Testifying to the fact that British cinema is richer and more diverse than is generally recognized, this collection comprises essays which bring new perspectives to bear on neglected topics in this area. Topics include: Gainsborough Studios, Alfred Hitchcock's British films, Derek Jarman's Shakespeare roles, homosexuality and British cinema, women's films of the 1980s, film criticism in the 1940s, post-war films and the English avant-garde.
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British cinema has been far richer and more diverse than is generally recognized, as this collection of key writings on British film culture from the conversion to sound in the late 1920s to the 1990s testifies. Dissolving Views brings together a number of important and influential essays and the light they throw on 70 or so years of British cinema history makes this volume a vital, provocative and highly informative collection.
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