Red Cat - Couverture rigide

Spiegelman, Peter

Couverture rigide

ISBN 10 : 0307263169 ISBN 13 : 9780307263162

Editeur : Alfred a Knopf Inc, 2007

Synopsis

Book by Spiegelman Peter

A propos du livre

Revue de presse

“One of the best novels so far in this young year is Red Cat. Literate writing, a sturdy protagonist and dazzling subplots make Spiegelman one of the newer private-eye novelists who will be endlessly compared to Dashiell Hammett, Raymond Chandler and Ross MacDonald–with good reason . . . March, dealing with his own entanglement with a married lover, Clare, emerges as an interesting and all-too-human gumshoe. Red Cat will make readers sit up and take notice. Watch Spiegelman!”
–Les Roberts, Cleveland Plain Dealer

“Spiegelman’s sexy, superior thrillers rely on John March, an ex-cop and now a private investigator who comes from a wealthy, influential family, to confront a complex, intriguing crime . . . Red Cat is seamy and classy at the same time, with a taut throughline. Spiegelman doesn’t waste a page in this viciously intelligent thriller.”
–Sherryl Connelly, New York Daily News

“Peter Spiegelman’s writing sounds almost spookily like James Lee Burke's, but his haunted-yet-stoic investigator peruses the streets of New York rather than bayou country . . . March’s careful legwork through the galleries, clubs and underground film venues of a blizzardy New York, the bursts of violence, the tightly buttoned family tensions, his oddly cool relationship with the beautiful Clare, all are done to perfection.”
–P.G. Koch, Houston Chronicle

“Spiegelman earns our attention with the swift plot and excellent dialogue in this third in the series.”
–Jane Dickinson, Rocky Mountain News

“The glossy sheen of Manhattan noir that Peter Spiegelman brought to Black Maps and Death’s Little Helpers has become darker and more lustrous in Red Cat, a morality tale whose depiction of S-and-M performance art gives the story a modern twist . . . No less than the elegant cut of the author’s prose and the nice lines of his characters, the fashionable aesthetics of ‘noir porn’ are presented here in high style.”
–Marilyn Stasio, New York Times Book Review

“[Spiegelman is] a writer with an unusual mix of talents, and Red Cat is one of the most interesting crime novels you’re likely to encounter this year . . . We expect to find in good thrillers such elements as realism, intelligence, suspense and tough-mindedness, but we less often encounter much sex or sophistication. [But] Red Cat is sexy and sophisticated as well as endearingly nasty . . . Edgy and electric. It’s the war of the sexes with the gloves off . . . March’s search for the killer keeps us guessing, but what distinguishes the novel is the level of the writing and Spiegelman’s portraits of people whom he may not like but always seems to understand . . . They’re subtle and pleasing characterizations. At times Spiegelman’s prose recalls Raymond Chandler’s . . . And a final scene echoes The Great Gatsby.”
–Patrick Anderson, Washington Post

“[The] third slam-bang installment of his gritty mystery series . . . Spiegelman has a genuine understanding of what we are capable of doing for love and the cruel cost of settling for anything else. Mystery fans will love his nifty guess-again plot, fuel-injected prose and deeply complex characters, but what shines is the way the author makes the murky psychological secrets of relationships just as thrilling as the crime itself.”
–Caroline Leavitt, People (4 out of 4 stars)

“As he looks for clues, March uncovers disturbing layers of truth about the sad past and strange present. Guilt and innocence, art and anger, crime and passion overlap . . . Spiegelman’s sharp prose pulls the reader straight through to the bittersweet end.”
–Tom Nolan, Wall Street Journal

“[March] is anything but simple, and his character has some interesting twists . . . A consistently rewarding series.”
–Adam Woog, Seattle Times

“A taut little number about the fallout from an affair between the PI’s troubled brother and the mysterious redhead he met online. There are enough shady characters to keep readers guessing whodunit till the end, and March, a moody Manhattan loner, is always good company. Spiegelman writes simply, evocatively.”
–Karen Valby, Entertainment Weekly

“From page one, Spiegelman spins a gripping tale of betrayal, blackmail and murder . . . Seductive, brilliant, vindictive and downright bad, [the femme fatale] is the absolute antithesis of the girl next door . . . Spiegelman offers readers the complete package: a killer storyline (literally), vivid characterizations (anyone who has ever dabbled in sibling rivalry will revel in the relationship between March and brother David), crisp dialogue and a twist or two to keep you guessing.”
–Bruce Tierney, Bookpage

“Wall Street may be a rarefied world, but its inhabitants also can plumb the depths. John March is the black sheep of an investment banking family, formerly a cop and now a private investigator. When his very respectable older brother, David, comes to him for help, John quickly finds himself in a sordid world of perverse sex, dubious art, and, of course, murder . . . Spiegelman retired early from two decades on Wall Street, and his [previous] March book[s] made good use of financial background, but here we get more detecting . . . As John matures, so does Spiegelman. The writing is cleaner, the characters are varied and well drawn, and most of all, the plot is believably complex and full of shocking twists. Highly recommended.”
–Library Journal

“Philip Marlowe and Sam Spade would give an appreciative nod to John March, the shrewd, no-nonsense PI in Peter Spiegelman’s superlative series . . . Spiegelman renders crisp, chilling prose and characters who are edgy and complex . . . He vividly evokes a Manhattan besieged by blizzards. But even a blanket of white can’t muffle its residents’ dark deeds.”
–Allison Block, The Strand magazine

“A satisfying meal for any fan of Manhattan P.I. novels . . . Spiegelman stakes a strong claim to Lawrence Block’s Matt Scudder turf.”
–Booklist

“New York City PI John March loves his work, and it’s this passion that keeps him where readers will want him in the future: on the job . . . [Spiegelman] continues to be one of today’s best practitioners of neo-noir.”
–Publishers Weekly

“If Peter Spiegelman’s story of sibling entanglements and an internet hook-up gone bad didn't yank me right in–which it did–and if his characters weren’t vivid and his dialogue pitch-perfect–which they are–I’d still read him for his chisel-sharp prose. In Red Cat Spiegelman reaches a new peak.  Don’t miss it.”
–S.J. Rozan, author of In This Rain

“John March returns to the crime scene in the third installment of an impressive series . . . The book’s premise is certainly inventive–an old plot of sexual intrigue is nestled within a shiny new plot about techno culture–and John March is a worthy heir to the hardboiled detective. The moral landscape of the minor characters is richly drawn, pulsing with petty evils that call to mind the work of Raymond Chandler and Dashiell Hammett. John March is perhaps less like Philip Marlowe than he is like Bill Smith, S.J. Rozan’s updated Chandleresque detective, but he will doubtless become Smith and Marlowe’s peer in the future. Gritty atmosphere and clever plotting enhance a fine addition to the noir tradition.”
–Kirkus Reviews

“Red Cat is the best mystery I've read in a long time. Taut, gritty, and beautifully written, the story moves along at a relentless clip.  But Spiegelman's greatest talent–and what sets him far above his contemporaries–can be found in his evocation of character. John March is one of the great fictional PI’s of the past decade. Conflicted, sympathetic, and brilliantly brought to life. I thoroughly enjoyed this book and it is my pleasure to heartily recommend it.” 
–Christopher Reich, author of The Patriots Club

“Peter Spiegelman is one of the finest PI writers around, and Red Cat is his edgiest and most accomplished work yet. The plot unfolds at breakneck speed, the twists are startling, the climax wrenching, and the writing is flat-out beautiful. But beyond these considerable pleasures, Spiegelman has crafted a nuanced and satisfying novel about siblings, marriages, and self-created prisons. It’s a story that stays with you, and if you haven’t discovered Spiegelman and PI John March yet, you’re missing something great.”
–Joseph Finder, author of Killer Instinct

“Red Cat is totally seductive–smart, sharp, with an undercurrent of tension that runs like a subterranean stream beneath the city.”
–Don Winslow, author of The Winter of Frankie Machine

“In Red Cat, Spiegelman has created the ultimate femme fatale. Wren is one of the most alluring, lethal, fascinating women to come along in over a decade. The novel is also a heart-wrenching study of family dysfunction with all its twisted love, buried simmering resentment and misplaced loyalty. This novel literally seethes. The third outing of John March moves Spiegelman into the top bracket of mystery’s elite, the rare number who are indeed a must read.”
–Ken Bruen, author of The Killing of the Tinkers

Extrait

I’d seen him angry plenty of times. I’d seen him dismissive, contemptuous, reproachful, and mocking too—and, more often than not, I’d seen that bad karma pointed in my direction. But in the thirty- four years I’d known him, I’d never seen my brother quite like this before. I’d never seen him scared.

David ran a hand through his ginger hair and knocked it from its slick alignment. He rose from my sofa and whisked imaginary dust from his spotless gray trousers and paced again before the long wall of windows. I shook my head, as much from the surprise of him turning up at my door on a Monday morning—or, indeed, any time—as from what I’d heard.

“Jesus Christ, David—on the Internet? What the hell were you thinking?”

He stopped to look out at the rooftops and at the sun, struggling up an iron January sky. Reflected in the window glass, his face was lean and sharp-featured—fairer-haired, lighter-eyed, more sour and lined than my own, but still too similar. At six feet tall he was barely an inch shorter than I, but he seemed smaller than that now. His smile was tight and bitter.

“Is this your usual approach with prospective clients—to interrupt their stories so you can exercise your own disapproval?” He flicked at a speck of nothing on the sleeve of his suit jacket.

The irony of him complaining about my disapproval was lost on David just then, but I fought the urge to point it out. Nor did I comment that he wasn’t so much telling his story as wandering around the edges of it. I knew it would be futile. Unsure of what to do with his fear, and unused to discussing it with anyone, least of all with me, David was falling back on more familiar and reliable behaviors, like annoyed and patronizing. I’d seen clients go through it before; fighting didn’t help.

David turned around and made an elaborate survey of my loft—the kitchen at one end, the bedroom and bath at the other, the high ceilings, cast-iron columns, bookshelves, and sparse furnishings in between. He pursed his lips in disapproval. “I haven’t been here since it was Lauren’s,” he said. Lauren was our younger sister, and still the owner of the apartment. I’d been subletting the place for the past five years. “She did more with it,” he added. I kept quiet. David wandered to a bookshelf and eyed the titles and smirked.

“Do people still read poetry?” he said. “People besides you, I mean.”

I sighed, and tried to bring him back to at least the neighborhood of his problem. “You exchanged names with this woman?”

His smirk vanished. “First names only, and not our real ones. At least, the one I gave her wasn’t real. I called myself Anthony.”

“And she . . . ?”

“Wren. She called herself Wren.”

“But now she knows your name—your real name.”

David smoothed his hair and smoothed his steel-blue tie. “Yes. When I think about it, it wouldn’t have been difficult. My wallet was in my suit jacket, and my suit jacket was in the closet or on the back of a chair. She could have gone through it while I was in the bathroom. I should have been more careful about that sort of thing, I suppose, but I assumed we both wanted anonymity. That is the point, after all.”

“The point of . . . ?”

David lifted his eyebrow to a familiar, impatient angle. “The point of the websites. The point of using words like ‘casual’ and ‘discreet’ in your posts.”

I nodded slowly. “You’re pretty familiar with the conventions.” David looked at me and said nothing. “By which I mean: I assume it wasn’t the first time you’d used one of these sites.”

“It wasn’t.”

“How many—”

He cut me off. “How is this relevant?”

I drained my coffee mug, rubbed the last smudges of sleep from my eyes, and counted to ten. “I don’t know what’s relevant and what’s not. I’m still trying to get the lay of the land.”

David sniffed. “Suffice it to say, there were other sites and other women.”

“Were they all onetime things?”

He walked back to the windows. A few sooty snowflakes were drifting down onto Sixteenth Street. David watched them drift. “Some, and some were three- or four-time things. Wren was four times.”

“None of the other women—”

“None of the others ever called me on the phone, John. None of them has shown up at my house. So can we drop them and stick to Wren?” His voice was shaky.

“You saw her four times, over what period?”

“Two months maybe.”

“From when to when?”

“From October to December. The last time was about six weeks ago.”

“When did the calls start?”

“New Year’s Day. She left a message on my office voicemail.”

“And since then?”

David turned toward me. Beneath the flawless Italian tailoring, his arms and legs were stiff as wire. His normally ruddy face was paper white. “In the past two weeks I’ve gotten four more calls at the office, three on my cell, and three at home. Four days ago she dropped by.”

“Does she say what she wants?”

“The two times she’s managed to get through to me she’s said she wants to meet again. She doesn’t seem to get the point of no.”

“She doesn’t say anything more?”

David examined his cuticles intently. “She says plenty more. I’ve saved a couple of the messages; you can hear for yourself.”

“Maybe you could give me a preview.”

He sighed impatiently. “She demands to see me; she won’t be dismissed or ignored. It’s a whole Fatal Attraction shtick. And she makes it clear that she knows where I work—not just my office number, but what I do and where. She mentions Ned, and threatens to call him if I don’t get in touch with her.” Ned is our brother, the eldest of the five of us. With our uncle Ben’s retirement the previous June, he’d also become the managing partner at Klein & Sons—the head guy at the merchant bank our great-grandfather started a few generations ago. Which also made him David’s boss.

“How are you supposed to get in touch with her?”

“The same way we arranged things before, by e-mail.”

“What else does she say?”

David stared at me. His blue eyes were weary but they didn’t waver. “She knows I’m married,” he said finally. “She mentioned Steph-

anie’s name, and a couple of events Steph had been at recently—

fund-raising things. She threatened to call her.”

I nodded. That was more than a glance through his wallet, though the research wouldn’t have been hard. David was a reasonably high-profile guy in some circles, and Google would do the trick. I recalled the mentions in the trade rags, last August, of David’s promotion to head of mergers and acquisitions at Klein. Those articles would probably appear at the top of the search results, but Stephanie’s name would come up too, along with a skein of social contacts.

“She’s done some homework,” I said.

Irritation rippled across David’s face. “You think?” He stalked to the kitchen counter and picked up his coffee mug. He drank from it and grimaced and emptied it in the sink. “Cold,” he said. He made it an accusation.

“Has she made good on her threats?”

“Do you think I’d be here if she had? There wouldn’t be much point, would there?”

I counted to ten again, and then to twenty. I was getting good at it. I’d had a lot of practice with David. “Has she tried to make good on them?”

“Does her little visit to my place count? Thank God Steph wasn’t home for that. Thank God I took care of the fucking doormen this Christmas.”

“So Stephanie doesn’t know about her?”

“No,” David said. His voice was empty of emotion again. “And neither does Ned, and I intend to keep it that way.”

A fine ambition, I thought, though perhaps not realistic. “Does Stephanie know about the other wo—”

“No, goddammit, and can we stick to the point here?” David’s fingers were white on the edge of my kitchen counter. I was running out of numbers.

I took a deep breath. “What happened when you and Wren were together?”

David’s look was a mix of irritation and “Are you some kind of idiot?” “What do you think happened? And if you’re looking for details, forget—”

“I’m not. But did she say or do anything out of the ordinary—

anything to make you think she had another agenda?”

“There was nothing,” he said, shaking his head. “Conversation tends to be . . . limited, and that’s how it was with her. She was maybe a little quieter than some of the others, a little more . . . inwardly turned . . . but that’s all.”

“And you didn’t say anything to her? Anything that might lead her to believe—”

“To believe what, that we were going to run off together or something? Get a cottage by the sea and raise a new generation of Marches? Do you think I’m stupid?” It was one of many thoughts that were colliding in my head, and that I’d so far managed to keep to myself. But David wasn’t making it easy. He ja...

Détails de l'édition

• Éditeur: Alfred a Knopf Inc
• Date d'édition: 2007
• Langue: anglais
• ISBN 10: 0307263169
• ISBN 13: 9780307263162
• Reliure: Relié
• Nombre de pages: 304
• Coordonnées du fabricant: non disponible
• Personne responsable: Authorised Representative Service; ar.info@doceupoint.com; ; 77 Camden Street Lower; Dublin; Dublin; D02 XE80; Irlande