A fascinating exploration of the introduction of Vincent van Gogh’s work to the United States one hundred years later
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Jill Shaw is the head of the James Pearson Duffy Department of Modern and Contemporary Art and Rebecca A. Boylan and Thomas W. Sidlik Curator of European Art, 1850-1970, at the Detroit Institute of Arts.
A fascinating exploration of the introduction of Vincent van Gogh’s work to the United States one hundred years later
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : The Maryland Book Bank, Baltimore, MD, Etats-Unis
hardcover. Etat : Very Good. Used - Very Good. N° de réf. du vendeur 11-O-3-0212
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Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Hardback. Etat : Very Good. A fascinating exploration of the introduction of Vincent van Gogh's work to the United States one hundred years later. N° de réf. du vendeur 00109921657
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized. N° de réf. du vendeur M0300247095Z3
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Hardback. Etat : Very Good. A fascinating exploration of the introduction of Vincent van Gogh's work to the United States one hundred years later. N° de réf. du vendeur CIN0300247095VG
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Vendeur : Michael Patrick McCarty, Bookseller, New Castle, CO, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. In Very Good+ condition and Very Good+ dustjacket. Explores how the artist's work was introduced and embraced in the United States. It traces this journey from his debut at the 1913 Armory Show to his landmark 1935 retrospective at New York's Museum of Modern Art. Published in conjunction with an exhibition at the Detroit Institute of Arts, the book focuses on the centenary of the museum?s purchase of Van Gogh?s 1887 Self-Portrait in 1922?making it the very first public museum in America to acquire his work. Through scholarly essays, the book details how early American private collectors, civic institutions, and promoters of modernism navigated and shaped Van Gogh's legacy. It also sheds light on how the artist's turbulent biography was framed for the American public, heavily influenced by early European dealers, his family, and even Hollywood. N° de réf. du vendeur SKU2020028691
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Vendeur : Herland Books, Denver, CO, Etats-Unis
Hardcover. First Edition; First Printing. Navy cloth boards, near fine in fine dust jacket in mylar cover. N° de réf. du vendeur 20417
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Vendeur : GoldBooks, Denver, CO, Etats-Unis
Hardcover. Etat : new. New Copy. Customer Service Guaranteed. N° de réf. du vendeur 22W70_35_0300247095
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Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardcover. navy cloth boards w/ silver stamped printing. 263 pgs w/ color illustrations throughout. pictorial & grey dustjacket w/ white printing. A nice, bright copy. ".Van Gogh in America details the early reception of the artist's work by American private collectors, civic institutions, and the general public from the time his work was first exhibited in the United States at the 1913 Armory Show up to his first retrospective in an American museum at the Museum of Modern Art, New York, in 1935, and beyond. The driving force behind this project, the Detroit Institute of Arts, was the very first American public museum to purchase a Van Gogh painting, his Self-Portrait, in 1922, and this publication marks the centenary of that event. Leading Van Gogh scholars chronicle the considerable efforts made by early promoters of modernism in the United States and Europe, including the Van Gogh family, Helene Kröller-Müller, numerous dealers, collectors, curators, and artists, private and public institutions, and even Hollywood, to frame the artist's biography and introduce his art to America."--Publisher's Website. VG/VG (light scuffs, scratches to cloth boards. corners may have bumping & creasing. dustjacket scuffed & scratched w/ light rubbing to corners). N° de réf. du vendeur 198404
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 38612539-n
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Hardcover. Etat : new. Hardcover. A fascinating exploration of the introduction of Vincent van Goghs work to the United States one hundred years later Vincent van Gogh (18531890) is one of the most iconic artists in the world, and how he became a household name in the United States is a fascinating, largely untold story. Van Gogh in America details the early reception of the artists work by American private collectors, civic institutions, and the general public from the time his work was first exhibited in the United States at the 1913 Armory Show up to his first retrospective in an American museum at the Museum of Modern Art, New York, in 1935, and beyond. The driving force behind this project, the Detroit Institute of Arts, was the very first American public museum to purchase a Van Gogh painting, his Self-Portrait, in 1922, and this publication marks the centenary of that event. Leading Van Gogh scholars chronicle the considerable efforts made by early promoters of modernism in the United States and Europe, including the Van Gogh family, Helene Kroeller-Mueller, numerous dealers, collectors, curators, and artists, private and public institutions, and even Hollywood, to frame the artists biography and introduce his art to America.Distributed for the Detroit Institute of ArtsExhibition Schedule:Detroit Institute of Arts (October 2, 2022January 22, 2023) A fascinating exploration of the introduction of Vincent van Goghs work to the United States one hundred years later Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780300247091
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