This group of 40 prints from the exceptional Daniel Cowin Collection captures the tumultuous aesthetic and political climate of the years surrounding World Wars I and II. An essay by Jonathan Black addresses the impact of World War I on two notable British printmakers, Edward Wadsworth and C. R. W. Nevinson. A text by Jay A. Clarke delves into the linocut movement of the 1920s and ’30s, investigating how the role of style and politics impacted this movement as well as the previously unexplored position of women printmakers and the interplay between gender, craft, and decoration. Influences of Futurism, Cubism, and the short-lived but vibrant abstraction of the Vorticist movement saturate the powerful color images, which are accompanied by artist biographies. This publication illuminates the struggle of these radical printmakers as they navigated a conservative market and the harsh economic and political realities of their time.
Distributed for the Clark Art Institute
Exhibition Schedule:
Clark Art Institute
(02/28/15–05/17/15)
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Jay A. Clarke is the Manton Curator of Prints, Drawings, and Photographs at the Clark Art Institute. Jonathan Black is a senior research fellow in the history of art at Kingston University in London.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 67676453-20
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Vendeur : G.J. Askins Bookseller, New Lebanon, NY, Etats-Unis
Soft cover. Etat : New. 112 page soft cover exhibition catalog with illustrations. New condition - still in the original shrink wrap. Exhibition was Feb. 28 - May 17, 2015 at The Clark Art Institute. N° de réf. du vendeur 543131
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Vendeur : AwesomeBooks, Wallingford, Royaume-Uni
paperback. Etat : Very Good. Machine Age Modernism: Prints from the Daniel Cowin Collection (Clark Art Institute Series (YUP)) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. . N° de réf. du vendeur 7719-9780300211665
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Vendeur : Bahamut Media, Reading, Royaume-Uni
paperback. Etat : Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee. N° de réf. du vendeur 6545-9780300211665
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Vendeur : LEFT COAST BOOKS, Santa Maria, CA, Etats-Unis
Paperback. Etat : Fine. 1st. 111 pages, illustrations (chiefly colour); 26 cm. Published on the occasion of the exhibition Machine Age Modernism: Prints from the Daniel Cowin Collection, Clark Art Institute, Williamstown, Massachusetts, February 28 to May 17, 2015. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "This group of 40 prints from the exceptional Daniel Cowin Collection captures the tumultuous aesthetic and political climate of the years surrounding World Wars I and II. An essay by Jonathan Black addresses the impact of World War I on two notable British printmakers, Edward Wadsworth and C.R.W. Nevinson. A text by Jay A. Clarke delves into the linocut movement of the 1920s and '30s, investigating how the role of style and politics impacted this movement as well as the previously unexplored position of women printmakers and the interplay between gender, craft, and decoration. Influences of Futurism, Cubism, and the short-lived but vibrant abstraction of the Vorticist movement saturate the powerful color images, which are accompanied by artist biographies. This publication illuminates the struggle of these radical printmakers as they navigated a conservative market and the harsh economic and political realities of their time." - Publisher. *** CONTENTS: Two Modernist British Printmakers and the Great War: Edward Wadsworth and C.R.W. Nevinson, by Jonathan Black; Linocuts between the Wars: The Politics of Style, Process, and Gender, 1918-39, by Jay A. Clarke; Methods and Makers: Printing Processes and Artist Biographies, by Megan Kosinski; Exhibition Checklist. Size: Oblong. Collectible. N° de réf. du vendeur 210958
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Vendeur : Colin Martin Books, Near Hull, EY, Royaume-Uni
Paperback. Etat : New. Qto., 80 pages, colour illustrated. A New copy in the shrink wrap as issued. N° de réf. du vendeur 085285
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Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Paperback. Etat : New. Orderbook - wwb â" April 2015 newsletter- MACHINE AGE MODERNISM: PRINTS FROM THE DANIEL COWIN COLLECTION. Jay A. Clarke and Jonathan Black. Sterling and Francine Clark Art Institute, Williamstown, 2015. Distributed by Yale University Press, New Haven. 112 pp. With 68 ills. (56 col. ). 26 x 28 cm. LC 2015-369 ISBN 9780300211665 In English. Indexing: Western, Europe â" Great Britain â" 1900-1945 â" Graphic Arts (Prints) Plans: 71,75 Worldwide Number: 080772 Paperbound $27.50x99 / CHANGE0722022; *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened - -- with a bonus offer--. N° de réf. du vendeur 111323
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