A definitive exploration of Corita Kent’s art, looking beyond her identity as a radical nun to establish her place amid the vibrant pop art movement of the 1960s
Known widely as a Catholic nun with an avant-garde flair, Corita Kent (1918–1986) has a personal legacy that has tended to overshadow her extensive career as an artist. This handsomely illustrated catalogue places Kent in her rightful position among the foremost figures of pop art, such as Andy Warhol, Ed Ruscha, and Roy Lichtenstein. Although Kent has been largely excluded from the academic and critical discourses surrounding 1960s American art, this publication reevaluates her importance and highlights how her work questioned and expanded the boundaries of the pop art movement.
Four essays and nearly 90 catalogue entries pull together a variety of topics―art history, religion, politics, linguistics, race, gender, mass media, and advertising―that influenced Kent’s life and work during the 1960s. Eminent pop scholars delve into the relationship between her art and that of her contemporaries, and explore how her art both responded to and advanced the changes in modern-day Catholicism stemming from Vatican II. More than 200 vibrant images showcase Kent’s ingenious screenprints, which often combine handwritten text and commercial imagery. Offering an unparalleled, rigorous study of an artist who has been largely overlooked, this book is an important contribution to scholarship as well as a fascinating presentation of Kent and her work to a wider audience.
Distributed for the Harvard Art Museums
Exhibition Schedule:
Harvard Art Museums
(09/03/15–01/03/16)
San Antonio Museum of Art
(02/13/16–05/08/16)
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Susan Dackerman is consultative curator of prints at the Harvard Art Museums. Julia Bryan-Wilson is associate professor of art history at the University of California, Berkeley. Richard Meyer is the Robert and Ruth Halperin Professor of Art History at Stanford University. Jennifer L. Roberts is the Elizabeth Cary Agassiz Professor of the Humanities at Harvard University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Powell's Bookstores Chicago, ABAA, Chicago, IL, Etats-Unis
Paperback. Etat : Very Good. Etat de la jaquette : None. Illustrated. 4to. Pap. Slight creasing to spine (not threatening the sewn binding), else a bright, clean copy. A definitive exploration of Corita Kent's art, looking beyond her identity as a radical nun to establish her place amid the vibrant pop art movement of the 1960s Known widely as a Catholic nun with an avant-garde flair, Corita Kent (1918-1986) has a personal legacy that has tended to overshadow her extensive career as an artist. This handsomely illustrated catalogue places Kent in her rightful position among the foremost figures of pop art, such as Andy Warhol, Ed Ruscha, and Roy Lichtenstein. Although Kent has been largely excluded from the academic and critical discourses surrounding 1960s American art, this publication reevaluates her importance and highlights how her work questioned and expanded the boundaries of the pop art movement. Four essays and nearly 90 catalogue entries pull together a variety of topics--art history, religion, politics, linguistics, race, gender, mass media, and advertising--that influenced Kent's life and work during the 1960s. Eminent pop scholars delve into the relationship between her art and that of her contemporaries, and explore how her art both responded to and advanced the changes in modern-day Catholicism stemming from Vatican II. More than 200 vibrant images showcase Kent's ingenious screenprints, which often combine handwritten text and commercial imagery. Offering an unparalleled, rigorous study of an artist who has been largely overlooked, this book is an important contribution to scholarship as well as a fascinating presentation of Kent and her work to a wider audience. . N° de réf. du vendeur 2032664
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Vendeur : Bookbot, Prague, Rébublique tchèque
Softcover. Etat : Fine. Leichte Verformung / umgeknickte Seiten; Leichte Verschmutzung / Farbtonveränderung; Einriss bis 1 cm. Focusing on Corita Kent's artistic contributions, this exploration delves into her significance within the 1960s pop art movement, transcending her identity as a radical nun. It highlights her innovative use of color, typography, and social themes, illustrating how her work reflects the cultural landscape of the time. The book offers a comprehensive analysis of her art and its impact, positioning Kent as a key figure in the evolution of contemporary art. N° de réf. du vendeur 586187d6-a52c-4dea-b2b0-4d9fc8176941
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Vendeur : Hotdog1947, Glastonbury, CT, Etats-Unis
Soft cover. Etat : Very Good. Nice clean copy with a tight binding! Bumped edges. N° de réf. du vendeur 22535
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Vendeur : MERS Goodwill, Saint Louis, MO, Etats-Unis
Etat : acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable. Any access codes or passwords originally included with the book may be expired, used or no longer valid. Image is stock photo and cover art edition may be different than pictured. N° de réf. du vendeur MERV.0300214715.A
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Vendeur : Goodwill Books, Hillsboro, OR, Etats-Unis
Etat : good. Signs of wear and consistent use. N° de réf. du vendeur GICWV.0300214715.G
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Vendeur : Griffin Books, Stamford, CT, Etats-Unis
paperback. Etat : Like New. Brand new gift quality softcover oversized and overweight. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal. N° de réf. du vendeur 129269
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Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Paperback. Etat : New. N° de réf. du vendeur 113437
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