages and Literature at the University of Chicago. Jill Bugajski is an exhibition research associate, Department of Prints and Drawings, at the Art Institute of Chicago. Adam Jolles is the chair of the Department of Art History at Florida State University, Tallahassee.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Else Fine Booksellers, Tacoma, WA, Etats-Unis
Hardcover. Etat : Good. No Jacket. 1st Edition. Exhibit monograph published in conjunction with Yale University Press, mostly color illustrations throughout. Includes biographies, bibliography, and index. Rear hinge a little weak- no visible breaks. Light pushing to the corners, minor shelf wear. N° de réf. du vendeur 011098
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Hardcover. Etat : Acceptable. Jumbo-sized. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. N° de réf. du vendeur M0300170238Z4
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Vendeur : Jeff Hirsch Books, ABAA, Wadsworth, IL, Etats-Unis
First Edition. First edition. Hardcover. 400 pages. Exhibition catalog for a show that ran July 31 through October 23, 2011. Essays by Konstantin Akinsha, Robert Biro, Jill Bugajski, Douglas Druick, Adam Jolles, Lauren Markholm, Cher Schneider, Peter Kort Zegers, and Molly Zimmerman-Feeley. Includes numerous color illustrations. A fine copy in illustrated boards. No dust jacket as issued. As new and still mostly in the publisher's shrinkwrap. Please note that this is a heavy and oversized book and will require extra shipping. N° de réf. du vendeur 212497
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Vendeur : Solr Books, Lincolnwood, IL, Etats-Unis
Etat : very_good. This book is in Very good condition. There may be a few flaws like shelf wear and some light wear. N° de réf. du vendeur BCV.0300170238.VG
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Vendeur : ANARTIST, New York, NY, Etats-Unis
Hardcover without dustjacket as issued, 400 pages; new condition; still sealed inshrinkwrap; clean and crisp. Foreign shipping may be extra. N° de réf. du vendeur WiZeAr50
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Vendeur : Mercantile Books, Columbus, OH, Etats-Unis
hardcover. Etat : Very Good. Hardcover, no dust jacket as issued. Pages clean, crisp, unmarked. Cover has light wear. Shipped promptly with tracking. Asst50. N° de réf. du vendeur 001082
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Vendeur : Widney Manor Books, Solihull, MIDLA, Royaume-Uni
Hardcover. Etat : New. New book. N° de réf. du vendeur 004012
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Vendeur : Bookbot, Prague, Rébublique tchèque
Hardcover. Etat : Fine. Leichte Gebrauchsspuren; Leichte Verformung / umgeknickte Seiten; Leichte Verschmutzung / Farbtonveränderung. This groundbreaking publication is the first in English to focus on posters created by the Soviet Union's TASS News Agency to support the war effort. Designed by a collective of writers, printers, and artists, including Mikhail Cheremnykh and the Kukryniksy, these striking six-foot-tall stenciled posters were displayed daily in public windows and sent abroad to rally support from Allied and neutral nations. Drawn from the Art Institute of Chicago's collection and other holdings, these TASS posters have remained unseen since World War II. An international team of scholars presents these posters as both historical artifacts and artworks, showcasing how leading artists employed innovative techniques to contribute to the war effort, marking a significant chapter in design and propaganda history. The publication is richly illustrated with photographs, documentary materials, and memorabilia, juxtaposed with TASS poster images. It also includes documents that highlight the expression of Russian cultural life in the United States during the war, providing a captivating glimpse into the Eastern Front experience. N° de réf. du vendeur 00e5f91e-0fc3-4928-993e-eb1319089685
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Vendeur : Antiquariaat Digitalis, Amsterdam, Pays-Bas
Hardcover. Etat : Very Good. 1st Edition. Paper covered boards (hardcover) with transparant dust-jacket, 402 pages : illustrations ; 33 cm. Very good, clean, no internal marks, just some very light shelf-wear.Heavy/large, will require extra postage for international customers. A fascinating look at the aesthetic means and political ends of the graphically bold posters of the Soviet Union's TASS News Agency during WWII. N° de réf. du vendeur JHJ_2023_10_13_9
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Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Hardcover. Etat : New. Windows on the War is a groundbreaking publicationâ"the first in English to focus on posters designed by the Soviet Union's TASS News Agency to bolster support for the Soviet war effort. TASS posters were created by a large collective of Soviet writers, printers, and artists, including such notables as Mikhail Cheremnykh, Nikolai Denisovskii, the Kukryniksy, and Pavel Sokolov-Skalia. Often six feet tall and always striking and bold, these stenciled posters were printed and placed daily in windows for the public to see. They were also sent abroad to serve as international cultural "ambassadors," rallying Allied and neutral nations to the Soviet cause. Drawn from the Art Institute of Chicago's collection, as well as other private and public holdings, these TASS posters have not been seen since World War II. An international team of scholars presents the TASS posters both as unique historical objects and as artworks that reveal how preeminent artists of the day used unconventional technical and visual means to contribute to the war effort, marking a major chapter in the history of design and propaganda. Generously illustrated, the book presents photographs, documentary materials, and memorabilia in meaningful juxtapositions with images of the TASS posters. Also included are documents illuminating the expression of Russian cultural life in the United States during the war, opening a fascinating window onto the war along the Eastern Front. N° de réf. du vendeur 95508
Quantité disponible : 1 disponible(s)