Your Voice in My Head A dazzling and devastating memoir exploring breakdown and obsessive love, in a voice unlike any other Full description
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I was looking for weekend work, and though it was a Saturday job at a hairdresser’s I was after, somewhere in my teenage mind I thought that Ophelia might need a handmaiden. So, every day after school, before my mum got home, I would cycle to the Tate Gallery to visit
Millais’ muse.
I didn’t want a Saturday job at a hairdresser and bike riding was not my forte, but I was conscious that I was a thirteen-year-old and thirteen-year-olds ride bikes for fun and wash hair for tip money. Later I would understand that disconnect: “This is how and what I am supposed to want, and so I will try.”
Approaching the Tate, I knew what was coming. I could see Ophelia’s Titian hair, her white body floating down the river, the flowers around her. Sometimes, when I got there, she was dead. Other times she was still dying and could be saved by someone on the riverbank I’d never
seen before. Someone Millais had sketched and then painted over, under the pigment, taking shallow breaths so as not to be seen—a man who’d let her act it out, but who wouldn’t let her drown.
Though I’d never had sex, there were days when Ophelia seemed to be caught in a sexual act, her arms reached above her, her mouth open, beneath an invisible lover. A long time later—after I’d been in love—I knew that she could not let go on the banks as she drifted by. The flowers beg her stay in the moment. His scent keeps her locked in the past. Those afternoons, the Tate was populated by a combination of the brightly patterned elderly and young, hip gallery patrons in black (the former keeping out of the rain.The latter longing for rain to get caught
in).There was always at least one pickup going on. But mainly, on the leather banquette, in the center of the grand room, I’d sit in front of Millais’ painting, eating a secret bag of crisps, and cry.
A dazzling and devastating memoir — Girl Interrupted for the Juno generation.
Talented, prolific and charming, Emma Forrest was settled in Manhattan at twenty-two and on contract to the Guardian when she realized that her quirks had gone beyond eccentricity, past the warm waters of weird and into those cold, deep patches of the sea where people lose their lives.
Lonely, in a dangerous cycle of cutting and bulimia, and drawn inexplicably to damaging and cruel relationships, she found herself in the chair of a slim, balding and effortlessly optimistic psychiatrist — a man whose wisdom and humanity would wrench her from the vibrant and dangerous tide of herself, and who would help her to recover when she tried to end her life.
Emma's loving and supportive family and friends circled around her in panic. Like Ophelia, Emma was on the brink of drowning. But she was also still working, still exploring, still writing. And then she fell in love.
One day, when Emma called to make an appointment with her psychiatrist, she found no one there. He had died, shockingly, at the age of fifty-three, leaving behind a young family for whom he had fought to survive. Processing the premature doorstep, a failed suicide, she was adrift. And when her significant and all-consuming relationship also fell apart, she was forced to cling to the page for survival.
Your Voice in My Head is spiked with wit, humour and unique perception. It not only explores the crashing weight of depression, mania and suffering, but also the beauty of love and the heartbreak of loss. It is also, fundamentally, about our relationship with ourselves.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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