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The New Painting of the 1860s: Between the Pre-Raphaelites and the Aesthetic Movement - Couverture rigide
Synopsis
This handsome volume is the first authoritative survey of one of the most intriguing periods of British art - the radically innovative decade of the 1860s. This book explores new developments in English painting of this period, focusing on the early work of Edward Burne-Jones, Frederic Leighton, Albert Moore, Edward Poynter, Simeon Solomon and James McNeill Whistler, as well as on paintings by Frederick Sandys and the older G. F. Watts, and by Dante Gabriel Rossetti and his Pre-Raphaelite colleagues, Holman Hunt and John Everett Millais. Allen Staley argues that engagement in the decorative arts, particularly by Burne-Jones, Moore, and Poynter at the outset of their careers, led to a transcending of traditional expectations of painting, making abstract formal qualities, or beauty for beauty's sake, the main goal. Rather than being about what it depicts, the painting itself becomes its own subject. 'The New Painting of the 1860s' examines the interplay among the artists and the shared ambitions underlying their works, giving impetus to what would soon come to be known as the Aesthetic Movement.
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À propos de l'auteur
Allen Staley is professor emeritus of art history, Columbia University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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The New Painting of the 1860s: Between the Pre-Raphaelites and the Aesthetic Movement (Paul Mellon Centre for Studies in British Art the Paul Mello)
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Paul Mellon Centre, 2011
ISBN 10 : 0300175671
ISBN 13 : 9780300175677
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The New Painting of the 1860s: Between the Pre-Raphaelites and the Aesthetic Movement (Paul Mellon Centre for Studies in British Art the Paul Mello)
Edité par
Paul Mellon Centre, 2011
ISBN 10 : 0300175671
ISBN 13 : 9780300175677
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Hardcover. Etat : As New. Etat de la jaquette : Very Good. First Edition. Three short tears and some edgewear to Dustjacket. Else in Near Fine condition with Very Good dustjacket. An authoritative survey exploring a radically innovative decade of British art. It examines the transition of British art away from strict Pre-Raphaelite narrative realism toward the Aesthetic Movement?s focus on abstract formal qualities and beauty for beauty?s sake. N° de réf. du vendeur SKU2020028511
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THE NEW PAINTINGS OF THE 1860S
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Yale University Press, New Haven; London, 2011
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The New Painting of the 1860s: Between the Pre-Raphaelites and the Aesthetic Movement (The Paul Mellon Centre for Studies in British Art)
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ISBN 13 : 9780300175677
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The New Painting of the 1860s: Between the Pre-Raphaelites and the Aesthetic Movement (The Paul Mellon Centre for Studies in British Art)
ISBN 10 : 0300175671
ISBN 13 : 9780300175677
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The New Painting of the 1860s: Between the Pre-Raphaelites and the Aesthetic Movement (Paul Mellon Centre for Studies in British Art the Paul Mello)
Edité par
Yale University Press, 2011
ISBN 10 : 0300175671
ISBN 13 : 9780300175677
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Hardcover with dustjacket. Etat : Sehr gut. 438 p. ISBN: 9780300175677 Sprache: Englisch Gewicht in Gramm: 2637. N° de réf. du vendeur 82650
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The New Painting of the 1860s : between the Pre-Raphaelites and the Aesthetic Movement
Edité par
Yale University Press, 2011
ISBN 10 : 0300175671
ISBN 13 : 9780300175677
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Hardcover. Etat : New. This handsome volume is the first authoritative survey of one of the most intriguing periods of British artâ"the radically innovative decade of the 1860s. The book explores new developments in English painting of this period, focusing on the early work of Edward Burne-Jones, Frederic Leighton, Albert Moore, Edward Poynter, Simeon Solomon, and James McNeill Whistler, as well as on paintings by Frederick Sandys and the older G. F. Watts, and by Dante Gabriel Rossetti and his Pre-Raphaelite colleagues Holman Hunt and John Everett Millais. Allen Staley argues that engagement in the decorative arts, particularly by Burne-Jones, Moore, and Poynter at the outset of their careers, led to a transcending of traditional expectations of painting, making abstract formal qualities, or beauty for beauty's sake, the main goal. Rather than being about what it depicts, the painting itself becomes its own subject. The New Painting of the 1860s examines the interplay among the artists and the shared ambitions underlying their works, giving impetus to what would soon come to be known as the Aesthetic Movement. N° de réf. du vendeur 96214
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