This pioneering book, the first monograph devoted to Donald Judd, addresses the whole breadth of Judd's practices. Drawing on documents found in nearly twenty archives, David Raskin explains why some of Judd's works of art seem startlingly ephemeral while others remain insistently physical. In the process of answering this previously perplexing question, Raskin traces Judd's principles from his beginnings as an art critic through his fabulous installations and designs in Marfa, Texas. He discusses Judd's early important paintings and idiosyncratic red objects, as well as the three-dimensional works that are celebrated throughout the world. He also examines Judd's commitment to empirical values and his political activism, and concludes by considering the importance of Judd's example for recent art.
Ultimately, Raskin develops a picture of Judd as never before seen: he shows us an artist who asserted his individuality with spare designs; who found spiritual values in plywood, Plexiglas, and industrial production; who refused to distinguish between thinking and feeling while asserting that science marked the limits of knowledge; who claimed that his art provided intuitions of morality but not a specific set of tenets; and who worked for political causes that were neither left nor right.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
David Raskin is professor of Art History, Theory, and Criticism at the School of the Art Institute of Chicago.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Hennessey + Ingalls, Los Angeles, CA, Etats-Unis
Trade Paperback. Etat : New. This pioneering, critically acclaimed book, originally published in 2010 and now available in paperback, is an authoritative and enlightening guide to a wide array of works by the great American artist Donald Judd (1928-1994). Showcasing the entire breadth of Judd's practices, the book draws on documents from nearly twenty archives and investigates Judd and his work both within and outside the context of the 1960s Minimalist art movement. David Raskin explains why some of Judd's works seem startlingly ephemeral while others remain insistently physical; in the process of answering this perplexing question, Raskin traces Judd's principles from his beginnings as an art critic through his fabulous installations and designs in Marfa, Texas. Raskin develops a truly singular picture of Judd: he shows us an artist who asserted his individuality with spare designs; who found spiritual values in plywood, Plexiglas, and industrial production; who refused to distinguish between thinking and feeling while asserting that science marked the limits of knowledge; who claimed that his art provided intuitions of morality but not a specific set of tenets; and who worked for political causes that were neither left nor right. An authoritative look at the art, life, and legacy of a revered artist BEAUTIFUL COPY!!! N° de réf. du vendeur 323637
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Vendeur : Daedalus Books, Portland, OR, Etats-Unis
Paperback. Etat : Fine. Color Plates; 4to ; 220 pages. N° de réf. du vendeur 299017
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Vendeur : Montana Book Company, Fond du Lac, WI, Etats-Unis
Paperback. Etat : Fine. 220 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. No remainder mark. Book still in the original publisher shrink wrap. N° de réf. du vendeur 093179
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Vendeur : LEFT COAST BOOKS, Santa Maria, CA, Etats-Unis
Paperback. Etat : NEW. 1st. 220 pages, illustrations (some colour); 28 cm. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. First edition thus. *** "This pioneering, critically acclaimed book, originally published in 2010 and now available in paperback, is an authoritative and enlightening guide to a wide array of works by the great American artist Donald Judd (1928-1994). Showcasing the entire breadth of Judd's practices, the book draws on documents from nearly twenty archives and investigates Judd and his work both within and outside the context of the 1960s Minimalist art movement. David Raskin explains why some of Judd's works seem startlingly ephemeral while others remain insistently physical. In the process of answering this perplexing question, Raskin traces Judd's principles from his beginnings as an art critic through his fabulous installations and designs in Marfa, Texas." - Publisher. *** CONTENTS: Introduction; Art's scale; Credible art; Disparity is a method; Citizen Judd; Physics and fantasy. Size: 4to. Collectible. N° de réf. du vendeur 200736
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Vendeur : Arundel Books, Seattle, WA, Etats-Unis
Trade Paperback. Etat : Near Fine. First Edition. Light shelfwear, else a nice clean copy in Near Fine condition. 8.75 x 10.625 in. 196pp., with color photos and reproductions throughout. N° de réf. du vendeur 665014
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Vendeur : Moe's Books, Berkeley, CA, Etats-Unis
Softcover. Etat : Fine. No jacket. New. N° de réf. du vendeur 4006887
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 29162629-n
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Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur WY-9780300228687
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. 2017. Reprint. Paperback. . . . . . N° de réf. du vendeur V9780300228687
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur WY-9780300228687
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