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The King's Pictures: The Formation and Dispersal of the Collections of Charles I and His Courtiers - Couverture rigide

 
9780300190120: The King's Pictures: The Formation and Dispersal of the Collections of Charles I and His Courtiers

Synopsis

The greatest paintings in today's most famous museums were once part of a fluid exchange determined by volatile political fortunes. In the first half of the 17th century, masterpieces by Titian, Raphael, and Leonardo, among others, were the objects of fervent pursuit by art connoisseurs. Francis Haskell traces the fate of collections extracted from Italy, Spain, and France by King Charles I and his circle, which, after a brief stay in Britain, were largely dispersed after the Civil War to princely galleries across the Continent. From vivid case studies of individual collectors, advisers, and artists, and acute analysis of personality and motive, Haskell challenges ideas about this episode in British cultural life and traces some of the factors that forever changed the artistic map of Europe.


Published for the Paul Mellon Centre for Studies in British Art

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À propos de l?auteur

Francis Haskell (1928-2000) was one of the most influential art historians of the 20th century. He expanded the discipline to include the study of patronage and collecting, the formation of museums and canons of taste, the idea of revival and of illustration. He was professor of art history at the University of Oxford from 1967 until his retirement in 1995.


Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

  • ÉditeurYale University Press
  • Date d'édition2013
  • ISBN 10 0300190123
  • ISBN 13 9780300190120
  • ReliureRelié
  • Langueanglais
  • Numéro d'édition1
  • Nombre de pages260
  • Coordonnées du fabricantnon disponible

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Haskell, Francis
Edité par Paul Mellon Centre, 2013
ISBN 10 : 0300190123 ISBN 13 : 9780300190120
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Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 2.95. N° de réf. du vendeur G0300190123I4N00

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Francis Haskell
Edité par Paul Mellon Centre, 2013
ISBN 10 : 0300190123 ISBN 13 : 9780300190120
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Hardcover. Etat : Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Images are beautiful bright and vivid. No notes or highlighting. See images. Fantastic book. About the book >.>.> The greatest paintings in today's most famous museums were once part of a fluid exchange determined by volatile political fortunes. In the first half of the seventeenth century, master- pieces by Titian, Raphael and Leonardo, among others, were the object of fervent pursuit on the part of a network of art connoisseurs. Francis Haskell traces the fate of the collections extracted from Italy, Spain and France by King Charles I and his circle, which, after a brief stay in Britain, were largely dispersed after the Civil War to princely galleries across the Continent. From vivid case studies of individual collectors, advisers and artists, and acute analysis of personality and motive, Haskell challenges received ideas about this episode in British cultural life and traces some of the factors that forever changed the artistic map of Europe. (MP). N° de réf. du vendeur Batch-FM425-VG-9735

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Haskell, Francis
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Francis Haskell,
Edité par Yale University Press, 2013
ISBN 10 : 0300190123 ISBN 13 : 9780300190120
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Hardcover. Etat : Fine. Etat de la jaquette : Very Good +. First Edition. Bound in red cloth with gilt title on the spine. The greatest paintings in today?s most famous museums were once part of a fluid exchange determined by volatile political fortunes. In the first half of the 17th century, masterpieces by Titian, Raphael, and Leonardo, among others, were the objects of fervent pursuit by art connoisseurs. Francis Haskell traces the fate of collections extracted from Italy, Spain, and France by King Charles I and his circle, which, after a brief stay in Britain, were largely dispersed after the Civil War to princely galleries across the Continent. From vivid case studies of individual collectors, advisers, and artists, and acute analysis of personality and motive, Haskell challenges ideas about this episode in British cultural life and traces some of the factors that forever changed the artistic map of Europe. 244pp.Pictorial dustjacket.CONDITION: Light shelf wear. Pages are crisp and clean. Binding and text block are square and sound. Dustjacket is wrinkled a the bottom front cover otherwise only lightly rubbed. Full refund if not satisfied. N° de réf. du vendeur 077568

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Haskell, Francis and Karen Serres
ISBN 10 : 0300190123 ISBN 13 : 9780300190120
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Hardcover. Red cloth binding with gilt lettering and device on spine. Glossy color illustrated dust jacket. Illustrated in color and some B&W throughout. xv, 244 pp. "The greatest paintings in today's most famous museums were once part of a fluid exchange determined by volatile political fortunes. In the first half of the 17th century, masterpieces by Titian, Raphael, and Leonardo, among others, were the objects of fervent pursuit by art connoisseurs. Francis Haskell traces the fate of collections extracted from Italy, Spain, and France by King Charles I and his circle, which, after a brief stay in Britain, were largely dispersed after the Civil War to princely galleries across the Continent. From vivid case studies of individual collectors, advisers, and artists, and acute analysis of personality and motive, Haskell challenges ideas about this episode in British cultural life and traces some of the factors that forever changed the artistic map of Europe" - abstract. VG+/VG+, tail endband starting to fray, minor shelf wear on dust jacket, otherwise clean and crisp. N° de réf. du vendeur 178315

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