In the pre-Code Hollywood era, between 1929 and 1934, women in American cinema took lovers, had babies out of wedlock, got rid of cheating husbands, enjoyed their sexuality, led unapologetic careers, and, in general, acted the way many think women only acted after 1968.
Before then, women on screen had come in two varieties-sweet ingenue or vamp. Then two stars came along: Greta Garbo, who turned the femme fatale into a woman whose capacity for love and sacrifice made all other human emotions seem pale; and Norma Shearer, who succeeded in taking the ingenue to a place she'd never been: the bedroom. In their wake came a deluge of other complicated women-Marlene Dietrich, Jean Harlow, and Mae West, to name a few. Then, in July 1934, the draconian Production Code became the law in Hollywood and these modern women of the screen were banished, not to be seen again until the code was repealed three decades later. A thorough survey and a tribute to these films, Complicated Women reveals how this was the true Golden Age of women's films.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Mick LaSalle is the author of Complicated Women and was an associate producer of the Timeline Films/Turner Classic Movies documentary of the same name. He is the San Francisco Chronicle's movie critic.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Paperback. Etat : Fair. Between 1929 and 1934, women in American cinema took lovers, had babies out of wedlock, got rid of cheating husbands, enjoyed their sexuality and led unapologetic careers. Before then, women on screen had come in two varieties - sweet ingenue or vamp. Then two stars came along and blasted away those stereotypes. Greta Garbo turned the femme fatale into a woman whose capacity for love and sacrifice made all other human emotions seem pale. Meanwhile, Norma Shearer succeeded in taking the ingenue to a place she'd never been: the bedroom. These complicated women paved the way for a deluge of indelible stars - Marlene Dietrich, Jean Harlow and Mae West to name a few. Then in 1934, the draconian Production Code became law in Hollywood, and these women were banished, not to be seen again for three decades. N° de réf. du vendeur CIN0312284314A
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Paperback. Etat : Fair. Between 1929 and 1934, women in American cinema took lovers, had babies out of wedlock, got rid of cheating husbands, enjoyed their sexuality and led unapologetic careers. Before then, women on screen had come in two varieties - sweet ingenue or vamp. Then two stars came along and blasted away those stereotypes. Greta Garbo turned the femme fatale into a woman whose capacity for love and sacrifice made all other human emotions seem pale. Meanwhile, Norma Shearer succeeded in taking the ingenue to a place she'd never been: the bedroom. These complicated women paved the way for a deluge of indelible stars - Marlene Dietrich, Jean Harlow and Mae West to name a few. Then in 1934, the draconian Production Code became law in Hollywood, and these women were banished, not to be seen again for three decades. N° de réf. du vendeur CIN0312284314A
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