We often imagine the Renaissance as an age of exceptional human progress and artistic achievement. But, intriguingly, macabre images proliferated in precisely this period: unsettling depictions of Death personified, of decaying bodies, of young lovers struck down in their prime. These morbid themes run riot in the remarkable array of artworks featured in The Ivory Mirror. Nearly 200 illustrated artworks―from ivory prayer beads to gem-encrusted jewelry to exquisitely carved small sculptures―present us with an aspect of this era that is at once darker and more familiar than we might have expected. Focused on the challenge of making choices in an increasingly complex and uncertain world, Renaissance artists turned to poignant, often macabre imagery to address the critical human concern of acknowledging death, while striving to create a personal legacy that might outlast it. The essays gathered here discuss the development and significance of this transformative art of the past, while exploring themes that are still relevant today: how does one navigate the implicit tension between mortality and morality and seek to balance individual pleasure with the pursuit of a greater good?
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Stephen Perkinson is Peter M. Small Associate Professor of Art History and guest curator, Bowdoin College Museum of Art. Naomi Speakman is curator in the Department of Prehistory and Europe at the British Museum, London. Katherine Baker is an assistant professor of art history at Arkansas State University. Elizabeth Morrison is senior curator of manuscripts at the J. Paul Getty Museum. Emma Solberg is assistant professor of English at Bowdoin College.
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Hardcover. Etat : Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Standard-sized. N° de réf. du vendeur M0300225954Z4
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Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardcover. Etat : VG+. Cream boards with skull adornment and metallic stamped lettering, burgundy cloth spine with white lettering, 279 pp. 61 page of color plates. A plethora of illustrations. Published in conjunction with the exhibition The Ivory Mirror: The Art of Mortality in Renaissance Europe, presented at Bowdoin College Museum of Art from June 24 to November 26, 2017. "We often imagine the Renaissance as an age of exceptional human progress and artistic achievement. But, intriguingly, macabre images proliferated in precisely this period: unsettling depictions of Death personified, of decaying bodies, of young lovers struck down in their prime. These morbid themes run riot in the remarkable array of artworks featured in The Ivory Mirror. Nearly 200 illustrated artworks--from ivory prayer beads to gem-encrusted jewelry to exquisitely carved small sculptures--present us with an aspect of this era that is at once darker and more familiar than we might have expected" Contents as follows: The Ivory Mirror / Stephen Perkinson -- The Light at the End of the Tunnel : Manuscript Illumination and the Concept of Death / Elizabeth Morrison -- Chicart Bailly and the Specter of Death : Memento Mori in a Sixteenth-Century Estate Inventory / Katherine Baker -- Plates -- List of Plates -- Memento mori Beads : Collecting Histories and Contexts / Naomi Speakman -- The Poetry of Death / Emma Maggie Solberg. N° de réf. du vendeur 168166
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Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR014784824
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