The Girl from Human Street: Ghosts of Memory in a Jewish Family - Couverture rigide

Cohen, Roger

Couverture rigide

ISBN 10 : 0307594661 ISBN 13 : 9780307594662

Editeur : Alfred a Knopf Inc, 2015

A propos du livre

Extrait

On May 7, 1945, my uncle, Capt. Bert Cohen of the Dental Unit of the Sixth South African Armored Division, Nineteenth Field Ambulance, made the following entry in his war diary:

After lunch Hilton Barber lent me his jeep and I scudded away on a delightful jaunt. We traveled through twisting country byways until the town of Monza. There we followed route 36 northward to Lecco. As we bypassed the town we got our first view of the famous Alpine lakes . . . an azure strip of unbelievable blue flanked by great mountains. . . . We passed through several icy tunnels and the beauty of the scene grew more breathtaking as we neared Bellagio, a wonderful village nestling in the fork of the lake beneath the majestic mountains. . . . A drove of little boys clambered onto the jeep, an incredible number appeared from all over the place. At one stage Wilson counted 21 of them on the jeep. Bellagio was indeed delightful. It was while there that we heard that the war was over, a report that was subsequently verified as we drove on down Lake Como to Como. . . . All along the road from Bellagio throngs had lined each village street and flowers in profusion had been tossed into the jeep.

So, in Bellagio, right here, feted by children and flowers, my uncle’s war ended. “GUERRA FINITA!!!”—­“WAR OVER!!!”—­he exulted in his diary. He was twenty-­six and far from home. As a young dentistry graduate from the University of the Witwatersrand, he had enlisted in Johannesburg on January 15, 1943. After training, he flew by stages to Egypt to join the Allies’ North African campaign. From there, in April 1944, he embarked for Italy, on the lowest deck, landing in Taranto, near the heel of Italy’s boot. Churchill had called Italy “the soft underbelly of the Axis,” but resistance to the Allied assault was stern. Bert’s progress northward through Naples, Rome, and Florence to Bellagio was no sunlit Italian passeggiata. The winter of 1944 was spent encamped high in the freezing Apennines facing a German line stretching across the country from Pisa to Rimini. He filled teeth in freezing, improvised dental surgeries.

Bert had to battle through the German lines. At Finale Emilia, north of Modena, on April 24, 1945, he was ordered into a bend in the Penaro River where a Nazi column was trapped. Skiet gemors—­Shoot the garbage—­was a rough guide to his Afrikaner com­mander’s battle code. An artillery battery pulverized the enclave. Wrecked vehicles smoldered. Wounded horses, nostrils flared in gasping horror, bayed—­a terrible sound. In the carnage, ammunition exploded and tires burst. The stench of roasted flesh and putrefaction pervaded the air. Intestines of gutted animals ballooned from their carcasses. A squad of South African infantry marched through the ruins, bringing a bullet of mercy to animals that still agonized. One dead German in particular caught Bert’s eye: a blond, square-­jawed young man with a long straight nose, hair flecked with blood and smoke, legs twisted grotesquely, abdomen ripped open, coils of gut spilling through a ragged gash into the dust, sightless blue eyes gazing at infinity. Beside the corpse lay scattered letters from the soldier’s mother in Hamburg. She wrote about Der Angriff, the Allied bombardment of the city that killed more than 42,000 people. Uncertain what to do, Bert returned the letters to the dead man’s pocket before grabbing a few ampoules of morphine found in an abandoned, ammunition-­filled German ambulance.

That single German corpse among the more than 600,000 casualties of the Italian campaign haunted my uncle for the rest of his life. Bert dwelt on him as if this death were his responsibility, or as if he, a Jew from South Africa, might somehow have brought this handsome young man, Hitler’s model Aryan, back to the life denied him. The dead man inhabited his dreams. Bert thought that he should have kept the letters, for some reason, perhaps to return them to a bereaved mother in Hamburg. He was a link in a circle that never closed.

Bellagio also marked him. He returned four days after his first visit, on May 11, 1945, and was billeted for a week in the magnificent Villa Gerly, on the banks of the lake. His diary records a lunch that day at Silvio’s restaurant. “We lunched sumptuously on fresh trout and fresh butter,” Bert wrote. “Such food was so novel and so exciting to our palates long jaded by M and V that I for one ate far too much.” Canned meat and vegetables (M and V), tasting of neither, were the staple military diet. After lunch Bert dozed off on the grass, a siesta troubled only by ants. In the late afternoon he decided to go for a swim:

We rowed out into the middle of the lake and there I plunged in. The water was icy cold a few feet below the surface. About halfway I realized I had overestimated my swimming ability and underestimated the distance. The swim turned into a horrifying ordeal. I was fighting panic, not with complete success. It is one thing to be able to take a grip if you can stop and weigh up the situation but quite another if you can’t stop to collect your calm. I couldn’t stop. It would have been better to have doggy paddled and relaxed but driving panic made my haste frantic. I was exhausted when I reached the shore. My heart was pounding and my head was bursting with pain. It was quite the most unnerving and terrifying experience I have had since I left home.

In this way, four days after the end of the war, Captain Cohen almost lost his life in Bellagio. He would have gone out in a sumptuous manner, after a lunch of delicious fish, in the midst of a beautiful lake, beneath the mountains, a few hundred yards from the Punto Spartivento. It is a good thing, however, that he did not encounter a watery North Italian grave. What a waste, people would have said, to die when the war was over. As if the war being over made any difference to the waste and the grief. The thing about life’s chains, and the lines of memory that eddy along them, is you never know when they may get broken—­in a mountainous trench, on a bend in the river, or three hundred meters down in a sunlit lake after a good lunch celebrating peace.

Excerpted from The Girl from Human Street by Roger Cohen. Copyright © 2015 by Roger Cohen. Excerpted by permission of Knopf, a division of Random House LLC. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Revue de presse

"Empathetic and far-reaching... The imaginative empathy that he brings even to the secondary figures depicted here...is sometimes breathtaking... Cohen's book is written with a generosity that is truly humane."
—The New York Review of Books

“Beautifully crafted....[Cohen] reveals how the threads of [his] legacy of displacement are woven together, all the while making visible tears in the fabric never to be fully mended.”
—The Washington Post

“There is so much to admire in The Girl from Human Street. Cohen[’s]...suggestion that certain depressive natures are triggered, or more to the point, haunted, by their immigrant history, is profound. His memoir will linger in any reader’s memory.”
—USA Today

“Cohen places the particular experiences of his family in a large historical frame....In his instructive meditations on history and Jewish life, Cohen...catches virtually the entire twentieth century.”
—The New York Times Book Review

“Impressive....[Cohen’s] moving, beautifully written book may be a ‘story of the 20th century’, but it also explores how Jewish identity might evolve in the 21st.”
—Ian Critchley, The Sunday Times

“The Girl from Human Street has important things to say, things that can perhaps only be said by a Jewish author. Cohen’s book is brave, honorable and enlightened. It is also beautifully written.”
—The Telegraph

“A moving, complex story that traces a family’s century of migration.”
—The Financial Times

"By tracing where his mother came from...[Cohen] speaks universally in this disarmingly raw narrative, and his lovely but haunted mother even more so – not least in her refusal to give up trying to love."
—The Guardian

“[As with] Amos Oz’s A Tale of Love and Darkness...we are in the hands of a master stylist....As a writer [Cohen] is peerless among his journalist colleagues.”
—Haaretz

“Cohen...explores the tentacles of repressed memory in Jewish identity....Thoughtful, wide-ranging, he muses on his own migrations spurred by ‘buried truths.’”
—Publishers Weekly

“Exquisite....[Cohen] writes with a poetic fragility...always striving for moral clarity, even when his own inner contradictions and complexities impede him.”
—The Jerusalem Post

“Many others have written stories of their family’s roots and journeys, but Cohen’s work stands out for his poetic and powerful prose.”
—The Jewish Week

“Cohen knows the pleasures and also the loneliness of diaspora. In writing his stirring memoir, in constructing a past with which he can live, he wrestled with demons both historical and personal.”
—The Huffington Post

“Vibrant, unusual and staunchly poignant....It is in fact not one, but many books: a lingering, evocative memoir, a gripping narrative, a shrewd socioeconomic history of South Africa, Britain, Israel, the US and Eastern Europe, a piercing philosophical analysis of the ethics of memory, of belonging to a story. It is quite unflinchingly an inquiry into the moral prerequisites of being human.”
—Bookanista

“Honest and lucid...With limpid prose, Cohen delivers a searching and profoundly moving memoir.”
—Kirkus, starred review

“Insightful, sometimes controversial commentary on crucial contemporary issues.”
—Booklist

“A gifted journalist, who has powerfully conveyed the grief of the bereft in various international trouble spots, here wrestles with his own grief for a mother who suffered through episodes of suicidal depression. This turns into a quest for core values in a family history spanning three continents, in which one uprooting led to the next. Many readers will find a mirror in Roger Cohen’s layered, ambitious, haunting book.”
—Joseph Lelyveld, Pulitzer Prize-winning author of Move Your Shadow: South Africa, Black and White

“Roger Cohen has given us a profound and powerful book, gripping from start to finish. The story of his Jewish family’s suffering and success, from Lithuania before the Shoah to South Africa, London and Tel Aviv today, features fierce battles against external demons (Hitler, Stalin, pervasive anti-Semitism) and the internal demons of depression and displacement. Wise and reflective, The Girl from Human Street is memoir at its finest.”
—Fritz Stern, author of Five Germanys I Have Known

“Roger Cohen captures a century’s upheavals in his moving, thoughtful, and well-written family saga.”
—Henry A. Kissinger

“Roger Cohen’s great-grandfather once expressed the wish that every person might ‘truly know that all of creation—from the sand granule to the shining star—is connected like one chain.’ I wish he could read his great-grandson's book and experience how powerfully it initiates us into that extraordinary awareness. Beautifully written and deeply moving, The Girl from Human Street is at once a love letter to a lost mother and an unflinching account of devastation and displacement. How can a story of such sweeping scope also be so tender and so intimate? Roger Cohen turns personal and historical excavation into symphony.”
—Mary Szybist, winner of the National Book Award

“I am moved by this book. I find fascinating the fusion of the private, even intimate family story with the history of European Jews in the twentieth century, the marriage of a subtle memoir with an essay on Jewish identity, tradition and assimilation, various diasporas and Israel, Israelis and Palestinians, humanism vs. fanaticism.” 
—Amos Oz

“Roger Cohen has written an absorbing, haunting voyage around the Jewish twentieth century. A book full of loss and love, it charts the intense, universal need to belong—a need so great, it can lead to despair and even a kind of madness. It is more than the story of one family. It is the story of a need that makes us human.”
—Jonathan Freedland, columnist, The Guardian

Détails de l'édition

• Éditeur: Alfred a Knopf Inc
• Date d'édition: 2015
• Langue: anglais
• ISBN 10: 0307594661
• ISBN 13: 9780307594662
• Reliure: Relié
• Nombre de pages: 304
• Coordonnées du fabricant: non disponible
• Personne responsable: Authorised Representative Service; ar.info@doceupoint.com; ; 77 Camden Street Lower; Dublin; Dublin; D02 XE80; Irlande