Dieter Roth (1930-98) is one of late-twentieth-century art's major figures, widely known and respected for the diversity and range of his practice; the multiplicity of his artistic identities; the collaborative and subversive nature of his approach to art; the way his work collapses artistic genres and the hierarchies between them; and the lack of distinction in his output between art and life. This book focuses on one of the primary spaces in which Roth merged art and life - the diaries he kept throughout his life. These provided somewhere to record appointments, addresses, lists and deadlines, but also ideas, drawings, photographs and poems. His diaries teem with graphic exuberance, and are a rich source both for Roth in the making of his work and for anyone wishing properly to understand it. This publication was the first to focus on Roth's diaries and to begin to examine the impact they may have on the production, reception and interpretation of his art. It was published to accompany an exhibition of Roth's diaries, notebooks, copybooks and related works at Fruitmarket in for the 2012 Edinburgh Art Festival. In reproducing some of the pages of the diaries, it hints at the wonders they contain. The diaries are an immense project; a rich academic seam still to be mined. The exhibition and publication were and are an important first step towards a proper scholarly consideration of Roth through this most intimate of forms.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Fiona Bradley is the director of The Fruitmarket Gallery, Edinburgh.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
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Vendeur : Magers and Quinn Booksellers, Minneapolis, MN, Etats-Unis
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Vendeur : Widney Manor Books, Solihull, MIDLA, Royaume-Uni
Hardcover. Etat : Very Good. Book is in very good condition. 175pp with colour photographs. N° de réf. du vendeur 036325
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Vendeur : masted books, Gilberton, SA, Australie
Hardcover. Etat : Fine. Etat de la jaquette : Near Fine. Covers & Spine: both front and back boards are undamaged with only light wear along the edges and at corners, spine is solid with slight bumping at ends. Binding: firm throughout, both hinges strong. Pages & Markings: unstained, no markings, clean throughout. Dust Jacket: intact with only light scuffing on surface and light wear along edges, a small (1cm) tear bottom front. PLEASE NOTE: Due to this item weighing more than 1 kg with packaging, postage cost for international orders (i.e. not Australian) may be more than what is shown here. Please email me if you would like a quote. All items are protectively packaged, and a postal tracking number will be sent to all customers whose current email address is registered with AbeBooks. N° de réf. du vendeur 008577
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Vendeur : Art Data, London, Royaume-Uni
Hardcover. Etat : Brand New. Hardcover.Width: 21 cm. Height: 29cm. 175 pages. English text. N° de réf. du vendeur 36486
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Vendeur : Antiquariat UEBUE, Zürich, Suisse
Hardcover. Etat : Sehr gut. Etat de la jaquette : Gut bis sehr gut. 1. Auflage. Z : 176 pages, 21 x 29 cm, halfcloth with dust jacket. - Roth kept diaries and notebooks throughout his life, using and reusing them in his art and writing. The idea of keeping a diary finding a way to record the passing of time and document his life is a fundamental theme of his artwork. Illustrations of pages from Roth's diaries and copybooks of his major works, including A Diary (1982), Flat Waste (1975), Solo Scenes (1997 98), and Bar II (1983 97), accompany art historical assessments by contemporary scholars and contributions from his peer Jan Vos and his son Björn Roth. N° de réf. du vendeur ABE-1612167111115
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Vendeur : San Francisco Book Company, Paris, France
Hardcover. Etat : Very good. Etat de la jaquette : very good. Hardcover/dust jacket Quarto. purple and gray papered boards, black lettering, dust jacket, 175 pp. N° de réf. du vendeur 109157
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