A rigorous and wide-ranging investigation of the techniques and reasons behind the artistic practice of replication
Volume 4 of the National Gallery of Art's biennial conservation research journal Facture examines the complex themes of series, multiples, and replicas. With a broad historical purview that spans from the Renaissance to the 20th century, this publication considers various modes of replication--by the artist's own hand or workshop, as a posthumous creation, or as a preferred practice--and their motivations. Drawing on new research into materials and techniques, nine essays focus on works in diverse media by artists such as Sandro Botticelli, Auguste Rodin, and Robert Rauschenberg and present intriguing conclusions about the nature of serialization and the relationships among multiple versions of a composition. Filled with spectacularly detailed photographs and fresh discoveries, this volume provides exceptional insight into these extraordinary works of art and offers the possibility of exciting new avenues of inquiry. Distributed for the National Gallery of Art, WashingtonLes informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Daphne Barbour is senior object conservator and Suzanne Quillen Lomax is senior conservation scientist, both at the National Gallery of Art, Washington.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 54719530-6
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Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 50987157-6
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Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. 2019. paperback. . Not a first edition copy. . . . Books ship from the US and Ireland. N° de réf. du vendeur 9780300247619
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. 2019. paperback. . Not a first edition copy. . . . N° de réf. du vendeur 9780300247619
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Vendeur : Powell's Bookstores Chicago, ABAA, Chicago, IL, Etats-Unis
Paperback. Etat : New. Etat de la jaquette : None. A rigorous and wide-ranging investigation of the techniques and reasons behind the artistic practice of replication Volume 4 of the National Gallery of Art's biennial conservation research journal Facture examines the complex themes of series, multiples, and replicas. With a broad historical purview that spans from the Renaissance to the 20th century, this publication considers various modes of replication--by the artist's own hand or workshop, as a posthumous creation, or as a preferred practice--and their motivations. Drawing on new research into materials and techniques, nine essays focus on works in diverse media by artists such as Sandro Botticelli, Auguste Rodin, and Robert Rauschenberg and present intriguing conclusions about the nature of serialization and the relationships among multiple versions of a composition. Filled with spectacularly detailed photographs and fresh discoveries, this volume provides exceptional insight into these extraordinary works of art and offers the possibility of exciting new avenues of inquiry. Distributed for the National Gallery of Art, Washington. N° de réf. du vendeur 2032956
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK. N° de réf. du vendeur M0300247613Z3
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Vendeur : GoldBooks, Denver, CO, Etats-Unis
Paperback. Etat : new. New Copy. Customer Service Guaranteed. N° de réf. du vendeur 73B36_89_0300247613
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Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Softcover. Etat : VG+: As new in shrinkwrap. A matte softcover book with the title in black down a mostly blue spine. Pages: xii, 267. Illustrated with a majority color images. Contents are as follows: The portraits of Giuliano de' Medici by Sandro Botticelli / Elizabeth Walmsley and Alexander J. Noelle, with Babette Hartwieg -- "Comparable to the very tips of their spades": technical and political connections among serial busts of Charles V / Dylan Smith and Wendy Sepponen -- The Mellon Mercury: investigating a Giambologna replica / Shelley Sturman, in collaboration with Debra Pincus -- Auguste Rodin and the question of the original in sculpture / Antoinette Le Norman-Romain -- Vincent van Gogh's Three Portraits of Marcelle Roulin / Kathrin Pilz, Louis van Tilborgh, Muriel Geldof, and Ann Hoenigswald -- The story not told: the examination and treatment of Edward Steichen's OOchens series / Linda Owen and Kathryn Morales -- Jean Dubuffet: molding a new reality / James Gleason -- To print on air: Robert Rauschenberg's Hoarfrost Editions / Adam Greenhalgh, Adam Novak, Julia M. Burke, Lisha Deming Glinsman, Suzanne Quillen Lomax, and Molly K. McGath -- In Focus: Paolo Veronese's Finding of Moses: a reassessment / Joanna Dunn and John Marciari. N° de réf. du vendeur 210522
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